Polski (Polish) 
English (United Kingdom) 
Exhibitions
There are 75 exhibitions.
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HORYZONTY: CIĄG DALSZY Wystawa Fotografii Pawła Pierścińskiego
26.07.2023 - 30.08.2023
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PODRÓŹE W NIEZNANE | Wystawa malarstwa Anny Alicji Trochim i rze
18.11.2022 - 01.12.2022
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BORDER STATUS - wystawa malarstwa Tatiany Radsivilko, Tatiany Ka
22.07.2022 - 12.08.2022
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Short dream | Jacube Rybińska's performative exhibition
03.06.2022 - 05.06.2022
<div class="wystawa"> <h1 class="page-title" style="text-align: justify;">current exhibition</h1> <div class="wystawa"> <h1 class="h1_wystawy" style="text-align: justify;"><span class="h1_wystawy_span">SHORT DREAM</span></h1> <p> </p> <p> </p> <p> <img src="http://101projekt.pl/img/cms/Dodaj%20nagłówek.png" alt="" width="864" height="432" /></p> <p class="text"><img src=""http://101projekt.pl/img/cms/1." alt="" /></p> <p class="p_last linia2 first" style="text-align: justify;">Artist: <span>Jacube Rybińska<br /></span></p> <p class="p_last linia2" style="text-align: justify;">Place: <span>101 Projekt</span></p> <p class="p_last linia2" style="text-align: justify;">Date: <span>03.06-05.06.2022</span></p> <p class="p_last linia2" style="text-align: justify;">Curator: <span>Paulina Świerczyńska-Brzezińska</span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><a><span><br /></span></a></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">Jacube Rybińska's exhibition "Short Dream" is a three-day performance event aimed to introduce viewers to the essence of the artist's work. The exhibition consists of three elements: exhibition of paintings, performance and a live concert. The vernissage will start with the performance "Short Dream", it will be the first day of the event. The next day, we invite the recipients for a further dream journey, which they will delve into with the help of pictures and music created for them. The concert with live music will be the climax of the entire creative event.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">Artist Performence statement:</p> <p class="text" style="text-align: justify;">The performance aims to mark the situation which is the genesis of the pictures. This event is crucial in my story. Its traumatic nature, extreme emotions and the breakdown that I experienced changed me and my way of perceiving and being. Strong connection with the object of loss, inexplicability of the phenomena accompanying "falling asleep" marked me and made me look for clues and answers. I experience rebirth and change through chaos, the profusion of elements and crossing the pain line.</p> <p class="text" style="text-align: justify;">Jacube Rybińska</p> <p class="text" style="text-align: justify;"> </p> <p class="text" style="text-align: justify;">Performance Short dream: Falling asleep Another movement, gesture, thought ... Naturally precise and with no margin for error. Repetitive, confident in its routine. Quiet, unprecedented storm ... Recall the memory of your last 7 days, how much they were similar to each other, what activities do you do mechanically, do you focus on them and are any of these activities capable of disturbing your whole reality irreversibly? A long, blissful silence, anxiety appeared, probably again unjustified, after all, you are not doing it for the first time. You will look for peace that will probably never come again. He layed just the way that I had put him down to sleep, only absent anymore, breathless and dissimilar. Then there is only pace, apnea, scream, resuscitation, journey, panic ... I am in the nothingness of suspension. Somewhere between chaos and utopia. I don't believe in anything anymore, I can't hear or see anything. He fell asleep. I fell into colorful dreams.</p> <p class="text" style="text-align: justify;">Aleksandra Grącka</p> <p class="text" style="text-align: justify;"> </p> <p class="text" style="text-align: justify;">Description of the second day: Duration of sleep</p> <p class="text" style="text-align: justify;">The recipient experiences the dream together with Jacube. They are in a parallel world of images where there are no rules or logic. Colors, phenomena, fragments of situations swirl around. A phantasmagoric world full of puzzles, mysterious figures, symbols and sounds. The LCD screen displays the scenes of the performance - Falling asleep, which is a perceptible and inseparable element of a parallel dream space.</p> <p class="text" style="text-align: justify;"> </p> <p class="text" style="text-align: justify;">Description of the third day:</p> <p class="text" style="text-align: justify;">Awakening Finisaż or Awakening. Live music mini-concert. Surrounded by the paintings, the artist Patrycja Zarychta will sing, among others, the song "Short Dream" by Kacper and Jacube Rybińscy.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"> </p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><a href="https://101projekt.pl/index.php?id_artist=778&controller=artist&id_lang=1">JACUBE RYBIŃSKA</a></p> <p class="text" style="text-align: justify;">Jacube Rybinska is a Polish painter, born in 1985 in Toruń. She is self-taught. She is a clinical psychologist by education. She creates surreal paintings in acrylic technique. Dreamy phenomena, psychological portraits and dreams inscribed in phantasmagoric reality are the main subject of Jacube's painting. The world presented in the artist's paintings is built of fragments, separated cells, filled with patches of pure, strong colors and small figural representations that harmoniously complement each other, creating a coherent whole.</p> </div> </div> 0 products
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SŁOŃCE wystawa malarstwa Rafała Kapicy
14.05.2022 - 01.06.2022
<div class="wystawa"> <h1 class="page-title" style="text-align: justify;">current exhibition</h1> <div class="wystawa"> <h1 class="h1_wystawy" style="text-align: justify;"><span class="h1_wystawy_span">SŁOŃCE</span></h1> <p> </p> <p> </p> <p><img src="http://101projekt.pl/img/cms/SŁOŃCE_1.png" alt="" width="810" height="450" /></p> <p> </p> <p class="text"><img src=""http://101projekt.pl/img/cms/1." alt="" /></p> <p class="p_last linia2 first" style="text-align: justify;">Artist: <span>Rafał Kapica<br /></span></p> <p class="p_last linia2" style="text-align: justify;">Place: <span>101 Projekt</span></p> <p class="p_last linia2" style="text-align: justify;">Date: <span>14.05-01.06.2022</span></p> <p class="p_last linia2" style="text-align: justify;">Curator: <span>Paulina Świerczyńska-Brzezińska</span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><a>CATALOGUE</a><br /><br /></p> <p class="text" style="text-align: justify;"><a><span><br /></span></a></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">Exhibition of the paintings by Rafał Kapica entitled "The Sun" is a summary of the last few months of the Artist's creative work. Rafał Kapica has been working on his paintings for a long time. The very process of creating the work is preceded by an analysis of the painterly problem, which he scrupulously notes down on the pages of the sketchbook. The creation process is accompanied by reflections on color, light and technology. There is no room for coincidence here. The artist paints from memory. The inspiration is the memory of the situation and the emotions that accompanied it. He is fully devoted to the spontaneous, subconscious process of creation. It is possible due to the already acquired knowledge and workshop skills. The images presented at the exhibition are linked not only by theme. They form a coherent whole of mutually complementary compositions, each of which complements the previous one. The artist does not illustrate a specific phenomenon. It shows the enormous complexity of themes for which the starting point is the sun. The Artist's approach to the issue of color is what is especially effective. A whole complex palette of colors appears in solar paintings, which in the viewer's mind would not suggest a direct association with the sun. But, as the title of one of the works says - it creates the colors. The cycle ends with the latest painting "The Way to the Sun". It is a symbolic work that in some way sums up the history of the search for the right language to illustrate the elusive. By means of painting, Rafał Kapica captures what eludes human sight - allows the viewer to look directly at the sun.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">Paulina Świerczyńska-Brzezińska</p> <p class="text" style="text-align: justify;"> </p> <p class="text" style="text-align: justify;">During the first acquaintance with Rafał Kapica's works from the Stars series, presented in the form of photos, we almost automatically find an analogy with Wojciech Fangor's circles. In direct contact with the pictures, significant differences are revealed. The reason for the existence of the circle, its meaning and the method of painting visualization are different. Kapica's work derives from his genuine excitement about the problem of light. The cosmos, powerful flares accompanying the birth of supernovae, but also the earth's dawns and sunsets, shining, glares and epiphanies ... He tells the never ending story of his infatuation in the universal language of abstraction. By patiently applying successive layers of color and differentiating the surface texture to vibrations, it recreates the changing nature of light. The stylistically homogeneous solar paintings by Rafał Kapica are distinguished, apart from their purely artistic values, by excellent knowledge of the workshop and precision of workmanship.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">Maria Teresa Krawczyk</p> <p class="text" style="text-align: justify;"> </p> <p class="text" style="text-align: justify;">The paintings of Rafał Kapica are a trace of an attempt to depict the phenomena and forces of nature that intrigue him; materialize and make permanent what is changeable. Among them, a special place is taken by optical phenomena related to the sun as a symbol of life and energy. The solar motif appears on many of his canvases with pulsating circles. Their matter fascinates, entertains the eye with glowing forms, illusions of the influence of the approaching and receding space. The rough, layered surface retains the memory of brush strokes, drawing and free splashing. It emanates with many colors that react peculiarly to light. In the small or large-format paintings by Kapica, we find an attempt to capture and close the light, time and space, secrets of the Universe filtered by the artist's sensitivity.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">Magdalena Durda-Dmitruk</p> <p class="text" style="text-align: justify;"> </p> <p class="text" style="text-align: justify;">Artists from the Neolithic to the present day expressed their admiration for the beauty and power of the sun through art. These artistic representations also influence how people think about the sun. Most cultures use yellow to represent the sun. Many of them also contain rays or rays that come out of the sun. We cannot see these rays with our eyes, but it shows how people have understood for thousands of years that energy flows as light from the sun to us on earth and this energy is also visible in Rafał Kapica's painting. Thanks to a clear vision and skillful selection of means of expression, Kapica creates images that reveal his original style. The works are distinguished by color, which introduces a strong energetic charge to the pictures, and Bergson's Élan vital, additionally expands the viewer's interpretations with color, and everything that may be associated with it. The artist consistently builds his own separate aesthetics of his works, very consciously using the color and intensity of light, the paintings give the impression of flickering, which is often used in op-art compositions. Excellent use of colors, usually limited to two or three colors within one work. This saving of resources does not prevent him from achieving extremely strong artistic effects. The color on the canvas seems to vibrate, and the sun gives the impression of receding or approaching towards the viewer pulsating energy. His paintings "work", live. It also shows how Kapica consciously chooses painting means and with what virtuosity she uses them. Below an intricately constructed experience. Works of art are not only objects endowed by their creators with special qualities that make them appeal to, move or shock the viewer; art is also a kind of language - it communicates ideas, moods and impressions. The image has a multidimensional structure in which the semantic (representational) layer depicts the cognitive content expressed through simplification or deformation, abstraction and symbolism. The second layer of this structure is the so-called formal layer, as a consequence of the existence of the above-mentioned layers assuming originality, novelty and generativity, the third layer of the work is created - the axiological one, i.e. the creative value of the product. What happened to me while staring at the mesmerizing blur of absorbing color can be defined very broadly as an "artistic experience". Some people cry with emotion when they come into contact with art, others faint, others feel a wave of spreading warmth. It also happens that this experience has a negative effect: it causes fear and anxiety, causes embarrassment, and causes discomfort. But this is what art is about to evoke emotions in us, to introduce us to various moods and emotional states.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">Agnieszka Rozciecha – Lis</p> <p class="text" style="text-align: justify;"> </p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">RAFAŁ KAPICA</p> <p class="text" style="text-align: justify;">„In the modern world, filled with technology, mobile devices, and robots, art flowing from the need of the heart and inspiring one another, makes even more sense. Man does a lot of harm and produces ugliness, that's why I want to create reflexively, but beautifully as well. I paint to create positive energy with light and color. In order to do good, I need to surround myself with beauty." Rafał Kapica.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"> </p> <p class="text" style="text-align: justify;"> </p> <p class="text" style="text-align: justify;"> </p> <p class="text" style="text-align: justify;"><br /><br /></p> <p class="text" style="text-align: justify;"> </p> <p class="text" style="text-align: justify;"> </p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text"> </p> <p class="text"> </p> <p class="text"> </p> </div> </div> 0 products
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KRZYSZTOF.ART.PL wystawa rzeźb Bronisława Krzysztofa
23.04.2022 - 15.05.2022
<div class="wystawa"> <h1 class="page-title" style="text-align: justify;">current exhibition</h1> <div class="wystawa"> <h1 class="h1_wystawy" style="text-align: justify;"><span class="h1_wystawy_span">KRZYSZTOF.ART.PL</span></h1> <p> </p> <p> </p> <p><img src="http://101projekt.pl/img/cms/SŁOŃCE%20(4).png" alt="" width="810" height="450" /></p> <p> </p> <p class="text"><img src=""http://101projekt.pl/img/cms/1." alt="" /></p> <p class="p_last linia2 first" style="text-align: justify;">Artist: <span>Bronisław Krzysztof<br /></span></p> <p class="p_last linia2" style="text-align: justify;">Place: <span>Fabryka Norblina</span></p> <p class="p_last linia2" style="text-align: justify;">Date: <span>23.04-15.05.2022</span></p> <p class="p_last linia2" style="text-align: justify;">Curator: <span>Paulina Świerczyńska-Brzezińska</span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><a>CATALOGUE</a><br /><br /></p> <p class="text" style="text-align: justify;"><a><span><br /></span></a></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">The latest exhibition by Bronisław Krzysztof presents bronze sculptures made in recent years. The artist remains faithful to this technique from the beginning of his work. The choice of material is not accidental. Bronze, which allows for soft and freely modeled, varied surfaces, gives the Artist great opportunities for creative expression. The presented sculptures are both large forms, over two meters high, and smaller, more intimate browns. The subject itself - a single figure, or more precisely a nude act - automatically brings to mind antiquity. Ancient art is, as it were, the starting point for the Artist. The form is cleared of all unnecessary elements. Human figures ending in torsos, devoid of hands and heads, focus the viewer's eyes only on an important artistic problem. The movement of the characters is shown not through the use of dynamic poses, but mainly through subtle suggestion. A certain synthesis of shapes, blurring of individual features, generalization, is aimed at emphasizing the main topic of the human figure - female, male or sometimes of undefined gender. A certain reduction of shapes sometimes leads to the creation of forms on the border of abstraction. The artist not only develops his sculptures in a way that allows them to be viewed from all sides, but goes a step further - the ideal forms of the human body are divided into fragments that are detached by adding surreal elements. The space itself is another extremely interesting aspect of the artist's work. The human figure opens, showing also the perfectly designed interior - each side, each external and internal element have the same artistic value. The work of Bronisław Krzysztof is a constant development and introduction of innovative solutions, the starting point of which is the human body - a topic that has fascinated artists for centuries.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">Paulina Świerczyńska-Brzezińska</p> <p class="text" style="text-align: justify;"> </p> </div> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">BRONISŁAW KRZYSZTOF</p> <p class="text" style="text-align: justify;">He was born in 1956 in Mszana Dolna. He graduated from the State Secondary School of Fine Arts. Antoni Kenar in Zakopane, and then began studies at the Sculpture Department of the Academy of Fine Arts in Warsaw. In 1981 he graduated with honors from the studio of Jerzy Jarnuszkiewicz. The artist has shown his works at many individual and collective exhibitions in Poland and abroad (including in Paris, Cologne, Vienna, Ghent and London.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"> </p> <p class="text" style="text-align: justify;"> </p> <p class="text" style="text-align: justify;"> </p> <p class="text" style="text-align: justify;"><br /><br /></p> <p class="text" style="text-align: justify;"> </p> <p class="text" style="text-align: justify;"> </p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text"> </p> <p class="text"> </p> <p class="text"> </p> </div> 0 products
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KLISZE Z MYŚLI | wystawa malarstwa Grzegorza Czechowskiego i rze
03.02.2022 - 31.03.2022
<div class="wystawa"> <h1 class="page-title" style="text-align: justify;">current exhibition</h1> <div class="wystawa"> <h1 class="h1_wystawy" style="text-align: justify;"><span class="h1_wystawy_span">KLISZE Z MYŚLI</span></h1> <p><img src="http://101projekt.pl/img/cms/IMG_2378.JPG" alt="" width="2592" height="1728" /></p> <p> </p> <p class="text"><img src=""http://101projekt.pl/img/cms/1." alt="" /></p> <p class="p_last linia2 first" style="text-align: justify;">Artists: <span>Grzegorz Czechowski and Krzysztof Ostrzeszewicz<br /></span></p> <p class="p_last linia2" style="text-align: justify;">Place: <span>Galeria 101 Projekt</span></p> <p class="p_last linia2" style="text-align: justify;">Date: <span>18.03-31.03.2022</span></p> <p class="p_last linia2" style="text-align: justify;">Curator: <span>Paulina Świerczyńska-Brzezińska</span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><a href="https://issuu.com/101projekt/docs/malarstwo_grzegorz_czechowski">CATALOGUE</a><br /><br /></p> <p class="text" style="text-align: justify;"><a href="https://issuu.com/101projekt/docs/malarstwo_grzegorz_czechowski"><span><br /></span></a></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">Grzegorz Czechowski's paintings are an attempt to capture what is seemingly unattainable. For years, the artist has been consistently registering visions of the world on his canvases, the source of which lies in the boundless imagination. Pictures, often painted in sepia, automatically bring to mind old photographs, and this impression is intensified by the way of the painting technique itself - with the use of tiny brush strokes that vibrate on the surface. Monochromatic, misty compositions introduce the viewer to a fantastic world in which well-known motifs, through a specific painting convention, become part of fantastic, dreamlike visions. These compositions, sometimes showing almost abstract forms, are full of mysterious motifs with only an outline of realistic shapes. Onericity is a feature that best characterizes the artist's style. A typical theme for these paintings is a series of works in which the essence is hidden only in a certain suggestion. With the help of painted tears in the canvas, a story emerges from its depths suggesting that there is more hiding under this surface layer. The precisely painted architecture and city landscapes seem to be abandoned. Or in other words - inhabited not by people, but creatures derived from the artist's dream visions. These images can be disturbing in some way - just as the unknown and the inexplicable disturb us. However, this anxiety is not a negative trait. Rather, it arouses curiosity, encourages the viewer to delve into this dream world with its limitless possibilities.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">The human body, as an artistic problem ideally suited to the assumptions of the sculpture, provides an excellent starting point for creativity, in which, apart from talent and ingenuity, also workshop skills - proven at every step. An example of this type of activity is the work of Krzysztof Ostrzeszewicz. Thanks to the use of synthetic, simplified forms, the artist manages to achieve the universalization of the representations without the psychologically deepened content. These sculptures do not show the individual interior of the portrayed character, but only the general idea of the depicted item. The artist rejects the details of the model that could indicate a given individual and would at the same time distance him from the general content. As a rule, the characters do not have a face - sometimes only certain parts of it are outlined in order to intensify the expression. The viewer's focus is directed into the form itself, the general shape, and only then on the detail. An attentive observer will notice that with the saving of the formal means used, some parts remain refined, they are symbols, signs suggesting the correct interpretation of representations, such as Lady Macbeth's raised hands or a bouquet of Persephone's poppies. In the sculpture "Motherhood" we also deal with very sparing handling of details. All female features, such as breasts and facial features, have only been suggested. Both figures, mother and child, are closely connected with each other, they create a compact form, which clearly emphasizes the idea of motherhood. The block of the sculpture itself is a symbol here. It is similar in the case of "Brzemienna", where the strongly accentuated part of the abdomen emerges from the diagram of the proportions of the female figure.This work is full of cultural references, and the heroes themselves most often come from mythology or the Bible. I think that now you need to have the courage not only to move boldly in the world of figuration, but, perversely, also in the subject of traditional representations. The consequence of this courage in the case of Krzysztof Ostrzeszewicz's sculptures is obtaining a contemporary commentary on such traditional forms and themes. This work is an example of the fact that it is possible to develop your original artistic activity, which is a continuation of the canon of beauty known since antiquity, by processing traditional patterns, while searching for innovative forms of expression. Krzysztof Ostrzeszewicz is not afraid to reach for topics on which his predecessors were so eager to speak, consciously engaging in this artistic dialogue of generations.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">Paulina Świerczyńska-Brzezińska</p> <p class="text" style="text-align: justify;"> </p> </div> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">GRZEGORZ CZECHOWSKI</p> <p class="text" style="text-align: justify;">A designer by education, a self-taught painter, who has been living in Warsaw for several years. The development of traditional oil painting began at the turn of the century, and his attempts to find and crystallize an independent workshop and narrative style continue to this day. He does not have any individual exhibitions or awards, and the only testimony to his painting achievements are still his works.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><a href="https://101projekt.pl/index.php?id_artist=73&controller=artist&id_lang=1">KRZYSZTOF OSTRZESZEWICZ</a></p> <p class="text" style="text-align: justify;">A graduate of the studio of Professor Adam Myjak at the Sculpture Department of the Warsaw Academy of Fine Arts. Participant of the exhibition "COMING OUT - Best ASP Diplomas 2010". At the request of the Theater Academy A. Zelwerowicz, he made the gravestone of Zbigniew Zapasiewicz at the Powązki Military Cemetery in Warsaw. He is the initiator and co-author of numerous social projects implemented, among others as part of the Reaktor - Laboratorium Rzeźby group and the Rzeźba nad Wisłą project. In 2009-2012, he created book covers and illustrations for the Klin publishing house. Since 2016, he has been listed in the "Compass of the Young Art" ranking - a list of the most promising Polish artists according to Rzeczpospolita newspaper. Krzysztof Ostrzeszewicz participates in many exhibitions, his works are in numerous private collections.</p> <p class="text" style="text-align: justify;"> </p> <p class="text" style="text-align: justify;"> </p> <p class="text" style="text-align: justify;"><img src="http://101projekt.pl/img/cms/aaaaa%20stasiak/IMG_0878.JPG" alt="" width="2592" height="1728" /></p> <p class="text" style="text-align: justify;"> </p> <p class="text" style="text-align: justify;"><img src="http://101projekt.pl/img/cms/aaaaa%20stasiak/IMG_0911.JPG" alt="" width="2592" height="1728" /></p> <p class="text" style="text-align: justify;"> </p> <p class="text" style="text-align: justify;"><img src="http://101projekt.pl/img/cms/aaaaa%20stasiak/IMG_0906.JPG" alt="" width="2592" height="1728" /><br /><br /><br /><br /></p> <p class="text" style="text-align: justify;"> </p> <p class="text" style="text-align: justify;"><br /><br /></p> <p class="text" style="text-align: justify;"> </p> <p class="text" style="text-align: justify;"> </p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text"> </p> <p class="text"> </p> <p class="text"> </p> </div> 0 products
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Wystawa małych form malarskich i rzeźbiarskich PEJZAŻ, NATURA, C
04.12.2021 - 22.01.2022
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THE BORDER OF SHAPE | exhibition of paintings by Joanna Głażewsk
19.11.2021 - 02.12.2021
<div class="wystawa"> <h1 class="page-title" style="text-align: justify;">current exhibition</h1> <div class="wystawa"> <h1 class="h1_wystawy" style="text-align: justify;"><span class="h1_wystawy_span">THE BORDER OF SHAPE | exhibition of paintings by Joanna Głażewska and sculptures by Michał Wietrow</span></h1> <p><img src="http://101projekt.pl/img/cms/1.%20Joanna%20Głażewska,%20%20Wspomnienia%20z%20Santorini,%202021,%20technika%20własna%20na%20płótnie,%20130%20x%20100%20cm,%20cena%205600%20zł_1.jpg" alt="" width="1500" height="1949" /></p> <p class="text"><img src=""http://101projekt.pl/img/cms/1." alt="" /></p> <p class="p_last linia2 first" style="text-align: justify;">Artists: <span>Joanna Głażewska i Michał Wietrow<br /></span></p> <p class="p_last linia2" style="text-align: justify;">Place: <span>Galeria 101 Projekt</span></p> <p class="p_last linia2" style="text-align: justify;">Date: <span>19.11-02.12.2021</span></p> <p class="p_last linia2" style="text-align: justify;">Curator: <span>Paulina Świerczyńska-Brzezińska</span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><a>CATALOGUE</a></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">The work of Joanna Głażewska, which addresses the challenges characteristic of abstraction, is based on unusual precision in building rhythmic sequences combined with a deep sensitivity to color. Compositions of contrasting color combinations are compiled into geometric arrangements, filling the picture field. Joanna Glazewska's works do not illustrate specific places or situations. They are rather a a representation of a fragment of reality. It is not space itself that is the focus of attention, but only a certain part of it, or the memories and emotions associated with it. Exceptional precision in creating harmonious sequences ensures that there is no place for randomness in this painting. The artist moves freely in the world of abstract forms, and the choice of these is always dictated by the subject of the paintings. In a way, she puts our existing reality into some kind of order, combining various ways of experiencing the surrounding world, and turning them into pure visual experiences. The content, however, is never a slave to the form. One can admire the artist's skill in operating within diversified formal means, but it should be noted that her technical prowess would not produce the appropriate emotional effect without a deep sensitivity towards the relationship between form and content.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">The main area of inspiration for Michał Wietrov's creative search is the human body. The artist's patches are sometimes firmly rooted in a specific narrative - as in the case of the sculptural series "Hern", in which the cultural context blurs with time, giving rise to a characteristic stylistic group of sculptures, to which the artist has been returning for several years. The realistic depiction of the human body is juxtaposed here with a surrealistic vision of the surrounding environment, unambiguously referring to the mythological origins of the series. The silhouette of the eponymous Hern is presented as people probably must have seen it centuries ago. It has a clear human shape, but there is also a distinct element of strangeness to it. What is seemingly familiar has something dark and mysterious about it. It arouses fear, but also fascination. Apart from this ongoing group of sculptures, the exhibition also presents quite different works. They are focused on a single figure - usually female. The artist, who - despite his young age - has already proved that he can work in traditional figurative sculpture, exceeds certain literal limits, heading towards synthetic forms, occasionally bordering on abstraction. Generalized, simplified silhouettes carry fewer and fewer distinguishing marks, sometimes only suggesting certain features to the viewer. An ideal female body, a concept understood through the prism of generally accepted norms, becomes a starting point for the analysis of not only formal sculptural questions, but also for the artistic problems.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">Paulina Świerczyńska-Brzezińska</p> <p class="text" style="text-align: justify;"> </p> </div> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><a href="https://101projekt.pl/index.php?id_artist=789&controller=artist&id_lang=1">JOANNA GŁAŻEWSKA</a></p> <p class="text" style="text-align: justify;">(born 1973, Ruda Śląska) - a graduate of the Faculty of Painting and Drawing at the Władysław Strzemiński Academy of Fine Arts in Łódź. She grew up in Upper Silesia, but now lives and works in Warsaw. Her work is an attempt to draw attention to the pleasure of disconnecting from the hustle and bustle of everyday life, its cacophony of sounds, and the overwhelming experience of living online. She values silence, listening to one's own breath, communing with nature, and relationships with other people as a special kind of respite that many of us no longer experience. Each of her works seems to whisper - stop, you are missing something beautiful. Joanna Glazewska's works can be found in companies, institutions and private collections in Poland, Switzerland, Germany, Spain, Canada and the USA. She also produces set designs for domestic and international film productions.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><a href="https://101projekt.pl/index.php?id_artist=750&controller=artist&id_lang=1">MICHAŁ WIETROW</a></p> <p class="text" style="text-align: justify;">(born 1995, Mrągowo) - in 2017 he graduated with a bachelor's degree from the Academy of Fine Arts in Warsaw at the Faculty of Sculpture in Krzysztof Bednarski's studio. In 2020 he received a master's degree at the Academy of Fine Arts in Warsaw at the Faculty of Sculpture in the studio of Andrzej Sołyga, bronze annexe in the studio of Mieczysław Kozłowski. The artist creates mainly in bronze technique, and the human body is the main area of inspiration for his creative explorations.</p> <p class="text" style="text-align: justify;"> </p> <p class="text" style="text-align: justify;"> </p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text"><img src="<p class=" alt="" /><img src="http://101projekt.pl/img/cms/granica ksztaltu ilustracja 2_1.JPG" alt="" width="720" height="480" /></p> <p class="text"> </p> <p class="text"><img src="http://101projekt.pl/img/cms/granica kształtu 3_1.JPG" alt="" width="720" height="480" /></p> <p class="text"> </p> <p class="text"> </p> </div> 0 products
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NEXT TO SACRUM | exhibition of paintings by Mikołaj Malesza
07.10.2021 - 21.10.2021
<div class="wystawa"> <h1 class="page-title" style="text-align: justify;">current exhibition</h1> <div class="wystawa"> <h1 class="h1_wystawy" style="text-align: justify;"><span class="h1_wystawy_span">NEXT TO THE SACRUM</span></h1> <p class="text"><img src="http://101projekt.pl/img/cms/Mikołaj Malesza, Oczekiwanie.JPG" alt="" width="2748" height="3513" /></p> <p class="p_last linia2 first" style="text-align: justify;">Artist: <span>Mikołaj Malesza<br /></span></p> <p class="p_last linia2" style="text-align: justify;">Place: <span>Galeria 101 Projekt</span></p> <p class="p_last linia2" style="text-align: justify;">Date: <span>7.10-21.10.2021</span></p> <p class="p_last linia2" style="text-align: justify;">Curator: <span>Paulina Świerczyńska-Brzezińska</span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><a href="https://issuu.com/101projekt/docs/malesza_katalog_internetowy_2021_144dpi_b">CATALOGUE</a></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">The specific style of Mikołaj Malesza’s work is due not only to the characteristic choice of formal expression, but also to his experience gained over the years. These elements are particularly visible in the figural compositions, which are filled with characters and places from the real world and fantastic visions. Another subject is landscapes - strongly associated with Mikołaj Malesza's youth in a Podlasie village on the edge of the Knyszyńska Forest. These paintings put the viewer in a state of melancholic reverie. Apart from the interweaving of real places and figures with surrealistic images, an important element is the parallel presence of the spheres of the sacred and the profane. Some paintings automatically bring to mind icons; however in the artist's works, the figures of saints are accompanied by "ordinary" people or animals, and everyday life crosses the border reserved for the sphere of the sacred, bringing it closer to the viewer. These paintings tell a story about complex relations functioning in the world, about human relations with God, where the real and and the imaginary exist side by side. Formally, Mikołaj Malesza uses sparing, but very suggestive means of expression, such as contrasting colours or strong contours. Compositions made of motifs placed on undefined, often uniform backgrounds, allow the viewer to focus the attention on important things. The figures are also accompanied by composition elements bordering on abstract forms. They get blurred, ending in sometimes unobvious moments. All this adds up to consistently original work which has been appreciated for years.</p> <p class="text" style="text-align: justify;"> </p> <p class="text" style="text-align: justify;">Paulina Świerczyńska-Brzezińska</p> <p class="text" style="text-align: justify;"> </p> </div> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><a href="https://101projekt.pl/index.php?id_artist=212&controller=artist&id_lang=1">MIKOŁAJ MALESZA</a></p> <p class="text" style="text-align: justify;">(b. 1954, Krynki) - After graduating from the State College of Fine Arts in Suprasl, he studied at the Faculty of Interior Design of the Academy of Fine Arts in Warsaw. He obtained his diploma with honours in 1979. He has been involved in painting, stage design and exhibition. He has had about 40 individual exhibitions of paintings and participated in dozens of exhibitions of Polish painting in Poland and abroad, including Germany, Belgium, the Netherlands, England, Czechoslovakia, Austria, the USA, Japan, Bulgaria, Italy, France, Lithuania and Ukraine. He has received numerous awards and distinctions. He is the author of about 80 stage designs. In 1991-2003 he was a stage designer for the Wierszalin Society Theatre, with which he was a triple winner of the Fringe First award at the largest European theatre festival in Edinburgh. As a stage designer, he has been collaborating with Polish theatres for many years, for which he has received numerous individual awards. In 2010, he received the Silver Medal "Gloria Artis for Merit to Culture" awarded by the Ministry of Culture and National Heritage. In 2013 he received the "Henry" award granted by ZASP.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text"><img src="<p class=" alt="" /><img src="http://101projekt.pl/img/cms/mikołaj malesza ilustracja.JPG" alt="" width="720" height="480" /></p> <p class="text"> </p> <p class="text"><img src="http://101projekt.pl/img/cms/mikołaj malesza ilustracja 2.JPG" alt="" width="720" height="480" /></p> <p class="text"> </p> <p class="text"> </p> </div> 0 products
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THE MAN. PATHOS AND EVERYDAY LIFE
16.09.2021 - 30.09.2021
<div class="wystawa"> <h1 class="page-title" style="text-align: justify;">current exhibition</h1> <div class="wystawa"> <h1 class="h1_wystawy" style="text-align: justify;"><span class="h1_wystawy_span">THE MAN. PATHOS AND EVERYDAY LIFE</span></h1> <p class="text"><img src="http://101projekt.pl/img/cms/IMG_1837.jpg" alt="" width="2748" height="3513" /></p> <p class="p_last linia2 first" style="text-align: justify;">Artists: <span>Robert Gebethner i Tomasz Koclęga<br /></span></p> <p class="p_last linia2" style="text-align: justify;">Place: <span>Galeria 101 Projekt</span></p> <p class="p_last linia2" style="text-align: justify;">Date: <span>16-30.09.2021</span></p> <p class="p_last linia2" style="text-align: justify;">Curator: <span>Paulina Świerczyńska-Brzezińska</span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><a href="https://issuu.com/101projekt/docs/gebethner_koclega_katalog_internetowy_2021_144dpi_">CATALOGUE</a></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">Robert Gebethner's work is undoubtedly a highly original phenomenon that defies clear classification and is outside the mainstream of art. The artist's paintings are grotesque visions whose main source is his uninhibited imagination. It is not only about the realistic way of presenting the human body, far from the criteria of the generally accepted canon of beauty, but also about the existential character of this work. The presented figures are naked not only physically, but also spiritually. At the same time, the artist does not act as a moralizer. His art does not try to negate certain human behaviours. It is also not a literal illustration of certain groups or deviations from accepted social norms. Gebethner himself is often the hero of his paintings, becoming an element of the complicated puzzle of the plot of these works. There is no boundary between conventional motifs, functioning in people's cultural consciousness, and everyday sights passed by on the street. Religious and historical scenes take place next to ordinary ones - in a crowd of people in a courtyard, in places that could be practically anywhere. The artist is not afraid to reach for these motifs and play with them using a consciously constructed metaphor. These unobvious connections cannot exist in the real world, but they are brought to life by art. They evoke extreme feelings in the viewer - through their ironic character they can entertain. On the other hand, they are often in a social context, which in a sense disturbs, and certainly forces reflection. It is not only about the combination of specific scenes, but also about the juxtaposition of realistic figures with strange creations of animal and human silhouettes, often combined with the surrounding background elements, which is characteristic of the grotesque. The multitude of motifs appearing in Robert Gebethner's works is a deep subject. He often returns to certain themes, searching for the best forms of presentation for them. These images can sometimes be shocking, but this is not an aim in itself, merely a starting point for a deeper reflection on human existence. In the paintings there is a certain splendour, a multitude of matters, things, phenomena and figures. The main motif of each painting is never given directly. It is sometimes obscured, placed somewhere in the background or even completely hidden. It is only as an element of a wider whole that it acquires a new meaning, regardless of whether these are human emotions, often overlooked at first glance; dead things, forgotten amidst a multitude of more or less important human affairs; or a record of a moment, visible only to a particularly attentive viewer. Tomasz Koclęga has been consistently searching for new forms of figurative art for years. He is inspired by the observation of other human beings - focusing not on analyzing the external features of an individual but on human behaviour, emotions and desires. Through characteristic deformation and dynamic composition, the artist manages to create works in a specific, recognizable style. The sculptures are never static. The figures are in constant motion. Additional dynamism is also added by the way the surface itself is worked out. The flat-convex vibrating texture which creates a play of light and shadow almost make you feel the power of tense muscles. This is a story about the lonely struggle of an individual in pursuit of a goal. The figures are moving upwards, and although the aim is not to realistically reflect the features of the human body, in the tense limbs and sometimes even unnatural poses one can feel the effort put into the action. The simplifications used by the artist make the characters universal. There is nothing to suggest their age or gender. The heads deprived of faces make us focus only on the general expression of the sculpture, the sculpture which is a metaphor of human psychic condition and human aspirations. It is in the pose and gesture that the core of meaning is contained. Tomasz Koclêga perfectly manages to use the universal language of art. Through his sculptures, the artist tells stories about man, his weaknesses, worries, fears, and strengths. The limp, elongated bodies, the vertical composition, the contrast between the imperfect human silhouette and the smooth glass surface, as well as the fact that these figures always appear alone, are symbols of the eternal inner struggle of the individual striving to achieve his or her goals.</p> <p class="text" style="text-align: justify;"> </p> <p class="text" style="text-align: justify;">Paulina Świerczyńska-Brzezińska</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">The selection of new sculptures presented at the exhibition is united by a common denominator - a glass sphere. Sculptures with this attribute, with a very capacious and at the same time universal and widely understood symbolic meaning, are a continuation of my previous works, where I juxtapose my figurative forms with elements from other materials. The juxtaposition of bronze sculptures with glass, gold or stone, together with dynamic composition, is characteristic of my works. Perfect shapes such as spheres, circles and cubes inspire me in two ways. First, I see in them some analogies with humans, but not literally... I am thinking of the human quest for perfection as a kind of state of mind.... the need to develop and try to realize it. On the other hand, we are only human, the ideal if we manage to achieve it, it does not last forever... On the other hand, ideal shapes interest me as a form, especially when juxtaposed with the form of human bodies. In the latter case, they interest me as the opposite of human forms. My sculptures are twisted, take unnatural poses, are exaggerated and sometimes deformed. However, I always try to make them unique, unrepeatable... no work is a copy of another... In a collision with a sphere or a circle, apart from the symbolism of them, it also builds an interesting relation of forms. Human, individual, unique - sometimes maybe even flawed versus perfect, perfect form...</p> <p class="text" style="text-align: justify;"> </p> <p class="text" style="text-align: justify;">Tomasz Koclęga</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text"><img src="<p class=" alt="" /><img src="http://101projekt.pl/img/cms/IMG_1849.jpg" alt="" width="720" height="480" /></p> <p class="text"> </p> <p class="text"><img src="http://101projekt.pl/img/cms/IMG_1859.jpg" alt="" width="720" height="480" /></p> <p class="text"> </p> <p class="text"> </p> </div> </div> 0 products
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PLAYING GREEN III | Exhibition of painting by Teresa Panasiuk
19.08.2021 - 02.09.2021
<div class="wystawa"> <h1 class="page-title" style="text-align: justify;">current exhibition</h1> <div class="wystawa"> <h1 class="h1_wystawy" style="text-align: justify;"><span class="h1_wystawy_span">PLAYING GREEN III</span></h1> <p class="text"><img src="http://101projekt.pl/img/cms/2._1.jpg" alt="" width="2748" height="3513" /></p> <p class="p_last linia2 first" style="text-align: justify;">Artist: <span>Teresa Panasiuk<br /></span></p> <p class="p_last linia2" style="text-align: justify;">Place: <span>Galeria 101 Projekt</span></p> <p class="p_last linia2" style="text-align: justify;">Date: <span>19.08-2.09.2021</span></p> <p class="p_last linia2" style="text-align: justify;">Curator: <span>Paulina Świerczyńska-Brzezińska</span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><a href="https://issuu.com/home/published/panasiuk_katalog_internetowy_2021_144dpi">CATALOGUE</a></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">In 2019, when I visited the exhibition of Teresa Panasiuk's paintings "Playing green and others ..." at the ZPAP in Warsaw, I did not think that I would see an exhibition that would stay so strongly in my memory. Teresa Panasiuk has been playing green for many years, regularly returning to the subject of landscape. The evolution of her painting compositions shows how much the artist has to say about it. The third edition of "Green Games" includes gouaches from the 1960s, as well as later oil paintings, mainly made after 2000. This quantitatively small cross-section of creativity allows us to see a certain path leading from landscapes rather faithful to the assumptions of colorism to pure, sometimes even geometric abstraction. The painting of Teresa Panasiuk is primarily color and light. The artist does not limit herself to one color tone. She perfectly builds not only compositions based on contrasting juxtapositions, but also those extremely subtle, almost monochromatic, based on nuances of value. The artist's choice of formal means is seemingly small, but the sheer multitude of shades of one color allows us to see that this is not entirely correct statement. In Teresa Panasiuk's paintings, no stain is flat, and each element of the composition is the result of analysis and an outstanding ability to look at color. The artist consciously resigns from showing content other than that defined by the color. It is not without significance here that she graduated from the studio of an outstanding colorist, Artur Nacht-Samborski. The knowledge and skills developed over the years were the starting point for this original work. When looking at the subsequent works by Teresa Panasiuk, it is not the horizon line, the plane of the sky, water or land that can be noticed. The sense is not only external visual sensations related to what surrounds us. Their source is deeper. Landscape is not a literal hero, but rather a series of emotions that accompany her observation. Thanks to her exceptional sensitivity, with the help of well-chosen painterly means, the artist manages to capture what may remain invisible to many.</p> <p class="text" style="text-align: justify;"> </p> <p class="text" style="text-align: justify;">Paulina Świerczyńska-Brzezińska</p> <p class="text" style="text-align: justify;"> </p> </div> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><a href="https://101projekt.pl/index.php?id_artist=482&controller=artist&id_lang=1">TERESA PANASIUK</a></p> <p class="text" style="text-align: justify;">(born 1938, Warsaw) - in the years 1958-1964 she studied at the State Higher School of Fine Arts in Gdańsk under the supervision of Krystyna Łada-Studnicka, then at the Academy of Fine Arts in Warsaw in the studio of Artur Nacht-Samborski. Immediately after graduation, she began teaching at the Academy of Fine Arts in Warsaw as an assistant to Jan Wodański at the Faculty of Painting (until 1968). She practices painting - oil, gouache, pastel. In the years 1972 - 1980 she worked as the manager of the Contemporary Art Gallery at the Staromiejski House of Culture. This activity was a continuation of Marian Bogusz's Crooked Circle gallery. In the years 1981–1989 she participated in exhibitions of independent art. She had 29 individual exhibitions and took part in many group exhibitions.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> </div> 0 products
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The heat is coming | Exhibition of painting by Iwona Kobryń
15.07.2021 - 29.07.2021
<div class="wystawa"> <h1 class="page-title" style="text-align: justify;">current exhibition</h1> <div class="wystawa"> <h1 class="h1_wystawy" style="text-align: justify;"><span class="h1_wystawy_span">THE HEAT IS COMING</span></h1> <p class="text"><img src="http://101projekt.pl/img/cms/1. Iwona Kobryń, Bez tytułu z cyklu Ostatni dzień lata, 2021, akryl na płótnie, 50 x 50 cm.jpg" alt="" width="1815" height="1210" /></p> <p class="p_last linia2 first" style="text-align: justify;">Artist: <span>Iwona Kobryń<br /></span></p> <p class="p_last linia2" style="text-align: justify;">Place: <span>Galeria 101 Projekt</span></p> <p class="p_last linia2" style="text-align: justify;">Date: <span>15 - 29.07.2021</span></p> <p class="p_last linia2" style="text-align: justify;">Curator: <span>Paulina Świerczyńska-Brzezińska</span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><a href="https://issuu.com/101projekt/docs/iwona_kobryn_katalog_internetowy_2021_144dpi_b">CATALOGUE</a></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">The interwar period was a time of special interest in seaside destinations, which became again available to holidaymakers. Some moral revolutions has happened. Active tourism has become popular, and sport has become popular. Due to the growing popularity of photography, almost every element of lifestyle was documented. The database of archival photos from beaches, swimming pools and resorts is an inspiration for the painting series "The Last Day of Summer", which Iwona Kobryń has been creating since 2020. The leitmotif of these images are real situations recorded by the camera lens, used by the Artist, who is not afraid to reach for non-obvious solutions, such as an unusual open composition, often cutting off the characters in a surprising way, or color combinations based on strong contrasts. "The Last Day of Summer" is an extremely meaningful title, taking into account the context of the photographs that inspired the Artist. These are pictures of an idyllic, carefree world, but a world that will be annihilated by the events to come. The time perspective is essential for the proper interpretation of the entire cycle. Contemporary consciousness makes us look at the archival records of the past in a different way. The vision of the end of a certain epoque and what follows, makes the carefree scenes of summer rest look a bit different. On the one hand, this awareness allows the viewer to identify the images presented, on the other hand, the choice of means of the painting's expression reinterprets them, striving for generalization. From the formal point of view, the protagonists of the presented paintings are not denominated by anything - neither time nor space. A flat spot, a simplified shape, a clean form - these are the elements thanks to which the Artist manages to tell the universal story of an individual suspended in time, unaware of what is coming. This forces the viewer looking at the paintings to reflect on "here" and "now".</p> <p class="text" style="text-align: justify;"> </p> <p class="text" style="text-align: justify;">Paulina Świerczyńska-Brzezińska</p> <p class="text" style="text-align: justify;"> </p> </div> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><a href="https://101projekt.pl/index.php?id_artist=715&controller=artist&id_lang=1">IWONA KOBRYŃ</a></p> <p class="text" style="text-align: justify;">Painter, draftsman, graphic designer. A graduate of the Faculty of Painting at the Academy of Fine Arts in Warsaw with a diploma in the studio of Stefan Gierowski. In her work, she deals with the issues of color and painting form. She is interested in working with processed photographic record and the subject of the body as a form disciplined by social relations.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> </div> 0 products
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EVERYDAY | Exhibition of painting by Katarzyna Środowska and scu
24.06.2021 - 08.07.2021
<div class="wystawa"> <h1 class="page-title" style="text-align: justify;">current exhibition</h1> <div class="wystawa"> <h1 class="h1_wystawy" style="text-align: justify;"><span class="h1_wystawy_span">EVERYDAY</span></h1> <p class="text"><img src="http://101projekt.pl/img/cms/srodowska_michalski.jpg" alt="" width="1815" height="1210" /></p> <p class="p_last linia2 first" style="text-align: justify;">Artists: <span>Katarzyna Środowska i Leszek Michalski<br /></span></p> <p class="p_last linia2" style="text-align: justify;">Place: <span>Galeria 101 Projekt</span></p> <p class="p_last linia2" style="text-align: justify;">Date: <span>24.06-08-07.2021</span></p> <p class="p_last linia2" style="text-align: justify;">Curator of exhibition: <span>Paulina Świerczyńska-Brzezińska</span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><a href="https://issuu.com/101projekt/docs/srodowska_michalski_katalog_internetowy_2021">CATALOGUE</a></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">The painting of Katarzyna Środowska is full of calmness. In the consistently constructed creation of space, there is order and arrangement of geometric divisions and subdued colors. The landscape, characteristic for the artist's paintings, does not have unnecessary elements. They are usually flat-painted patches of calm sky and water. Looking at these spaces, you can almost feel the warmth of a holiday. The long line of the horizon stretches across the planes of the works, giving a sense of a certain continuation. Where one picture ends, another begins. Katarzyna Środowska's works form an extremely coherent unite, mutual complementary synthetic systems. The planes interpenetrate, creating a field of a minimalist, simplified background for the actions of the characters. The spectator can get the impression that characters live in this huge, undefined space and only sometimes cross the boundaries of the canvas, allowing the Artist to see and capture themselves. Katarzyna Środowska perfectly uses the language of figuration, transformed for the needs of her original style. The purity of form is a key element in the painterly style of Katarzyna Środowska. This can be seen especially in the case of architectural works that border on abstraction. In these artworks we can observe an ever stronger departure from realism towards deep synthesis. Architecture in the artist's paintings is a compilation of geometric divisions dictated by the arrangement of simple solids, which sometimes seem to penetrate into more traditional paintings. The combination of these two paths of artistic development, on which the artist focuses mainly, allows us to see a very interesting voice of contemporary painting, which is not afraid to go beyond the boundaries of defined trends and combine elements seemingly reserved for two different painting trends.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">The main subject of Leszek Michalski's artistic interests is human and what surrounds him. For years, the artist has remained faithful to small sculptural forms created with the lost wax method. This technique, thanks to which only unique objects are created, is particularly important in the context of the series created by the artist, such as those presented at the exhibition "The Herd" or "Biutles". Although the heroes of Leszek Michalski's sculptures have a lot in common visually, each of them is different. Each has individual characteristics and its own "imperfections".The artist plays with the proportions of human and animal figures in a characteristic way. They are figures with seemingly familiar shapes, but somehow alien. It is influenced by the deliberate deformation of heads and limbs, a simplified or distorted form, which, however, does not arouse negative feelings in the recipient. On the contrary - as the artist himself describes his sculptures, they are "not very pretty, but nice individuals". Thus, the Creator looks beyond the superficial beauty, emphasizing what is invisible at first glance. Leszek Michalski is experimenting with new forms, following a certain canon in which the ability to look at a figure with a grain of salt plays an important role.He presents the characters with irony, focusing on details - attributes suggesting the right meaning to the recipients. The most important thing is not what is outside, but the whole range of internal feelings and sensations, as well as what shapes them, i.e. interpersonal relationships.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">Paulina Świerczyńska-Brzezińska</p> <p class="text" style="text-align: justify;"> </p> </div> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><a href="https://101projekt.pl/index.php?id_artist=559&controller=artist&id_lang=1">KATARZYNA ŚRODOWSKA</a></p> <p class="text" style="text-align: justify;">Katarzyna Środowska - Polish painter, born in Warsaw in 1971. A graduate of postgraduate studies at the Władysław Strzemiński Academy of Fine Arts in Łódź in the field of Painting and Drawing and the Warsaw University of Technology. Member of the Masovian Association of Fine Arts Artists. Winner of the 2nd place in the First Artistic Creation Review "Paleta". She deals with oil and acrylic painting on canvas. Her paintings are full of space, horizons, simplicity and harmony, presented in a minimalist way. She creates paintings based on abstract assumptions, introducing figurative or geometric elements into them. The main inspiration for her works is the surrounding reality. Minimalism and pure form are the essence of art for her, and the search process visible in her painting fits perfectly into the "the less is more" directive. She actively participates in group and individual exhibitions, collaborates with Polish and foreign art galleries. Many of her works are in private collections in Poland and abroad.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><a href="https://101projekt.pl/index.php?id_artist=141&controller=artist&id_lang=1">LESZEK MICHALSKI</a></p> <p class="text" style="text-align: justify;">Leszek Michalski began his art education at the age of fifteen at the Society of Friends of Zachęta. In 1979 he began studies at the College of Industrial Design in Halle (Germany) at the Department of Toy Design. Since 1998, he has mainly dealt with sculpture in metal. He works in brass and bronze, creating collections of chamber sculptures. He shows his works in unusual places - clubs, basements, industrial spaces, open air. It is his way to build a certain relationship between his sculptures, the surrounding reality, and his audience. In 2002 he was awarded the diploma "Creator of Polish Culture". He has participated in several individual exhibitions, and over 20 collective exhibitions throughout Europe, including in Italy, Belgium, the Czech Republic, Slovenia and Austria.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> </div> 0 products
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SOLID IN THE LIGHT | the exhibition of painting by Maria Kiesner
20.05.2021 - 03.06.2021
<div class="wystawa"> <h1 class="page-title" style="text-align: justify;">current exhibition</h1> <div class="wystawa"> <h1 class="h1_wystawy" style="text-align: justify;"><span class="h1_wystawy_span">SOLID IN THE LIGHT</span></h1> <p class="text"><img src="http://101projekt.pl/img/cms/4. Breuer-niebo, 2021, akryl na płótnie, 100 x 100 cm_1.jpg" alt="" width="1815" height="1210" /></p> <p class="p_last linia2 first" style="text-align: justify;">Artist: <span>Maria Kiesner<br /></span></p> <p class="p_last linia2" style="text-align: justify;">Place: <span>Galeria 101 Projekt</span></p> <p class="p_last linia2" style="text-align: justify;">Date: <span>20.05-03.06.2021</span></p> <p class="p_last linia2" style="text-align: justify;">Curator: <span>Magdalena Durda-Dmitruk</span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><a href="https://issuu.com/101projekt/docs/maria_kiesner__katalog_internetowy_2020_144dpi">EXHIBITION CATALOGUE</a></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">Designs, sketches and models are an integral part of the architectural and artistic implementation process. As a leaven, or an important stage leading usually to the final work, they allow you to enter the nooks and crannies of its creation, to look at the implementation "from the inside". Sometimes they even give the illusion of participating in a creative activity, watching the next steps, hesitating, searching for authors. They are something personal, intimate, often created and "left on the shelf", often hidden by creators. In recent years, sketches or models of modernist architecture have been an important inspiration for new series of Maria Kiesner's paintings - whether they were painted in lock-down, during a 14-day quarantine or earlier, which were a record of reminiscences after the "Gdynia-Tel Aviv" exhibition, which had two parts in POLIN and the Museum of the City of Gdynia (2019/2020). The series devoted to the modernist heritage of both cities is based on archival materials and photos. We saw the iconic buildings of the "white cities" in new, painterly circumstances devoid of staffage and urban surroundings (eg Rubinsky's House, objects with rounded corners, entwined with ribbon balconies at Zina Diezengoff Square, or ship-houses like Gdynia's "Banker"). The author's fascination with the heritage of modernism in Tel Aviv and Gdynia has been transformed by her into another series of works, this time inspired by building models intricately constructed by the La Skala design studio. They were created, similar to their photographic documentation by Wojtek Wilczyk, with the exhibition and catalog in mind. Some of the building designs were reflected in later implementations. Others were merely records of the utopian visions of architects. Studying mock-ups and sketches of architecture is another passion of Kiesner. The author exploits them in two ways. On the one hand, she uses archival materials and photographic documentation and creates painting 'variations' on them, on the other, she constructs her own, collage 'pieces' for paintings. Seduced by the beauty of the models, with the ideal proportions of windows, balconies, cornices, and frugal details, she abstracts them from the surroundings, incorporating their 'portraits' into backgrounds with various weather variants. Some of the paintings refer to the characteristic, cheerful colors of the "white cities of tomorrow" - the white walls, the blueness of the sea and the yellow as the color of sand and sun. Most of them are kept in quite dark and cool tones. Once we see a dark lump against the background of a serene sky, another time it is bright in a stormy entourage, expressively painted in shades of violet. The simplicity of the works emanate tension and anxiety. Similar to the previous series, the artist is intrigued by the arrangement of simple elements - verticals, levels, slants and their various color and light and shade variants. The artist selects models photographed in strong perspective shortcuts. She makes a painterly reconstruction of them, exploring tectonics, scale and proportions. The effect obtained in the painting is very different from the original. Collages and recycling of sketchbook Kiesner's paintings are painted mostly with reference to her collages. To construct them, she used unused and left by deceased artists papers, covers for drawing blocks and sketchbooks from the times of the PRL. They bear traces of those realities, e.g. printing in gray-olive shades or specific, blocked lettering. Kiesner sticks cut-outs with frames of sketches of modernist architecture from various textbooks or the Internet on the old foundations. Collages are made of scraps, workshop "garbage", random fragments of reproductions of graphics, a photocopier, a back from a drawing block, a notebook. The author spontaneously juxtaposes them with each other, cuts them, layers them, using pencil and crayons and numerous underpaintings. We see traces of stains, tears, scratches, and tape. In the draft version, she creates not only the skeleton of the composition, but also experiments with various color variants of future paintings. In consciously underdeveloped 'adjustments' with overscales and simplifications, we find afterimages of the practices of artists from the Polish School of Posters. In them, Kiesner also reveals a great fascination with architectural drawing. In the notes of architects, appreciating the first impulse, the freshness of the idea. In inconspicuous studio sketches, she is particularly intrigued by the utopian thinking left at the design stage. For over two decades, Maria Kiesner has clearly entered the landscape of contemporary art. She represents the generation of Polish artists born in the 1970s, in various ways relating to the architectural heritage of modernism and socmodernism. In mostly large-format canvases, she often captures forgotten relics of a bygone era: public utility buildings, representative buildings, intimate villas and small architecture of recreational places. In her painting reflection on the urban landscape, she searched for a new form for it. Another area of artistuc exploitation are places associated with groups, trends or creators important to it (e.g. Bauhaus, Kobro, Richter's House). Just as she used to create painting 'portraits' of architecture, using old postcards or someone else's, rasterized, imperfect photographs from popular newspapers, albums, textbooks, archives or the Internet, now she approaches models and designs of buildings by famous and less known architects with caution. Fascinated by Tel Aviv and Gdynia modernist buildings and their models, Maria Kiesner constantly seems to paint the same picture, continuing her reflections on simple solids in light. - Magdalena Durda-Dmitruk</p> <p class="text" style="text-align: justify;"> </p> </div> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><a href="https://101projekt.pl/index.php?id_artist=100&controller=artist&id_lang=1">MARIA KIESNER</a></p> <p class="text" style="text-align: justify;">Maria Kiesner graduated from the Faculty of Painting at the Academy of Fine Arts in Warsaw (diploma under the supervision of Prof. J. Modzelewski in 2002). In 2009, she defended her PhD thesis under the title "City before the storm" at the Art Department of the Nicolaus Copernicus University in Toruń. In 2005 and 2007, she received a scholarship from the Ministry of Culture and National Heritage and worked at the College of Art Education of the Academy of Special Education Maria Grzegorzewska in Warsaw. In 2015/2016 she worked as an assistant in the Painting and Drawing studio of Prof. Andrzej Bieńkowski and Prof. Łukasz Korolkiewicz at the Faculty of Design of the Academy of Fine Arts in Warsaw and ran a painting studio independently at the Department of Fashion at the Faculty of Design of the Academy of Fine Arts in Warsaw. In 2017, by the decision of the Council of the Faculty of the Academy of Fine Arts in Warsaw, she obtained the degree of habilitated doctor.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> </div> 0 products
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EXHIBITION OF ONE PICTURE BY PIOTR C. KOWALSKI "NIENAWISZCZ 2019
15.05.2021 - 15.05.2021
<div class="wystawa"> <h1 class="page-title" style="text-align: justify;">current exhibition</h1> <div class="wystawa"> <h1 class="h1_wystawy" style="text-align: justify;"><span class="h1_wystawy_span"> EXHIBITION OF ONE PICTURE BY PIOTR C. KOWALSKI "NIENAWISZCZ 2019 - 2020" FROM THE LIVING NATURE CYCLE</span></h1> <p class="text"><img src="http://101projekt.pl/img/cms/1 - a_1.JPG" alt="" width="1815" height="1210" /></p> <p class="p_last linia2 first" style="text-align: justify;">Artist: <span>Piotr C. Kowalski<br /></span></p> <p class="p_last linia2" style="text-align: justify;">Place: <span>Galeria 101 Projekt</span></p> <p class="p_last linia2" style="text-align: justify;">Date: <span>15.05.2021</span></p> <p class="p_last linia2" style="text-align: justify;">Hours: <span>11:00-24:00</span></p> <p class="p_last linia2" style="text-align: justify;">Curator: <span>Paulina Świerczyńska-Brzezińska</span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">The beginning of the admiration for painting is usually a visual experience. In case of Piotr C. Kowalski's exhibition it was completely different. The idea was born under the influence of the radio broadcast "Beavers and frost paint pictures" (the OFF Czarek broadcast on TOK FM on 11/12/2020) - a multidimensional story about an artist who fights with the forces of nature in the name of his art ... doesn't fight actually, because he gets along with it very well. Even when he has to face the element, he can translform it into over ten years of tradition of practicing the correspondence art. It is also a story about the power of coincidence that led Piotr C. Kowalski to the radio and ultimately to us. And above all, it is a story about a painting that few have had the opportunity to admire. During this year's Night of Museums we will have the opportunity to activate all senses - not only hearing about the work, but also seeing it, and even smelling it.The painting by Piotr C. Kowalski does not smell of varnish or paint binder. It smells of nature that co-created it. These are the scents of water, wind, rain and snow - unpredictable tools that the artist uses to create fascinating large-scale abstract compositions. Nature leaves its mark on the canvas and becomes a testimony of time, in this case of one year. It is a unique exhibition, a different one - just like the last year was different. But does it not actually smuggle in the element of normality and allows us to find ourselves in the natural cycle of the seasons. Whatever happens, in Nienawiszcz the wind blows and the rain falls (maybe only frost and snow cannot always be counted on), and the artist has to paint the picture Paulina Świerczyńska-Brzezińska</p> <p class="text" style="text-align: justify;"> </p> </div> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">Pictures from the "Living Nature" cycle have been created continuously since 1997 and always have the same format, ie 205 x 360 cm. But to make it easier to transport, I decided to make them consist of 6 parts, i.e. 205 x 60 cm. Due to the large format, the painting could not stand on an easel or even on two easels, so I came up with my own kind of outdoor easel, which consisted in digging a hole in the ground up to half a meter long and deep in the ground and inserting these 6 stretcher bars chained together into the hole. The canvas stayed at such a place as long as the painting has been created, that sometimes could last for a month or much longer, no matter whether it was raining, or there was a storm or a strong wind that could break the painting. I never took this canvas home or to the studio, as it was located in kind of a natural studio. This place of my choice has always been my studio. It happened more than once that random intruders wrote ugly words or cut the canvas with a knife.These paintings were made in different places, at different times of the year and at different heights, e.g. in the woods, in quarries, in a gravel pit, in the mountains and on the seashore. Initially, I painted them with oil paints, and by the way, everything that was nearby stuck to the picture in a natural way: sand, cones, shells, pebbles, broken children's toys, which neither the parents wanted to take with them, nor the sea would not take them away. In the pictures painted on the Lednicka Island near Gniezno, there are even authentic pottery shells from the 10th century. Really. Later, these pictures were painted with natural dyes, which were abundant nearby, that is: blueberries, elderberry, red rowan or bird cherry. On the other hand, in the city, on the streets, the pictures were "painted" with dust, dirt and mud splashing from passing cars. I also have such city pictures, made in various Polish cities, all written from top to bottom, also on two sides. The last two canvases were created in December and January at Plac Wolności in Poznań. The first one, painted by the striking women, is titled "WYPIERDALAJ" (literally: "Get the fuck out"), because most of these words were on it, and the second one, "JESZCZE BĘDZIE PRZEPIEKNIE, JESZCZE BĘDZIE NORMALNIE" (literally: "Still will be beautiful, still will be normal"), painted by students from my Painting Studio X in UAP, where, as you know, it's not allowed to now it is allowed to paint at the University, but in the Plac Wolności (The Liberty Square), of course. So we painted. As I wrote, the paintings were created in different places and in different conditions, but never before have the paintings of this series been created directly in water. That is why over a year ago I made such a bold decision and placed the canvas on the bottom of the pond that is located near the house. The canvas was there for four seasons. It was launched on September 3, 2019. In winter, I thought I would be able to climb the ice and paint a picture. But, unfortunately, there was no frost last year.I thought to myself, whatever happens, I have to paint the picture. So I built myself a raft out of construction pallets and plastic bottles. I swam, but did not reach the painting, because the raft broke and I fell into the water. I built a second raft. I swam up to the painting a few times, but it must have been impossible for me to paint, because each time I fell into the water. But fortunately, the picture was painting itself. I did not interfere. I just admired and photographed the process. The water level changed and the background changed. There is only mule and only muck on the canvas. This painting also has its own unique smell. The smell of the pond water, silt and slime. And the capture of the finished image took place on September 2, 2020. Piotr C. Kowlaski</p> <p class="text" style="text-align: justify;"> </p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">Piotr C. Kowalski was born in 1951 in Mieszków near Jarocin. He degended the diploma in painting in the studio of professor Stanisław Teisseyre at the PWSSP in Poznań in 1978. In the years 1993 – 1999 he was the dean of the Faculty of Artistic Education of the State Higher School of Fine Arts in Poznań. Since 2000, he has been running the student gallery "Na Polskiej" in Poznań. Curator of the 1st, 2nd and 3rd Collection of the Academy of Fine Arts in Poznań in the years 2003-2005. At the University of Arts in Poznań, he is the head of the 10th Painting Studio. In 2010-2014 at the Academy of Art in Szczecin, and in 2014-2017 at the Academy of Fine Arts in Wrocław, he also ran Painting Studios. The author of a series of paintings realized directly in nature, entitled Live nature - Still life, and the pictures of Passers-by being a record of the city life and created with the participation of other people. Since 2004, together with Joanna Janiak, he has been working on the Megabytes of Paintings and Frosty Pictures cycles.</p> <p class="text" style="text-align: justify;"> </p> </div> 0 products
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THE EXHIBITION OF SCULPTURE BY MAGDALENA KARŁOWICZ AND PAINTING
10.12.2020 - 31.12.2020
<div class="wystawa"> <h1 class="page-title" style="text-align: justify;">current exhibition</h1> <div class="wystawa"> <h1 class="h1_wystawy" style="text-align: justify;"><span class="h1_wystawy_span">The exhibition of sculpture by Magdalena Karłowicz and painting by Jan Bonawentura Ostrowski</span></h1> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text"><img src="http://101projekt.pl/img/cms/Bez-nazwy-1.jpg" alt="" width="1815" height="1210" /></p> <p class="p_last linia2 first" style="text-align: justify;">Artists: <span>Magdalena Karłowicz and Jan Bonawentura Ostrowski<br /></span></p> <p class="p_last linia2" style="text-align: justify;">Place: <span>Galeria 101 Projekt</span></p> <p class="p_last linia2" style="text-align: justify;">Date: <span>10-31.12.2020</span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><a href="https://101projekt.pl/index.php?id_artist=117&controller=artist&id_lang=1">MAGDALENA KARŁOWICZ</a></p> <p class="text" style="text-align: justify;">A sculptor, a graduate of the W. Gerson State Secondary School of Art. in Warsaw and the Nicolaus Copernicus University in Toruń, Faculty of Fine Arts - Sculpture, graduated with honors in 2004 in the studio of prof. Maciej Szańkowski. The author of several individual and several dozen collective exhibitions. Participant of open air events, festivals, symposiums, auctions and art fairs. She exhibited, among others in the galleries of Częstochowa, Biała Podlaska, Lubaczów, Łódź, Radzymin, Ostrowiec Świętokrzyski, Szczecin, Toruń, Wołomin, Warsaw and Vienna. She deals with sculpture in its broad sense, from intimate forms to monumental objects. She uses a variety of sculptural materials, from clay and bronze, through resins to wax and sand. She is also close to other fields of art, such as drawing and graphics.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><a href="https://101projekt.pl/index.php?id_artist=586&controller=artist&id_lang=1">JAN BONAWENTURA OSTROWSKI</a></p> <p class="text" style="text-align: justify;">He was born in Częstochowa, but has been associated with Warsaw all his life. Here he graduated from the sculpture department at the Academy of Fine Arts (diploma with Prof. Tadeusz Łódźana). He also studied painting at the Academia di Belle Arte "Brera" (diploma in the studio of Prof. Giorgio de Giorgia). He practices all fine arts - from painting through graphics to sculpture. Numerous exhibitions at home and abroad: Milan (1973, 1974), Helsinki , Copenhagen (1979), Warsaw (1979), Paris (1975, 1980, 1981), Saint Tropez (1980), Vancouver - collective exhibition (1983), Bonn (1986, 1987, 1988), Warsaw (1991, 1992, 1993 1999, 2000, 2001).</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><a href="https://issuu.com/101projekt/docs/karlowicz_ostrowski__katalog_internetowy_2020_b">CATALOGUE</a></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> </div> </div> 0 products
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Marcin Rząsa | Jerzy Baranowski | UNTITLED
18.11.2020 - 05.12.2020
<div class="wystawa"> <h1 class="page-title" style="text-align: justify;">current exhibition</h1> <div class="wystawa"> <h1 class="h1_wystawy" style="text-align: justify;"><span class="h1_wystawy_span"> UNTITLED/ </span> Marcin Rząsa and Jerzy Baranowski</h1> <p class="text"><img src="http://101projekt.pl/img/cms/127175754_3788000414557296_7405217670638429493_o.jpg" alt="" width="1815" height="1210" /></p> <p class="p_last linia2 first" style="text-align: justify;">Artists: <span>Marcin Rząsa and Jerzy Baranowski<br /></span></p> <p class="p_last linia2" style="text-align: justify;">Place: <span>Galeria 101 Projekt</span></p> <p class="p_last linia2" style="text-align: justify;">Date: <span>18.11 - 05.12.2020</span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><a href="http://101projekt.pl/index.php?id_artist=111&controller=artist&id_lang=1">MARCIN RZĄSA</a></p> <p class="text" style="text-align: justify;">A graduate of the Antoni Kenar Secondary School of Fine Arts in Zakopane. He began his studies at the Academy of Fine Arts in Krakow, then after a year he moved to the Academy of Fine Arts in Warsaw, where he continued his studies in the studio of prof. Jan Kucz. He defended his diploma under the supervision of prof. Grzegorz Kowalski. In 1994–1995 he studied in Bratislava at VSVU in the studio of J. Jankovic. He lives and works in Zakopane, where he runs the Antoni Rząsa Gallery with his wife, Magda Ciszewska-Rząsa. He presented his works, among others at Polish Institutes in Berlin, Bratislava and Rome, BWA in Szczecin, Olsztyn and Zakopane, the Center of Polish Sculpture in Orońsko and private galleries in Poland and abroad, including in Warsaw, Krakow, German Rosenheim and Dutch Zutphen.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><a href="http://101projekt.pl/index.php?id_artist=609&controller=artist&id_lang=1">JERZY BARANOWSKI</a></p> <p class="text" style="text-align: justify;">A graduate of the Faculty of Painting at the Academy of Fine Arts in Warsaw, diploma in the studio of prof. Wojciech Zubala. Jerzy Baranowski also studied in the studio of prof. Stanisław Baj and earlier prof. Wojciech Cieśniewski. He specializes in oil and acrylic painting. He attaches great importance to the workshop in this drawing. Jerzy Baranowski deals with both abstraction and figuration. Apart from geometric abstraction, expressed in a minimalist way - the closest thing to him is magical realism, which can be seen mosty in the artist's earlier works.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><a href="https://issuu.com/101projekt/docs/baranowski_rzasa_katalog_internetowy_2020_c">ZOBACZ CATALOGUE</a></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text"><img src="http://101projekt.pl/img/cms/126007673_3788000431223961_3216417101955594656_o.jpg" alt="" width="720" height="480" /></p> <p class="text"> </p> <p class="text"><img src="http://101projekt.pl/img/cms/126513847_3788000411223963_8097998289431553083_o.jpg" alt="" width="720" height="480" /></p> <p class="text"> </p> </div> </div> 0 products
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Malwina de Brade | Krzysztof Ostrzeszewicz | METHAPORMOSIS
03.11.2020 - 13.11.2020
<div class="wystawa"> <h1 class="page-title" style="text-align: justify;">current exhibition</h1> <div class="wystawa"> <h1 class="h1_wystawy" style="text-align: justify;"><span class="h1_wystawy_span"> METAPHORMOSIS / </span> Malwina de Brade i Krzysztof Ostrzeszewicz</h1> <p class="text"><img src="http://101projekt.pl/img/cms/IMG_2156.JPG" alt="" width="1815" height="1210" /></p> <p class="p_last linia2 first" style="text-align: justify;">Artists: <span>Malwina de Brade i Krzysztof Ostrzeszewicz<br /></span></p> <p class="p_last linia2" style="text-align: justify;">Place: <span>Galeria 101 Projekt</span></p> <p class="p_last linia2" style="text-align: justify;">Date: <span>03.11 - 13.11.2020</span></p> <p class="p_last linia2" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><a href="http://101projekt.pl/index.php?id_artist=608&controller=artist&id_lang=1">MALWINA DE BRADE</a></p> <p class="text" style="text-align: justify;">She graduated from the Faculty of Graphics at the Academy of Fine Arts in Warsaw in 1995 with a diploma defended in the studio of prof. Janusz Stanny, an appendix of workshop graphics at prof. Krzysztof Wyzner. She graduated from the State Secondary School of Fine Arts in Warsaw (1988). The artist deals with painting, book illustration, photography, workshop graphics and animation, she collaborates in the creation of costumes, characterization and scenography. She is an independent art curator. She works as an editor in the "LiryDram" magazine and as a lecturer at the Academy of Art in Warsaw. She is a member of the Association of Polish Artists and Designers, the international photography group Szare Dni and the art group Equitas Equitatum.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><a href="http://101projekt.pl/index.php?id_artist=73&controller=artist&id_lang=1">KRZYSZTOF OSTRZESZEWICZ</a></p> <p class="text" style="text-align: justify;">in 2005-2010 he studied at the Sculpture Department of the Academy of Fine Arts in Warsaw. His graduation sculpture entitled "Pieta" defended in the studio of prof. Adam Myjak was awarded the choice to participate in the exhibition "COMING OUT - Best Diplomas of the Academy of Fine Arts 2010". In the same year, he made the tombstone of Zbigniew Zapasiewicz at the Powązki Military Cemetery in Warsaw, commissioned by the A. Zelwerowicz. He works with sculpture, painting, publishing graphics and photography. In the years 2009-2012, he created book covers and illustrations for the Klin publishing house, for books by Joanna Chmielewska. In 2019, his diploma sculpture "Pieta" was selected among the forty best diploma works of the last decade. Krzysztof Ostrzeszewicz's sculptures are in numerous private art collections in Poland and Europe.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><a href="https://issuu.com/101projekt/docs/de_brade_ostrzeszewicz__katalog_internetowy_2020_b">CATALOGUE</a></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text"><img src="http://101projekt.pl/img/cms/IMG_2166.JPG" alt="" width="720" height="480" /></p> <p class="text"> </p> <p class="text"><img src="http://101projekt.pl/img/cms/_MG_9021.JPG" alt="" width="720" height="480" /></p> <p class="text"> </p> </div> </div> 0 products
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Bogna Gniazdowska | PRETTY FLOWERS
22.10.2020 - 29.10.2020
<div class="wystawa"> <h1 class="page-title" style="text-align: justify;">current exhibition</h1> <div class="wystawa"> <h1 class="h1_wystawy" style="text-align: justify;"><span class="h1_wystawy_span"> PRETTY FLOWERS / </span> Bogna Gniazdowska</h1> <p class="text"><img src="http://101projekt.pl/img/cms/IMG_8902.JPG" alt="" width="1815" height="1210" /></p> <p class="p_last linia2 first" style="text-align: justify;">Artist: <span>Bogna Gniazdowska<br /></span></p> <p class="p_last linia2 first" style="text-align: justify;">Curator: <span>Magdalena Kąkolewska<br /></span></p> <p class="p_last linia2" style="text-align: justify;">Place: <span>Galeria 101 Projekt</span></p> <p class="p_last linia2" style="text-align: justify;">Date: <span>22.10 - 29.10.2020</span></p> <p class="p_last linia2" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">"Pretty flowers" is a collection of almost 100 paintings and drawings that have been created every day this year, actually by the way ... it is the fruit of efforts, self-discipline, and an attempt to deal with myself. It is also a painterly record of conversations, a confrontation and an attempt of friendship in new circumstances ...</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">On March 13, 2020, the opening of the exhibition - "Bogna-Florentyna" was planned. The subject was supposed to be similar - flowers, because for more or less five years I have been working on a series of works called "bogna / florentine", "bo / flo" for short, devoted to nature and plants.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">I have been preparing for the exhibition for a long time. The date set a year earlier allowed me to think carefully and paint the whole thing.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">That was the plan.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">But the plan, as it sometimes happens to plans, has changed, because in spring of 2020 the world turned upside down and changed irrevocably due to the Covid-19 pandemic.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">This situation caused radical changes also in me. I have changed too. So, in order to be honest with myself and the audience, I decided that the exhibition conceived and painted before Covid-19 is no longer possible to show in its current shape. The exhibition "Bogna-Florentyna", as a faithful friend, unfortunately has to be put to the test of time. Together with Magdalena Kąkolewska, the curator of this and the previous exhibition, we decided a radical volt.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">Therefore, this exhibition includes - above all - works on paper, made this year during forced, general isolation.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">Paradoxically, the lockdown allowed me to focus deeper.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">The inability to draw inspiration from the outside emphasized what I have inside me, it allowed me to meet the emotions that accompany me every day. This year's works are complemented, and contraire, by several earlier works, shown here for comparison and completeness.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">The plants painted here were created primarily from the head, they are the essence of my observations and many years of work in the open air. Fleeting notes on paper, I repeat with oil studies on canvas, I multiply them to group them into cycles, until I try to break away from nature. All this to delve into your own feeling and seeing the world. In my painting, I still shyly, though inevitably, strive towards abstraction. Looking for a painterly way of naming the unnamed.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">Bogna Gniazdowska,October 2020.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">Bogna Gniazdoowska - painter and poet, graduated from the Academy of Fine Arts in Warsaw in 1990, in the studio of Professor Stefan Gierowski and in the studio of Professor Ryszard Winiarski. Scholarship holder of the Ministry of Culture in 1991. She has had 25 individual exhibitions, participated in over 50 collective exhibitions in Poland and abroad. She was the curator of the exhibition "Pokuszek" - the winners of the APH ERGO Hestia competition. She is the author of 3 animated films, and the film "You will not run away from it" (with Olga Wolniak), she is the author of two poetry volumes: "My choice" in 2016 and "Cherries on the handle" in 2018, published by the Conwio publishing house. She also published poems in "Kwartalnik Artystyczny". She lives in Warsaw and tries to work every day.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><a href="https://issuu.com/101projekt/docs/bogna_gniazdowska__katalog_internetowy_2020_b"> CATALOGUE</a></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text"><img src="http://101projekt.pl/img/cms/IMG_8886.JPG" alt="" width="720" height="480" /></p> <p class="text"> </p> <p class="text"><img src="http://101projekt.pl/img/cms/IMG_8903.JPG" alt="" width="720" height="480" /></p> <p class="text"> </p> </div> </div> 0 products
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Krzysztof Pająk | INVENTORY
08.10.2020 - 15.10.2020
<div class="wystawa"> <h1 class="page-title" style="text-align: justify;">current exhibition</h1> <div class="wystawa"> <h1 class="h1_wystawy" style="text-align: justify;"><span class="h1_wystawy_span"> INVENTORY / </span> Krzysztof Pająk</h1> <p class="text"><img src="http://101projekt.pl/img/cms/IMG_8852.JPG" alt="" width="1815" height="1210" /></p> <p class="p_last linia2 first" style="text-align: justify;">Artist: <span>Krzysztof Pająk<br /></span></p> <p class="p_last linia2" style="text-align: justify;">Place: <span>Galeria 101 Projekt</span></p> <p class="p_last linia2" style="text-align: justify;">Date: <span>08.10 - 15.10.2020</span></p> <p class="p_last linia2" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">Krzysztof Pajak's painting percolates the consciousness and subconsciousness with many signs from the very first sight. They are magical and exotic in nature, with the roots of folk origin in the continents of Africa, America and Oceania. The systematic divisions prompts us to solve the mystery of the author, even partially guessing the content of the message, his painting is based on signs from distant eras, the beginnings of human artistic activities, and the form of divisions into fields distinguishing individual characters refers to pop-art and comics.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">Joanna Owidzka, Artystka, EXIT 5-2002r</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">Krzysztof Pająk was born in 1956 in Warsaw. The artist is a graduate of the Academy of Fine Arts in Warsaw - he studied at the graphic design studio of prof. Roman Duszek (diploma with honors 1984) and at the painting studios of prof. Jan Dziedziora and prof. Jacek Sempoliński. The artist co-created a visual communication project for the CZMP hospital in Łódź. Krzysztof Pająk is a scholarship holder of the Ministry of Culture and Art (1985), winner of the Talens Award (2005), one of the three main prizes of the 1st Warsaw Art Photography Festival (2005), author of over 45 individual exhibitions, incl. in Elbląg, Warsaw, Cologne, Munchengladbach and participant in over 350 collective exhibitions, including: MUBA '87, Basel (1987); Arsenał 88, Warsaw (1988) "Image and Movement" - Museum of Cinematography, Łódź (1991); Fundation Laigle Roermond - Netherlands (1992); Together in Life and Art - Polish Institute, Paris (1999); "The Millennium Breakthrough Syndrome" - DAP Gallery, Warsaw (2000); "Walking Art Tour" - Hotel Victoria, Warsaw (2005); Beijing International Art Biennale - China (2005); Sacrum Art Triennale 2006 - MGS, Częstochowa (2006); Kunstmassan '07 Art Fair - Stockholm, Sweden (2007); Art Exhibition, "Now Poland", European Parliament, Brussels, "Poland today between Tradition and Modernity, Road to the Union ..." (photo exhibition) - European Parliament, Strasbourg (2011 1 Exhibition of black light painting Genoa (2015) The artist has also participated in over 70 charity auctions, including the Big Heart Association, Sue Ryder Foundation, Nobody's Children Foundation, and the Garden of Hope Foundation. private in Poland and abroad (USA, Germany, France, Great Britain, Netherlands, Japan). Krzysztof Pająk works in painting, design and photography, lives in Warsaw.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><a href="https://issuu.com/101projekt/docs/krzysztof_pajak_katalog_internetowy_2020_e">CATALOGUE</a></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text"><img src="http://101projekt.pl/img/cms/IMG_8843.JPG" alt="" width="720" height="480" /></p> <p class="text"> </p> <p class="text"><img src="http://101projekt.pl/img/cms/IMG_8864.JPG" alt="" width="720" height="480" /></p> <p class="text"> </p> <p class="text"><img src="http://101projekt.pl/img/cms/IMG_8860.JPG" alt="" width="720" height="480" /></p> </div> </div> 0 products
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Maria Jagłowska, Monika Zadurska-Bielak, Tomasz Bielak | FOUR LE
07.07.2020 - 17.07.2020
<div class="wystawa"> <h1 class="page-title" style="text-align: justify;">current exhibition</h1> <div class="wystawa"> <h1 class="h1_wystawy" style="text-align: justify;"><span class="h1_wystawy_span"> FOUR LEGS GOOD TWO LEGS BAD?/ </span> Maria Jagłowska,Monika Zadurska-Bielak,Tomasz Bielak</h1> <p class="text"><img src="http://101projekt.pl/img/cms/1a1a1a.jpg" alt="" width="1815" height="1210" /></p> <p class="p_last linia2 first" style="text-align: justify;">Artists: <span>Maria Jagłowska, Monika Zadurska-Bielak, Tomasz Bielak</span></p> <p class="p_last linia2" style="text-align: justify;">Place: <span>Galeria 101 Projekt</span></p> <p class="p_last linia2" style="text-align: justify;">Date: <span>07.07 - 17.07.2020</span></p> <p class="p_last linia2" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">Maria Jagłowska - a graduate of the Academy of Fine Arts in Warsaw, where in 2018 she defended her diploma with a specialization in artistic fabric. Participant of individual and collective exhibitions. Finalist of the Young Art Review "Fresh Blood" 2018, the Young Art Review "Promotions" 2018, the Siemens Art Award 2019, and the 1st Triennial of Student Painting 2019 BWA RZESZÓW. "In my works I draw most inspiration from nature, the world around me and is the main subject of my paintings. Vivid colors, playing with lines, constructing banal, floral motifs, distorted animal forms, that appear in my paintings, are a return to childhood, carefree scribbles, mindless lines, hitting with color spots, simply having fun, thanks to that the world around me temporarily ceases to exist and makes me feel free."</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">Monika Zadurska-Bielak - a graduate of the Faculty of Sculpture at the Academy of Fine Arts in Gdańsk in the studio of prof. Franciszek Duszeńka. She lives and works in Lublin. She works in sculpture and runs ceramics and art workshops. Monika Zadurska-Bielak creates artistic and functional forms. In 2011 she founded her own studio (Potok Pracownia Plastyczna), where she organizes pottery and art workshops for children and adults. Since 2012 she has specialized in silicone casting technology, which she uses to create realistic figures. She made elements of scenography for exhibitions in many museums in Poland, including in Warsaw, Lublin and Białystok.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">Tomasz Bielak was born in Lublin in 1967. In 1994 he obtained a diploma from the Gdańsk Academy of Fine Arts at the Faculty of Painting and Graphics. He made installations, press graphics, large-format murals, as well as sculpture and painting. In all these areas, apart from the workshop, the most important thing for him is the message of the work, the message it contains. Professing the principle "if you have nothing to say - keep silent (do not create)", he rejects the purely aesthetic nature of art, and thus understands his individual development and involvement in cultural and social life as UNITY. He has shown his works at many collective and individual exhibitions in Poland and abroad. Currently, after 20 years of living in Gdańsk, he lives and works in his hometown of Lublin.</p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <a href="https://issuu.com/101projekt/docs/2020_katalog_internetowy_1c">CATALOGUE</a> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"> </p> </div> <p class="text"><br /><br /></p> <p class="text"> </p> <p class="text"> </p> <p class="text"> </p> <p class="text"> </p> </div> 0 products
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KRZYSZTOF OSTRZESZEWICZ | SCULPTURE | Galeria (-1)
13.02.2020 - 02.03.2020
<div class="wystawa"> <h1 class="page-title" style="text-align: justify;">temporary exhibiton</h1> <div class="wystawa"> <h1 class="h1_wystawy" style="text-align: justify;"><span class="h1_wystawy_span"> SCULPTURE/</span>Krzysztof Ostrzeszewicz</h1> <p class="text"><img src="http://101projekt.pl/img/cms/Bez nazwy 1.jpg" alt="" width="1815" height="1210" /></p> <p class="p_last linia2 first" style="text-align: justify;">Artist: <span>Krzysztof Ostrzeszewicz<br /></span></p> <p class="p_last linia2" style="text-align: justify;">Place: <span>Galeria (-1) Polskiego Komitetu Olimpijskiego</span></p> <p class="p_last linia2" style="text-align: justify;">Date: <span>13.02 - 08.03.2019</span></p> <p class="p_last linia2" style="text-align: justify;">Curators: <span>Kama Zboralska i Paulina Świerczyńska</span></p> <p class="p_last linia2" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">Human body – as an artistic problem perfectly corresponding to the ideas of sculpture – provides an excellent starting point for creation, in which, apart from talent and ingenuity proved at every step, technical skills are equally important. The art of Krzysztof Ostrzeszewicz serves as an example of such enterprise. By using synthetic, simplified forms the artist manages to achieve universalized representation omitting the psychologically deepened content load. These sculptures do not suggest any individuality of the portrayed figure, only the general idea of the depicted object. The artist rejects the details of the model that could indicate a particular individual and at the same time make him abandon the general essence. The figures are generally faceless – save for the times when some of the facial features are outlined in order to enhance expression. The viewer's gaze needs to focus on the form itself, the overall shape, and only then on the detail. An attentive observer will notice that despite the modesty of formal means, certain fragments remain refined – they are symbols, signs suggesting the correct interpretation of likeness, such as Lady Macbeth's raised hands or Persephone's bouquet of poppies. The sculpture "Motherhood" is also an example of very careful handling of the detail. Virtually all female characteristics, such as breasts and facial features, are merely suggested. Both figures – the mother and the child – are closely joined to each other creating a compact form, distinctly emphasizing the concept of motherhood. The solid itself is a symbol here. Similarly, in the case of "Pregnant", a strongly accented part of the belly emerges from the scheme of proportions of the female figure. Krzysztof Ostrzeszewicz's art is full of cultural references and the characters themselves most often come from myths or the Bible. At the present time, it takes courage not only to move so boldly in the world of figuration, but, subversively, also in the subject of traditional depictions. The consequence of this courage in the case of Ostrzeszewicz's sculptures is an attainment of a contemporary commentary on such traditional forms and themes. His art exemplifies the fact that one can develop their original artistic activity, which can be a continuation of the canon of beauty known since antiquity, and processing traditional models while searching for innovative forms of expression. Krzysztof Ostrzeszewicz is not afraid to reach for topics in which his predecessors spoke so willingly, consciously engaging in this artistic dialogue of generations. His attitude towards creation shows respect for his predecessors – often renowned masters – but also the passion for doing something in spite of authorities, revelation of an individual element – not to question the achievements of past, but to show that there is still room for originality in figurative art. Paulina Świerczyńska</p> </div> </div> 0 products
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Magdalena Shummer-Fangor i Piotr Gawron | MALOWANE I RZEZANE
21.11.2019 - 30.11.2019
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Krystyna Nowakowska i Sylwia Mużyło | THE FIELD OF VIEW
21.09.2019 - 28.09.2019
<div class="wystawa"> <h1 class="page-title" style="text-align: justify;">wystawa aktualna</h1> <div class="wystawa"> <h1 class="h1_wystawy" style="text-align: justify;"><span class="h1_wystawy_span"> THE FIELD OF VIEW/ </span> Krystyna Nowakowska i Sylwia Mużyło</h1> <p class="text"><img src="http://101projekt.pl/img/cms/nowakowskamuzylo1.jpg" alt="" width="1815" height="1210" /></p> <p class="p_last linia2 first" style="text-align: justify;">Artyści: <span>Krystyna Nowakowska i Sylwia Mużyło<br /></span></p> <p class="p_last linia2" style="text-align: justify;">Miejsce: <span>Galeria 101 Projekt</span></p> <p class="p_last linia2" style="text-align: justify;">Daty: <span>21.09 - 28.09.2019</span></p> <p class="p_last linia2" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">"THE FIELD OF VIEW is the title of the exhibition of sculptures by Krystyna Nowakowska and paintings by Sylwia Mużło. The starting point of the exhibition is the figure of a woman, interpreted by each artist in their own individual way. The exhibition showcases artworks created over the last few years.The work of Krystyna Nowakowska, homogenous and consistent, focuses on an interest in the human figure. The artist, using one of the oldest techniques of creating bronze castings through the lost wax method, implements multi-threaded cycles that are characterized by an original and recognizable style. That is the consequence of the expression extracted through the characteristic deformation, or rather the disfiguration of the human figure. Openwork, rhythmization of full and empty forms, the play of light and shadow, make the space seem as material as the sculpture filling it. Subtlety, lightness and mystery are integrated with the roughness of the texture and the sharpness of the form. The characters, or rather the heroines of her works, are not part of the illustration of a particular situation, but represent a metaphor. Deprived of heads and other personalized elements, they become the starting point for reflection on the universal issues of human existence. Nature is not a prototype for the sculptor, but it inspires the artist’s creations. In that much is detectable, but also as much remains in the sphere of speculation.Sylwia Mużło paints mainly women. The heroines of her works are shown in different situations, at different stages of life. They appear in a variety of poses and sceneries. From the not thoroughly defined background, most often marked only with decorative ornament, more characters emerge, provoking the recipient to reflect on the symbolism of depictions. The source of this symbolism are the works of the canon of painters with whom Mużło enters into an artistic dialogue. Consciously blurring the border between what is fictional and what is real. The artist manages to achieve this using frugal formal means, limited color palette, consisting largely of blues and grays. The painter places her heroes in an unspecified space, but gives them attributes that characterizes them in some way. Mużło uses images of familiar people, often also reaching for a self-portrait, converting real characters to the world established on canvas. A world where nothing happens literally, but anything can happen. Exhibition curator: Paulina Świerczyńska</p> <p class="text" style="text-align: justify;"> </p> </div> <p class="text"><br /><br /></p> <p class="text"> </p> <p class="text"> </p> <p class="text"> </p> <p class="text"> </p> <p class="text"><img src="http://101projekt.pl/img/cms/nowakowskamuzylo2.jpg" alt="" width="720" height="480" /></p> <p class="text"> </p> <p class="text"><img src="http://101projekt.pl/img/cms/nowakowskamuzylo3.jpg" alt="" width="720" height="480" /></p> <p class="text"> </p> <p class="text"><img src="http://101projekt.pl/img/cms/nowakowskamuzylo4.jpg" alt="" width="720" height="480" /></p> </div> 0 products
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Mariusz Drabarek | SUBTLY MOVING THE MIND
18.07.2019 - 25.07.2019
<div class="wystawa"> <h1 class="page-title" style="text-align: justify;">wystawa aktualna</h1> <div class="wystawa"> <h1 class="h1_wystawy" style="text-align: justify;"><span class="h1_wystawy_span"> SUBTLY MOVING THE MIND / </span> Mariusz Drabarek</h1> <p class="text"><img src="http://101projekt.pl/img/cms/IMG_6417.JPG" alt="" width="1815" height="1210" /></p> <p class="p_last linia2 first" style="text-align: justify;">Artyści: <span>Mariusz Drabarek<br /></span></p> <p class="p_last linia2" style="text-align: justify;">Miejsce: <span>Galeria 101 Projekt</span></p> <p class="p_last linia2" style="text-align: justify;">Daty: <span>18.07 - 25.07.2019</span></p> <p class="p_last linia2" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;">"SUBTLY MOVING THE MIND - the theme of the introduced cycle is the sensitivity of a human – the personality and character shaping it. In the everyday hustle we can sometimes find respite. I call this fraction of a moment the "Subtle movement of the mind" – the love, longing, appreciation of beauty, memories. Images are peculiar freeze-frames – evocations of childhood experiences. Simple, genuine, without imposed schemes, limitless.</p> <p class="text" style="text-align: justify;"> </p> </div> <p class="text"><br /><br /></p> <p class="text"> </p> <p class="text"> </p> <p class="text"> </p> <p class="text"> </p> <p class="text"><img src="http://101projekt.pl/img/cms/IMG_6419.JPG" alt="" width="720" height="480" /></p> <p class="text"> </p> <p class="text"><img src="http://101projekt.pl/img/cms/IMG_6427.JPG" alt="" width="720" height="480" /></p> <p class="text"> </p> <p class="text"><img src="http://101projekt.pl/img/cms/IMG_6393.JPG" alt="" width="720" height="480" /></p> </div> 0 products
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Katarzyna Słowiańska - Kucz i Konrad Kucz | DWA HORYZONTY
18.05.2019 - 25.05.2019
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Agata Krutul | RUST
29.11.2018 - 08.12.2018
<div class="nadchodząca wystawa"> <h1 class="page-title">Current exhibition</h1> <h1 class="h1_wystawy"><span class="h1_wystawy_span">Agata Krutul | RUST</span></h1> <img src="http://101projekt.pl/img/cms/baner na www_2_1_1.jpg" alt="" width="908" height="269" /> <p class="p_last linia2 first">Artysta: <span>Agata Krutul</span></p> <p class="p_last linia2">Miejsce: <span>Galeria 101 Projekt, Piękna 62/64</span></p> <p class="p_last linia2">Daty: <span>29.11.- 08.12.2018</span></p> <p class="p_last kreska linia2"> </p> <p class="text odstep first"><em>The name of this exhibition is inspired by the Norwegian word RUST. I strongly associate my creative works with erosion processes, the rotting and mouldering of objects affected by the wind, water and salt. The second aspect that inspires me is the severity of the Scandinavian landscape. The smell of wind and sea, infinity, lack of restrictions - these aspects give me peace. That's what I want to convey through my works. I am fascinated by the strength and expression of natural phenomena. I represent erosion in my works, creating without preliminary sketches or planning of the compositions. It is dictated by the structure and color of the ground. That decides about the character of the image and evokes emotions in me that I pass onto the canvas in harmony with the will of nature.</em></p> <p class="text odstep first">Agata Krutul</p> <p class="text odstep first"> </p> </div> 0 products
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Circle of Inspiration: A Tribute to Fangor | Anthony Byshevsky
13.07.2018 - 26.07.2018
<div class="exhibition"> <h1 class="page-title">Exhibition</h1> <h1 class="h1_wystawy"><span class="h1_wystawy_span"> Circle of Inspiration: A Tribute to Fangor | Antoni Byszewski </span></h1> <img src="http://101projekt.pl/img/cms/baner na www_2.jpg" alt="" width="908" height="269" /> <p class="p_last linia2 first">Artysta: <span>Antoni Byszewski</span></p> <p class="p_last linia2">Miejsce: <span>Galeria 101 Projekt, Piękna 62/64</span></p> <p class="p_last linia2">Daty: <span>13.07.- 26.07.2018</span></p> <p class="p_last kreska linia2"> </p> <p class="text odstep first">'My grandfather was the first creative, artistic hero in my life from a very early age. […] I started painting at the age of 33, just for fun and out of curiosity. I have been a musician all my life and embraced a new medium of expression at a very difficult time in my life. I remember my mom sharing pictures of my paintings with my grandparents. They were very supportive and interested, and my grandfather even wrote me a five page letter, the first in my life from him, all about how to approach my work. […] This tribute series of paintings was inspired by him, as a person, as an artist, and as family. Simply a personal thank you to his spirit and life. A very creative and robust THANK YOU.' Anthony Byshevsky</p> <p class="text odstep first">Antoni Byszewski</p> <p class="text odstep first"> </p> <!-- GALERIA ZDJĘĆ --> <p> </p> <!-- --> <h1 class="page-title" style="margin: 30px 0;">Galeria zdjęć</h1> <ul id="product_list" class="clear view-list" style="margin-left: 0;"><!--Zdjęcie 1--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/IMG_4028 - Kopia_1.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/IMG_3847_1.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">Zobacz szczegóły</span></a></div> </div> </li> <!--Zdjęcie 2--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/IMG_4024 - Kopia.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/IMG_4024 - Kopia.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">Zobacz szczegóły</span></a></div> </div> </li> <!--Zdjęcie 3--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/IMG_4034 - Kopia.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/IMG_4034 - Kopia.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">Zobacz szczegóły</span></a></div> </div> </li> <!--Zdjęcie 4--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/IMG_4086 - Kopia.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/IMG_4086 - Kopia.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">Zobacz szczegóły</span></a></div> </div> </li> <!--Zdjęcie 5--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/IMG_4090 - Kopia.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/IMG_4090 - Kopia.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">Zobacz szczegóły</span></a></div> </div> </li> <!--Zdjęcie 6--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/IMG_4124 - Kopia.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/IMG_4124 - Kopia.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">Zobacz szczegóły</span></a></div> </div> </li> </ul> </div> 0 products
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Małgosia Malinowska. Apety
29.06.2018 - 07.07.2018
<div class="wystawa"> <h1 class="page-title">Wystawa</h1> <h1 class="h1_wystawy"><span class="h1_wystawy_span">Małgosia Malinowska. Apetyt Lo. </span></h1> <img src="http://101projekt.pl/img/cms/IMG_3838.JPG" alt="" width="908" height="269" /> <p class="p_last linia2 first">Artysta: <span>Małgosia Malinowska</span></p> <p class="p_last linia2">Miejsce: <span>Galeria 101 Projekt, Piękna 62/64</span></p> <p class="p_last linia2">Daty: <span>29.06.- 07.07.2018</span></p> <p class="p_last kreska linia2"> </p> <p class="text odstep first">Lo’s Appetite is a series of paintings based on stills from 1997 Adrian Lane’s Lolita movie. Back then when the movie was in the theaters, my mom forbade me to go. Instead, I bought and read the Nabokov’s book. It marked me for life. I also found out that playing the once-missed movie in the background helps me in focusing on my work. It was only fair to finally put it to the fore. The series consists of eleven paintings themed around Lolita. When I first read the book, I was scared to recognize myself in the character. In later life I was consciously and unconsciously playing with the Lolita archetype. The more I dwell into it though, the more I understand the mirroring works both ways. I am just as Lolita as I am Humbert.</p> <p class="text odstep first">Małgosia Malinowska</p> <!-- GALERIA ZDJĘĆ --> <p> </p> <!-- --> <h1 class="page-title" style="margin: 30px 0;">Galeria zdjęć</h1> <ul id="product_list" class="clear view-list" style="margin-left: 0;"><!--Zdjęcie 1--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/IMG_3847_1.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/IMG_3847_1.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">Zobacz szczegóły</span></a></div> </div> </li> <!--Zdjęcie 2--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/IMG_3844.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/IMG_3844.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">Zobacz szczegóły</span></a></div> </div> </li> <!--Zdjęcie 3--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/IMG_3838_3.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/IMG_3838_3.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">Zobacz szczegóły</span></a></div> </div> </li> <!--Zdjęcie 4--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/IMG_3834.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/IMG_3834.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">Zobacz szczegóły</span></a></div> </div> </li> </ul> </div> <p class="text odstep first"> </p> <!-- PRACE W OFERECIE --> <p> </p> <!-- --> <h1 class="page-title" style="margin: 30px 0;">PRACE W OFERECIE</h1> <ul id="product_list" class="clear view-list" style="margin-left: 0;"><!--Zdjęcie 1--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a href="http://101projekt.pl/index.php?id_product=2758&controller=product&id_lang=1"><img src="http://101projekt.pl/img/cms/Małgosia Malinowska Lolita 67678a.jpg" alt="" /></a></div> </div> </li> <!--Zdjęcie 2--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a href="http://101projekt.pl/index.php?id_product=2764&controller=product&id_lang=1"><img src="http://101projekt.pl/img/cms/Małgosia Malinowska Lolita 67680a.jpg" alt="" /></a></div> </div> </li> <!--Zdjęcie 3--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a href="http://101projekt.pl/index.php?id_product=2759&controller=product&id_lang=1"><img src="http://101projekt.pl/img/cms/Małgosia Malinowska Lolita 67676a.jpg" alt="" height="" /></a></div> </div> </li> <!--Zdjęcie 4--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a href="http://101projekt.pl/index.php?id_product=2757&controller=product&id_lang=1"><img src="http://101projekt.pl/img/cms/Małgosia Malinowska Lolita 67688a.jpg" alt="" /></a></div> </div> </li> <!--Zdjęcie 5--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a href="http://101projekt.pl/index.php?id_product=2765&controller=product&id_lang=1"><img src="http://101projekt.pl/img/cms/Małgosia Malinowska Lolita 67682a_1.jpg" alt="" /></a></div> </div> </li> <!--Zdjęcie 6--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a href="http://101projekt.pl/index.php?id_product=2756&controller=product&id_lang=1"><img src="http://101projekt.pl/img/cms/Małgosia Malinowska Lolita 67687a.jpg" alt="" /></a></div> </div> </li> <!--Zdjęcie 7--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; 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Ewa Rosiek - Buszko. PAPER GAMI.
19.01.2018 - 27.01.2018
<div class="wystawa"> <h1 class="page-title">Wystawa obecna</h1> <h1 class="h1_wystawy"><span class="h1_wystawy_span"><a href="http://101projekt.pl/index.php?id_artist=241&controller=artist&id_lang=1">Ewa Rosiek - Buszko/PAPER GAMI</a> </span></h1> <img src="http://101projekt.pl/img/cms/dlugarosiek.jpg" alt="" width="908" height="269" /> <p class="p_last linia2 first">Artysta: <span>Ewa Rosiek - Buszko</span></p> <p class="p_last linia2">Miejsce: <span>Galeria 101 Projekt, Piękna 62/64</span></p> <p class="p_last linia2">Daty: <span>19.01.- 27.01.2017</span></p> <p class="p_last kreska linia2"> </p> <p class="text odstep first">PAPER GAMI – to kolejna prezentacja autorskich unikatowych papierów czerpanych ręcznie, unikatowej ceramiki, rysunku, grafiki z elementami tkaniny i haftu ręcznego. Przyjemność nie kryje się w celu, lecz w krokach do niego wiodących – to japońskie przysłowie towarzyszy mi w zachwycie nad procesem poznawania i fascynacji kolejnymi materiami. Pozwala wciąż poszukiwać niekonwencjonalnych połączeń, walorów technicznych i estetycznych. Poetycko rzecz ujmując, poruszam się pomiędzy ogniem i wodą. Materie – media artystycznego przekazu, w których pracuję, w procesie tworzenia wymagają w przypadku ceramiki – ognia, a w przypadku papierów ręcznie czerpanych i tkaniny (zwłaszcza w procesie farbowania) – wody. Te organiczne materiały o wielusetletnim rodowodzie artystycznym, choć należą do różnych dyscyplin sztuki, mają jedną wspólną cechę, powstają przez dotyk i dla dotyku. Wciąż odkrywam niezwykłe możliwości na obrzeżach różnych technologii. Wyrafinowane piękno japońskiego papieru „Washi”, różne gatunki papierów, również tych pospolitych, codziennego użytku i szorstkość form ceramicznych. Rygor tkaniny, haftu i stale obecny w mojej twórczości rysunek, nawet wtedy gdy jest nitką rysującą wymagany kształt oraz malarstwo pozwalają mi na swobodne wykorzystywanie kombinacji technologiczno – materiałowych oraz eksperymenty interdyscyplinarne. Papier we wszystkich postaciach fascynuje mnie od wielu lat. Czerpiąc z wiedzy uzyskanej w czasie pobytu stypendialnego w japońskim Mino, wciąż staram się łączyć niezmienność technik i technologii trwających przez stulecia, dotyczy to również ceramiki, której piękno miałam okazję poznać w japońskim Tajimi, ze współczesnością. Zainspirowana otaczającym światem, reagując na różne bodźce we wszystkich uprawianych dyscyplinach unikam zbędnych i niczemu nie służących działań oraz ozdobników. To wymaga dyscypliny i wyciszenia. W moim mniemaniu sztuka jest językiem porozumienia, w sposób prosty, oszczędny i bezpośredni. Wprowadzam w swoje dzieła tyle elementów, ile ich naprawdę potrzebuję, wyczuwając, że czasem ten jeden – zbędny przemieniłby się jedynie w „przegadany” ornament, zaburzający jasność myśli i przekazu.</p> <p class="text odstep first">Ewa Rosiek - Buszko</p> <!-- GALERIA ZDJĘĆ --> <p> </p> <!-- --> <h1 class="page-title" style="margin: 30px 0;">Galeria zdjęć</h1> <ul id="product_list" class="clear view-list" style="margin-left: 0;"><!--Zdjęcie 1--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/1_4.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/1_4.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">Zobacz szczegóły</span></a></div> </div> </li> <!--Zdjęcie 2--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/2_3.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/2_3.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">Zobacz szczegóły</span></a></div> </div> </li> <!--Zdjęcie 3--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/3_4.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/3_4.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">Zobacz szczegóły</span></a></div> </div> </li> <!--Zdjęcie 4--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/4_4.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/4_4.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">Zobacz szczegóły</span></a></div> </div> </li> <!--Zdjęcie 5--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/5_4.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/5_4.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">Zobacz szczegóły</span></a></div> </div> </li> <!--Zdjęcie 6--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/IMG_2488.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/IMG_2488.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">Zobacz szczegóły</span></a></div> </div> </li> </ul> <p> </p> </div> 0 products
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Magdalena Laskowska
01.12.2017 - 13.12.2017
<div class="wystawa"> <h1 class="page-title">ARCHIVE EXHIBITION</h1> <h1 class="h1_wystawy"><span class="h1_wystawy_span"><a href="http://101projekt.pl/index.php?id_artist=147&controller=artist&id_lang=1">Magdalena Laskowska/Zawsze jest teraz</a> </span></h1> <img src="http://101projekt.pl/img/cms/długielasko.jpg" alt="" width="908" height="269" /> <p class="p_last linia2 first">Artysta: <span>Magdalena Laskowska</span></p> <p class="p_last linia2">Miejsce: <span>Galeria 101 Projekt, Piękna 62/64</span></p> <p class="p_last linia2">Daty: <span>01.12.- 13.12.2017</span></p> <p class="p_last kreska linia2"> </p> <p class="text odstep first">There is a mystery in Laskowska's painting. There is something that intrigues us and makes us wonder. Its urban landscapes look like photographic frames, moving the viewer into a world of extraordinary everyday life. This exhibition is designed as a journey through the natural rhythm of the seasons. The works on show lead us through individual cycles of nature. Nature plays a role here. And yes, winter is a time of release, silence, but also fun. Fun in which both children and adults participate. Small figures climbing uphill or downhill are confronted with large areas of white snow. Everything occurs around the mountain - a formal and ideological centre. Spring and summer are periods of prosperity. Vegetation brings respite. People on the canvas hide in parks and gardens looking for contact with nature. But summer is also a time to rest on the water. Children's bathing, the mood of idyll and joy arouses some indeterminate feeling of nostalgia and longing. Nature is the leading theme in Magdalena Laskowska's work. It determines the atmosphere of the work. She devotes it the most attention. It is the centre, superior to the human figure, which becomes merely an element of the greater whole, the universe. The artist documents familiar everyday places. Parks, streets, squares. Often it is her immediate surroundings, the famous Kopa Cwila in Warsaw Ursynów or the Park in the Royal Baths. Spaces that are places of rest and relaxation people for people today. The presence of nature in the world of the urban metropolis frees in people some primordial, spontaneity, freedom, a desire for authenticity, but also the need for beauty. It is in the relationship with nature that the artist sees the source of human development, its creativity and aesthetic sensitivity. Laskowska's painting is a record of an epoch, an image of the modern world. There is also a critical look at it. Many times the subjects of the images are holding a phone or smartphone, which automatically takes them from the park, from the surrounding nature, to a completely different reality. Apparently, they do not seem to see what is around them. Laskowska's interests bring to mind the famous nineteenth-century idea of the garden city, but also contemporary eco-trends, postulating life in harmony with nature and returning to its source. The artist shows the city from a different perspective. A city friendly to nature and man. She takes the position in such important discussions today on the shape of urban space. Laskowska paints in a synthetic and orderly way, often simplifying forms, geometry. She carefully delineates the perspective that draws the viewer. Light and colour play an important role. They are treated in a subjective way, to a great extent, and give the artist a unique, dreamy expression.</p> <p class="text odstep first">Blanka Burnat</p> <!-- PHOTO GALERRY --> <p> </p> <!-- --> <h1 class="page-title" style="margin: 30px 0;">Galeria zdjęć</h1> <ul id="product_list" class="clear view-list" style="margin-left: 0;"><!--Zdjęcie 1--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/DSC03955.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/DSC03955.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <!--Zdjęcie 2--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/IMG_2119.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/IMG_2119.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <!--Zdjęcie 3--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/3_3.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/3_3.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <!--Zdjęcie 4--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/IMG_2091.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/IMG_2091.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <!--Zdjęcie 5--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/6_1.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/6_1.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <!--Zdjęcie 6--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/5_3.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/5_3.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> </ul> <p> </p> </div> 0 products
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Sylwester Ambroziak i Andrzej Dudziński
06.10.2017 - 18.10.2017
<div class="wystawa"> <h1 class="page-title">Current exhibition</h1> <h1 class="h1_wystawy"><span class="h1_wystawy_span"><a href="http://101projekt.pl/index.php?id_artist=147&controller=artist&id_lang=1">Sylwester Ambroziak. Andrzej Dudziński.</a> </span></h1> <img src="http://101projekt.pl/img/cms/yyy.jpg" alt="" width="908" height="269" /> <p class="p_last linia2 first">Artist: <span>Sylwester Ambroziak, Andrzej Dudziński</span></p> <p class="p_last linia2">Venue: <span>Galeria 101 Projekt, Piękna 62/64</span></p> <p class="p_last linia2">Dates: <span>06.10.- 18.10.2017</span></p> <p class="p_last kreska linia2"> </p> <p class="text odstep first">Hominids of Sylwester Ambroziak: their ovate, disproportionately large heads, noseless, smooth, immobile animal-human faces with widely spaced convex, round eyes and greasy mouths, curly silhouettes and long, monkey like hands, emanating from their condensed bodies; with primitive energy they awaken associations with animal-like primordial instinct. Masculine, with huge phallus bumps, rarer - feminine, and kind of child-like, finer and asexual, lonely or intertwined in a loving embrace or fierce struggle, alone or in large groups, and even in flocks, communicate with each other - and with the audience - with amazing precision, and equally amazingly human, and body language. Vestigial facial expressions, expressed only by the layout of the mouth, indifferent, as if slightly surprised faces, contrast with pronounced expressions of gestures and violent movements of elastic bodies. Their view on the one hand awakens deeply the subconscious fear of strangers and aversion to another, but on the other, the feeling of some sort of intimate proximity, triggered by the perceptive authenticity of primordial human reflexes and instinctive reactions. The impression is that the artist deliberately deprives them of the essential individual characteristics: varied facial features, silhouettes or even clothing, just to be able to leave and to read the true nature of man as clearly as possible: this universal, common to all at the level of the collective subconscious, undisturbed individual situations and unwiped by cultural masks. The basic truths about the condition and the drama of human existence, burdened with the inheritance of evolution, entangled in the transience of time and matter, and at the same time desperately longing to make sense of its existence, Sylwester Ambroziak defines perfectly adequate figurative form of his sculptures, often in addition to falling into relations within complex, spatial installation. Made mostly of optically and physically heavy materials: bronze, wood and ceramics, always dynamically shaped and always perfectly balanced compositionally, many of very large size and small, in sophisticated texture of the surface have recorded, saturated with intense emotions, traces of dialogue - often on the edge of the fight - the artist with the matter. The artist who increasingly goes to the modern means of expression: giving new possibilities of plastic castings and perfectly executed animated films, full of disturbing, traumatic references. And yet the timeless message of Sylwester Ambroziak's art remains immutable - reaching even deeper layers of human sensitivity, those sensitive not only to the content but also to the formal and artistic excellence of the work of art.</p> <p class="text odstep first">Stanisława Zacharko-Łagowska</p> <p class="text odstep first">There is a unique musicness running through the abstract paintings by Andrzej Dudziński. It appears within the vibrant clarity of lonesome colourful forms levitating in the silent space of the calm, monochrome background, and among free chords of subtle and exquisite combinations of tones and nuances. As well as within the effects of artistic actions, of an accident tamed and transformed into a friendly adventure that manifests its presence in exploding blotches, dynamic smudges and drippings – also in colour vectors of straight lines often emerging from them: this geometrical rigour introduces into the area of spontaneity and intuition the element of coldly considered purpose. This musicness has not come from nowhere. It has always been sounding in the art of Andrzej Dudziński, both united and individualised all his works despite being covered by the literary message in illustrations and books, subordinate to the concise poster's content, pushed back by the figurative associations, suppressed by heavy matter of assemblages, literalness of photography and intelligent drollness of Dudi Bird. It brought to his art a kind of rhythm, lightness, spontaneous free improvisation – all those features so characteristic for work of this excellent artist. In his abstract compositions the musicness has no corset of senses and meanings. Now it sounds powerfully with excellent harmonies of mutual relations: sophisticated colours, undefined shapes, records of painter's gestures – a visual hymn praising the joy of creation.</p> <p class="text odstep first">Stanisława Zacharko-Łagowska</p> <!-- GALERIA ZDJĘĆ --> <p> </p> <!-- --> <h1 class="page-title" style="margin: 30px 0;">PHOTO GALERRY</h1> <ul id="product_list" class="clear view-list" style="margin-left: 0;"><!--Zdjęcie 1--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/2_2.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/2_2.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <!--Zdjęcie 2--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/1_3.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/1_3.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <!--Zdjęcie 3--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/4_3.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/4_3.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <!--Zdjęcie 4--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/3_2.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/3_2.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <!--Zdjęcie 5--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/5_2.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/5_2.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <!--Zdjęcie 6--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/IMG_1796.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/IMG_1796.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> </ul> <p> </p> </div> 0 products
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Geometry of time. Krzysztof Ostrzeszewicz. Krzysztof Zając.
12.05.2017 - 27.05.2017
<div class="wystawa"> <h1 class="page-title">Archive exhibition</h1> <h1 class="h1_wystawy"><span class="h1_wystawy_span">Krzysztof Ostrzeszewicz. Krzysztof Zając. / </span>Geometry of time</h1> <img src="http://101projekt.pl/img/cms/długie.jpg" alt="" width="908" height="269" /> <p class="p_last linia2 first">Artist: <span>Krzysztof Ostrzeszewicz, Krzysztof Zając</span></p> <p class="p_last linia2">Venue: <span>Galeria 101 Projekt, Piękna 62/64</span></p> <p class="p_last linia2">Dates: <span>12.05.- 27.05.2017</span></p> <p class="p_last kreska linia2"> </p> <p class="text odstep first">Despite the modern form of Krzysztof Ostrzeszowicz's sculptures, it is evident that their author does not deny the historical heritage of Art, especially her - always purifying - return to the canon of classical beauty. The very choice of expression, through a single naked human figure, evokes associations with the antique. It reaffirms the structure and harmonious proportions of the human form whilst also highlighting elements of expressive deformation and synthetic simplification. The traditional approach to sculpture also involves the selection of the solid as the primary means of expression. In the young artist's interpretation, it is the body that packs into a physical space the weight of matter and the condensed, inwardly-directed energy. The deliberate severity of the figures emphasizes their compactness, as do their simple gestures, and their indistinct schematic facial features. The frequent angular cutting of solids - created by the spontaneous shaping of the material combined with careful composition - dynamize and accent the objects' expressive nature. Some of them are composed of rough grey concrete, while others are decorated in strong colours such as red ("Girl" and "Motherhood" ) or yellow ("Judith). Each sculpture is given a one-word title. Often these are the names of mythological and Biblical characters: "Venus", "Esther", "Judith", "Job", "Don Quixote", but others are more everyday: "Caring", "Bathing," "Pregnancy," „Washing," Muse "," Girl ". They are a complementary form of work and act as signposts for their own proper interpretation. Each figure is lonely, immobile, and focused on itself, a common feature of all sculptures by Krzysztof Ostrzeszewicz. And their undoubted value is that they act both as symbols of expressions of ideas and as works of art.</p> <p class="text odstep first">Stanisława Zacharko-Łagowska</p> <!-- GALERIA ZDJĘĆ --> <p> </p> <!-- --> <h1 class="page-title" style="margin: 30px 0;">PHOTO GALERRY</h1> <ul id="product_list" class="clear view-list" style="margin-left: 0;"><!--Zdjęcie 1--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/c.jpg" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/c.jpg" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <!--Zdjęcie 2--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/f.jpg" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/f.jpg" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <!--Zdjęcie 3--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/e.jpg" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/e.jpg" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <!--Zdjęcie 4--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/d.jpg" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/d.jpg" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <!--Zdjęcie 5--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/b.jpg" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/b.jpg" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <!--Zdjęcie 6--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/a.jpg" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/a.jpg" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> </ul> <p> </p> </div> 0 products
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Joanna Szczepkowska. New Space.
20.01.2017 - 04.02.2017
<div class="wystawa"> <h1 class="page-title">Archive exhibition</h1> <h1 class="h1_wystawy"><span class="h1_wystawy_span"><a href="http://101projekt.pl/index.php?id_artist=147&controller=artist&id_lang=2">Joanna Szczepkowska</a> / </span> NEW SPACE</h1> <img src="http://101projekt.pl/img/cms/ggg.jpg" alt="" width="908" height="269" /> <p class="p_last linia2 first">Artist: <a href="http://101projekt.pl/index.php?id_artist=147&controller=artist&id_lang=2"><span>Joanna Szczepkowska</span></a></p> <p class="p_last linia2">Venue: <span>101 Projekt Gallery, Piękna 62/64</span></p> <p class="p_last linia2">Dates: <span>20.01 - 04.02.2016</span></p> <p class="p_last kreska linia2"> </p> <p class="text odstep first">Joanna Szczepkowska presents herself in the new and surprising role of graphic and drawing artist. For the first time she has decided to show her artworks which were originally published in the collection of essays “The Second Backyard” in 2000. Delicate as a spider web, they referred to particular texts or were a kind of inconspicuous decoration. It was the beginning of her artistic adventure which turned into a genuine passion. Szczepkowska's drawings attract attention by a sophisticated simplicity and purity of form. They stimulate the imagination, provoking the viewer to interpret the meaning of what has been encoded with an infallible black line on the pristine white paper. She is not searching for great themes, but finds them in everyday life. The protagonists of her drawings are ordinary people dealing with their small or big dramas. Anonymous passers-by who stand out from the crowd, or the underclass. Joanna Szczepkowska is extremely sensitive by nature, full of empathy; and thus her Drinkers and Bums are vivacious, cheerful; they do not arouse disgust but are endearing. Some threads provoke further study: we can find the recurring image of a homeless violinist as a metaphor for forgotten artists, the fate of the lost. Characters are usually devoid of attributes and portrayed to build up tension. That is the function of the litter basket, the alms bowl, and the cup of coffee standing on the coffee house table. Most of the drawings present an open form. Flexible, firm lines form only partial outlines of objects. Observers can find compositions created with short sections or expressive lines. It should come as no surprise that Joanna Szczepkowska – versatile, talented and always seeking new forms of expression – should attempt to use colors after a period of drawings. The paintings were created using computer techniques over the last three years. Pictorially clean drawings were overlaid with patches of colour. She experiments, expands the range of formal solutions and tries to express herself in various conventions. Sometimes her style is spare (for example in expression of my favourite “Sweater”) or represents the principles of horror vacui (the canvas of “Coffee House” is filled with colourfully dressed silhouettes). Szczepkowska has expanded and enriched the range of her inspirations and has started to develop them in cycles. Also worth mentioning is an intriguing series of artworks such as “Body” and supernaturally enlarged parts of the body – “Ear” and “Lips”. The artist also uses photography techniques (including self-portraits) in her series of works. In conclusion, I would like to express the wish that your encounter with the exhibition of Joanna Szczepkowska’s drawings and digital paintings will be as fascinating as my first contact with her art.</p> <p class="text odstep first">Maria T. Krawczyk</p> <!-- GALERIA ZDJĘĆ --> <p> </p> <!-- --> <h1 class="page-title" style="margin: 30px 0;">PHOTO GALERRY</h1> <ul id="product_list" class="clear view-list" style="margin-left: 0;"><!--Zdjęcie 1--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/IMG_9024_2.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/IMG_9024_2.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <!--Zdjęcie 2--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/2.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/2.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <!--Zdjęcie 3--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/5_1.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/5_1.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <!--Zdjęcie 4--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/4a.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/4a.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <!--Zdjęcie 5--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/4_1.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/4_1.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <!--Zdjęcie 6--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/DSC08624.jpg" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/DSC08624.jpg" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> </ul> <p> </p> <p class="text odstep first">On 4th February 101 Project Gallery organised a final viewing of the exhibition of works by Joanna Szczepkowska.</p> <p> </p> <!-- --> <h1 class="page-title" style="margin: 30px 0;">PHOTO GALLERY</h1> <ul id="product_list" class="clear view-list" style="margin-left: 0;"><!--Zdjęcie 1--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; 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...and the world becomes a rainbow. Jakub Dominik.
02.12.2016 - 16.12.2016
<div class="wystawa"> <h1 class="page-title">Archive exhibition</h1> <h1 class="h1_wystawy"><span class="h1_wystawy_span"><a href="http://101projekt.pl/index.php?id_artist=139&controller=artist&id_lang=2">Jakub Dominik</a> / </span> ...AND THE WORLD BECOMES A RAINBOW.</h1> <img src="http://101projekt.pl/img/cms/IMG_8091.jpg" alt="" width="908" height="269" /> <p class="p_last linia2 first">Artist: <a href="http://101projekt.pl/index.php?id_artist=139&controller=artist&id_lang=2"><span>Jakub Dominik</span></a></p> <p class="p_last linia2">Venue: <span>101 Projekt Gallery, Piękna 62/64</span></p> <p class="p_last linia2">Dates: <span>02.12 - 16.12.2016</span></p> <p class="p_last kreska linia2"> </p> <p class="text odstep first">An excellent knowledge of the principles of composition, the combination of warm and cool colours in perfect harmonization, a textbook lesson in the execution of op-art, none of these satisfactorily explain the phenomenon of the paintings of Jakub Dominik. The brilliance of the artist’s craft, the sparkling spectrum of colours and the decorative surface of the paintings do not disguise the unique joyful romanticism manifested in them, together with an equally joyous affirmation of nature. Despite a clear "tendency" towards abstraction, the artist does not distance himself too far from representational art. Most of his paintings show landscapes or intimate interiors often dominated by ubiquitous cats. He frequently combines the two, showing a landscape as seen from inside a room, the view contained within the rectangle of the window frame. The basis of the synthetic nature of his paintings seems to be experience, arising from a careful and prolonged study of nature, allowing the artist to reveal the beauty of the natural world, and awaken the emotions. Extensive panoramic landscapes exude the sunny warmth of familiarity. Their raised horizons and compact fields, arranged in a hypnotic pattern of undulating hills, recall the photographic icons of the Polish countryside created by Paweł Pierściński and Kielecka School of Landscape. The artist creates the illusion of depth using a system of striped abstract colour fields or varied sizes of spherical shapes to depict the upper branches of trees. Dominik uses these techniques to construct patterns of geometric perspective. Another element of the composition is that in the heart of the image the colour values are more toned. The artist juggles opposites: he uses flat forms to create the illusion of three-dimensional space and employs abstract shapes and colours to create images of recognizable reality. The colourful sonority of Dominik's paintings awakens musical associations, in the sense that they possess a visual rhythm and have the power of appealing directly to the emotions. The viewer can truly feel the joy of creating beauty in painting and the equally great joy of being able to share it with others. And perhaps this - because it is so rare - is its greatest value.</p> <p class="text odstep first">Stanisława Zacharko-Łagowska</p> <p> </p> <p><!-- PHOTO GALLERY --></p> <p> </p> <p><!-- --></p> <h1 class="page-title" style="margin: 30px 0;">PHOTO GALLERY</h1> <ul id="product_list" class="clear view-list" style="margin-left: 0;"><!--Zdjęcie 1--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a href="#"><img src="http://101projekt.pl/img/cms/IMG_8070.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/IMG_8070.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <!--Zdjęcie 2--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/3.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/3.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <!--Zdjęcie 3--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/7.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/7.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <!--Zdjęcie 4--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/8.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/8.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <!--Zdjęcie 5--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/6.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/6.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <!--Zdjęcie 6--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/5.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/5.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> </ul> </div> 0 products
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Horizon - A continuation. Paweł Pierściński, Marcin Rząsa.
25.10.2016 - 12.11.2016
<div class="wystawa"> <h1 class="page-title">Archive exhibition</h1> <h1 class="h1_wystawy"><span class="h1_wystawy_span"><a href="http://101projekt.pl/index.php?id_artist=110&controller=artist&id_lang=2">Paweł Pierściński</a>, <a href="http://101projekt.pl/index.php?id_artist=111&controller=artist&id_lang=2">Marcin Rząsa</a> / </span> HORIZON - A CONTINUATION</h1> <img src="http://101projekt.pl/img/cms/uuuuuuu.jpg" alt="" width="908" height="269" /> <p class="p_last linia2 first">Artist: <strong><a href="http://101projekt.pl/index.php?id_artist=110&controller=artist&id_lang=2">Paweł Pierściński</a>, <a href="http://101projekt.pl/index.php?id_artist=111&controller=artist&id_lang=2">Marcin Rząsa</a></strong></p> <p class="p_last linia2">Venue: <span>101 Projekt Gallery, Piękna 62/64</span></p> <p class="p_last linia2">Dates: <span>28.10 - 12.11.2016</span></p> <p class="p_last kreska linia2"> </p> <p class="text odstep first">Paul Pierœciñski, the creator of and theoretician behind the famous Kielce School of Landscape, is a recognised – indeed, classical – figure in Polish artistic photography. In his work, which spans more than fifty years, he has utilised multiple and varied photographic techniques to great artistic effect. He has also touched on many topics, but the main source of his artistic inspiration remains the Kielce region. He is particularly interested in the cultural landscape, marked by traces of human toil; the one in which man comes directly in contact with the soil, "collaborates" with her, and so in a special and humane fashion shapes the surface of the land. The parallel furrows of the ploughed earth, the irregularly shaped scraps of cultivated holdings, the checkerboard pattern of small plots and the structures of various crops are all inscribed on the land. His interpretation of the landscape is a synthesis of documentary technique and emotional reference that gives us a true portrait of the earth. His record of the world brings together the full vitality of nature and the human intellect’s sense of order; the unity of natural forces and the husbandry of human hands. This sense of harmony in part results from the unique personality of the artist, whose training as an engineer prompts him to see - even in the landscape – a sense of mathematical order and geometry.</p> <p class="text odstep first">The photographer often adopts a low angle to record the image, drawing attention to specific details in the landscape whilst at the same time illustrating how they merge within the whole. He aims to achieve an impression of timelessness, universality, in the sense of historical continuity and tradition. The presence of man is reduced to a supporting role so that modern details of clothing or tools do not associate the image with a particular time. He treats architecture and buildings in a similar way. The landscape has become for this fine artist also a source of reflection on the art of the abstract. A large number of his photographs record structures found in nature, both man-made and natural and became the base of his original photo collages and multiplications.</p> <p class="text odstep first">Many of his works are compositions of great emotional charge, especially a group of photographs taken in the ancient and legendary Fir Forest, now sadly destroyed. These images are full of mood and atmosphere built out of light, touching the imagination, a record found in the lush plant forms, huge trunks, tangled roots, and mysterious wind-fallen trees.</p> <p class="text odstep first">The works of Pawel Pierœciñski excel on many levels: as objects of art, as social documents, as models of black-and-white photography. Their timeless representation of the Polish landscape is the end result of a very long creative and cognitive process. For many years he has been photographing the same places at different times of day and year, in different weather conditions - and so recording these landscapes in different emotional states. Many of his works have become icons of landscape photography, and his techniques have inspired many imitators and creative followers. The work of Pawel Pierœciñski remains vibrant and inspiring, and his original photographs are extremely valuable works of art.</p> <p class="text odstep first">Stanisława Zacharko-Łagowska</p> <p class="text odstep first">Small in size, but monumental in character, the sculptures of Marcin Rz¹sa are arresting in their repetitiveness: seemingly armless carved wooden figures standing in a rigid pose. Certain elements - a strict economy of the means of expression, an intentional minimalism, both their size and form - force us to focus both on the wood from which they are created and on the elements that differentiate them. The composition of each figure is based on a similar scheme. Synthetically treated, each figure has a strong head mounted on the neck, combined with a compactly-shaped torso, with arms clearly marked by the presence of lines drawn along the body but hidden under their garments. From robes of varying length emerge legs and large, always bare feet. In appearance the figures suggest a specific religiousness associated with the sculptures of ancient Egypt.</p> <p class="text odstep first">The small size of the figures puts the focus of our attention on the wood itself: its natural colour and warmth, the parallel lines of the grain structure, the indelible harshness of the cuts and traces where the artist’s tools have worked The clearest difference between the figures is to be found in the large variety of headgear. These strange and distinctly non-functional accessories seem to act as enigmatic attributes. Their meaning remains ambiguous, neither related to history or tradition, only to sensitivity, imagination, and experience. Often in these strange, though simple forms of complementary heads and faces, the artist introduces a subtle color, emphasising geometric divisions of an abstract character.</p> <p class="text odstep first">In isolation the single figures seem withdrawn and indifferent, but when placed in polymorphic arrangements they become carriers of emotion. Compiled in larger groups, they establish among themselves relationships built with vague meanings. They become elements of mobile, open compositions that with every change take on a different meaning and a different emotional colour.</p> <p class="text odstep first">Marcin Rz¹sa has created art that is both formally sophisticated and rich in meaning, both traditional and modern, both minimalist and extremely extensive. He has achieved this using a limited means of expression and one of the mainstays of artistic endeavour: the image of the human form.</p> <p class="text odstep first">Stanisława Zacharko-Łagowska</p> <p> </p> <p> </p> <!-- GALERIA ZDJĘĆ --> <p> </p> <!-- --> <h1 class="page-title" style="margin: 30px 0;">PHOTO GALLERY</h1> <ul id="product_list" class="clear view-list" style="margin-left: 0;"><!--Zdjęcie 1--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a href="#"><img src="http://101projekt.pl/img/cms/fot wer rzasa pier/IMG_7836.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/fot wer rzasa pier/IMG_7836.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">Zobacz szczegóły</span></a></div> </div> </li> <!--Zdjęcie 2--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/fot wer rzasa pier/IMG_7840.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/fot wer rzasa pier/IMG_7840.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">Zobacz szczegóły</span></a></div> </div> </li> <!--Zdjęcie 3--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/fot wer rzasa pier/IMG_7846.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/fot wer rzasa pier/IMG_7846.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">Zobacz szczegóły</span></a></div> </div> </li> <!--Zdjęcie 4--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/fot wer rzasa pier/IMG_7861.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/fot wer rzasa pier/IMG_7861.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">Zobacz szczegóły</span></a></div> </div> </li> <!--Zdjęcie 5--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/fot wer rzasa pier/IMG_7818.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/fot wer rzasa pier/IMG_7818.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">Zobacz szczegóły</span></a></div> </div> </li> <!--Zdjęcie 6--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/fot wer rzasa pier/IMG_7819.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/fot wer rzasa pier/IMG_7819.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">Zobacz szczegóły</span></a></div> </div> </li> </ul> </div> 26 products
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Exhibition of paintings by Wioletta Jaskólska
18.10.2016 - 03.11.2016
<div class="wystawa"> <h1 class="page-title">Archive exhibition</h1> <h1 class="h1_wystawy"><span class="h1_wystawy_span"><a href="http://101projekt.pl/index.php?id_artist=87&controller=artist&id_lang=2">Wioletta Jaskólska</a> / </span> PAINTINGS</h1> <img src="http://101projekt.pl/img/cms/yyyyy.jpg" alt="" width="908" height="269" /> <p class="p_last linia2 first">Artist: <a href="http://101projekt.pl/index.php?id_artist=87&controller=artist&id_lang=2"><span>Wioletta Jaskólska</span></a></p> <p class="p_last linia2">Venue: <span>MOMU Restaurant, Wierzbowa 9/11</span></p> <p class="p_last linia2">Dates: <span>18.10. - 03.11.2016 </span></p> <p class="p_last kreska linia2"> </p> <p class="text odstep first">From 18.10 to 04.11 MOMU Restaurant hosted an exhibition of recent paintings by Wioletta Jaskólska, who co-operates with our gallery.</p> <p class="text odstep first"><a href="http://www.momu.pl/" target="_blank">MOMU Web page</a></p> <!-- --> <!-- GALERIA ZDJĘĆ --> <!-- --> <h1 class="page-title" style="margin: 30px 0;">PHOTO GALLERY</h1> <ul id="product_list" class="clear view-list" style="margin-left: 0;"><!--Zdjęcie 1--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a href="#"><img src="http://101projekt.pl/img/cms/MOMU/14650197_935547386578294_715327463453291783_n.jpg" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/MOMU/14650197_935547386578294_715327463453291783_n.jpg" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <!--Zdjęcie 2--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/MOMU/14650331_935547473244952_7206071902921632575_n.jpg" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/MOMU/14650331_935547473244952_7206071902921632575_n.jpg" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <!--Zdjęcie 3--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/MOMU/14721597_935547453244954_1965824382835746590_n.jpg" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/MOMU/14721597_935547453244954_1965824382835746590_n.jpg" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <!--Zdjęcie 4--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/MOMU/14725630_935547479911618_6144394752050569198_n.jpg" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/MOMU/14725630_935547479911618_6144394752050569198_n.jpg" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <!--Zdjęcie 5--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/MOMU/14729292_935547403244959_2329014485635998349_n.jpg" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/MOMU/14729292_935547403244959_2329014485635998349_n.jpg" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <!--Zdjęcie 6--> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/MOMU/14799742_10154215641321137_1937843545_o.jpg" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="" href="http://101projekt.pl/img/cms/MOMU/14799742_10154215641321137_1937843545_o.jpg" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> </ul> </div> 0 products
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On the other side of the mirror. Magdalena Shummer-Fangor.
30.09.2016 - 14.10.2016
<div class="wystawa"> <h1 class="page-title">Archive exhibition</h1> <h1 class="h1_wystawy"><span class="h1_wystawy_span"><a href="http://101projekt.pl/index.php?id_artist=112&controller=artist&id_lang=2">Magdalena Shummer-Fangor</a> / </span> ON THE OTHER SIDE OF THE MIRROR</h1> <img src="http://101projekt.pl/img/cms/15.jpg" alt="" width="908" height="269" /> <p class="p_last linia2 first">Artist: <a href="http://101projekt.pl/index.php?id_artist=112&controller=artist&id_lang=2"><span>Magdalena Shummer-Fangor</span></a></p> <p class="p_last linia2">Venue: <span>101 Projekt Gallery, Piękna 62/64</span></p> <p class="p_last linia2">Dates: <span>30.09 - 15.10.2016</span></p> <p class="p_last kreska linia2"> </p> <p class="text odstep first">The naive paintings of Magdalena Shummer-Fangor are not authentically naive because the artist is a university-educated art historian who has lived a cosmopolitan life in the company of an eminent abstractionist. It is merely a convention, chosen with an awareness of its purpose and message. And these paintings seem to result from a pure delight in the stunning beauty and richness of the world, full of shapes, colours, and a diversity of life forms, and from the artist's overwhelming desire to share this enthusiasm with others.</p> <p class="text odstep first">The conventions of naive art are especially suited to conveying the artist's joyful vision of the world. Many such conventions attributed to "naivety" are deliberately employed by the artist. One example is the absence of shadows; it is as if the artist has completely divorced darkness from her vision of the world, and perhaps turned her back on her own dark side? The lack of shadows lends a flatness to the scenes, in which the flattened figures have been imposed on an equally flat background. Another example is her treatment of light, which artists traditionally employ to express emotionality, creating mood and conveying the dynamic nature of their compositions. In the paintings of Magdalena Shummer-Fangor the light is distributed evenly and saturates the space. There is no clear source, and it is as if the light were emanating from inside the image itself. It enhances the vividness of the colours and their transparent purity, creating an impression of happiness, serenity and tranquility.</p> <p class="text odstep first">The work is filled with a multitude of small and precisely rendered details: leaves on trees, grass, an abundance of flowers, fruits, structures, animal fur, scales and feathers – all these details reveal the artist's acute sense of observation. A kind of horror vacui – a fear of empty space - informs the compositions, and gives a richness to the world she has created – this talent for acute observation is not something given to everyone. The works also reveal a reluctance to place a value on any one thing, seeing everything as important and worthy of our attention and admiration. This approach to the visible world seems almost like a statement of faith, or rather a sense of trust in the Creator: that everything which exists has been created, has its logical place in the order of the universe and its existence has a profound meaning. Although the human mind is incapable of truly comprehending this, it can sometimes be revealed by science or by the heightened intuition of the artist. Therefore her art, achieved through the methodical and meticulous attention to her craft, seems to be a kind of affirmative contemplation of Creation.</p> <p class="text odstep first">Content – poetic and colourfully metaphorical - plays an important role in her paintings. A disregard for perspective and actual proportions and a relative respect for local color help the artist to conform to the conventions of naive art, but also allow her a degree of freedom in composing a scene. Magdalena Shummer-Fangor tells her stories in her own language of form, but also refers to distant artistic associations: the pathos of "Girls with strawberries" on a background of red and pink roses, with objects that represent the familiarity of everyday life, or "Self-portrait" surrounded by cats , parrots and a flying stork - these seem to be cheerful and happy versions of the dramatic works of Frida Kahlo. On the other hand, "Magda Gesler," "Brothers," "Sisters" are masterly performances of balanced composition, utilising geometric rhythms and a sophisticated colour range. The moody "Lovers in a boat" are accompanied by a swan - the eternal symbol of kitsch. "Little Red Riding Hood," "The meeting with the crocodile," scenes from the biblical paradise, landscapes with animal staffage, and - the most attractive of all - "Noah's Ark". All these works display the illustrative nature of her art.</p> <p class="text odstep first">But the most important and the most valuable element is manifested in the artist's authentic fidelity to herself - in spite of a lifetime spent exploring the world of great art and the world itself. To nurture your inner child is said to be the only way to maintain a ceaseless curiosity in the world, a freshness of perception and a continued appreciation of its beauty - the art of Ms. Magdalena Shummer-Fangor is proof that she has succeeded in doing just this...</p> <p class="text odstep first">Stanisława Zacharko-Łagowska</p> <!-- Zdjęcia prac --> <h1 class="page-title" style="margin: 30px 0;">PHOTO GALLERY</h1> <ul id="product_list" class="clear view-list" style="margin-left: 0;"> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a href="#"><img src="http://101projekt.pl/img/cms/FANGOR 2016/1.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="Aleksandra Zawadowska" href="http://101projekt.pl/img/cms/FANGOR 2016/1.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/FANGOR 2016/5.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="fot. Aleksandra Zawadowska" href="http://101projekt.pl/img/cms/FANGOR 2016/5.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/FANGOR 2016/9.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="fot. Aleksandra Zawadowska" href="http://101projekt.pl/img/cms/FANGOR 2016/9.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/FANGOR 2016/15.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="fot. Aleksandra Zawadowska" href="http://101projekt.pl/img/cms/FANGOR 2016/15.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/FANGOR 2016/18.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="fot. Aleksandra Zawadowska" href="http://101projekt.pl/img/cms/FANGOR 2016/18.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/FANGOR 2016/20.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="fot. Aleksandra Zawadowska" href="http://101projekt.pl/img/cms/FANGOR 2016/20.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> </ul> </div> 2 products
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Joanna Stasiak. Classic landscape – paintings on silk.
13.05.2016 - 17.06.2016
<div class="wystawa"> <h1 class="page-title">ARCHIVE EXHIBITION</h1> <h1 class="h1_wystawy"><span class="h1_wystawy_span">Classic landscape – paintings on silk./ </span>Joanna Stasiak<img src="http://101projekt.pl/img/cms/JEDWABIE%2013-07-2014%20(29).JPG" alt="" width="3167" height="1263" /></h1> <p class="p_last linia2 first">Artist:<a href="http://101projekt.pl/index.php?id_artist=120&controller=artist&id_lang=1" target="_blank"><span>Joanna Stasiak</span></a></p> <p class="p_last linia2">Venue: <span>Nowy Świat 53</span></p> <p class="p_last linia2">Dates: <span>13.05 - 17.06.2016</span></p> <p class="p_last linia2">Curator: <span>Magdalena Durda-Dmitruk</span></p> <p class="p_last linia2"><span><br /></span></p> <p class="text"><span>Joanna Stasiak</span> graduated from the Arts Department at the University of Mikołaj Kopernik in Toruń in 1989 from the Janusz Kaczmarski's Workshop. Postgraduate studies at The Ruskin School of Drawing and Fine Art in Oxford in 1991. Since 2006 she's been working at Maria Grzegorzewska's Academy at The Art Education Institute. From 2006 to 2008 and 2010-2012 she was the head of the Institute. Joanna Stasiak has had many individual exhibitions in Poland and abroad, as well as participating in many collective exhibitions. She is the owner of a private gallety, In Spe..</p> <p>Painting on silk is an old and demanding technique, which became a new workshop challenge for Joanna Stasiak during her artistic trip through India more than 4 years ago. Her first works on silk were made on the roofs in New Delhi, the following ones in her Warsaw studio. She analyzes issues that have been always her main interest, form and the meaning. The themes are very traditional: landscape, still life, genre scenes. They are alll connected to intellectual reflection about the world, human fate, the passing of time. Fantastic architecture is also a recurring theme in Stasiak's works. Monumental silk compositions are repeatedly closed within a frame – the viewer looks through an oculus, a semicircular arcade or a classical bordure. Fabrics are filled with vibrating lustrous colors and diverse tones. The composition is well thought out. Preceded with a sketch, it shows a masterly use of alla prima technique. Her paintings are simple with clear compositions, sometimes even cold. Joanna Stasiak now creates works on silk just as she did when she worked on canvas – works that are connected to traditional art masters like Nicolas Poussin, Piero della Francesca or her mentor Professor Janusz Kaczmarski.</p> <p>Magdalena Durda-Dmitruk</p> </div> 0 products
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Exhibition of paintings by Marek Wawro and Krzysztof Kolarz
21.11.2015 - 15.12.2015
<div class="wystawa"> <h1 class="page-title">ARCHIVE EXHIBITION</h1> <h1 class="h1_wystawy"><span class="h1_wystawy_span">Paintings / </span>Marek Wawro and Krzysztof Kolarz <img src="http://101projekt.pl/img/cms/Kolarz%20Wawro/ZAPROSZENIE.jpg" alt="" width="611" height="367" /></h1> <p class="p_last linia2 first">Artists:<span><a href="http://101projekt.pl/index.php?id_artist=118&controller=artist&id_lang=2" target="_blank">Marek Wawro</a></span>,<span><a title="Krzysztof Kolarz" href="http://101projekt.pl/index.php?id_artist=119&controller=artist&id_lang=2" target="_blank">Krzysztof Kolarz</a></span></p> <p class="p_last linia2">Venue: <span>Nowogrodzka 4</span></p> <p class="p_last linia2">Date: <span>21.11 - 15.12.2015</span></p> <p class="p_last linia2">Curator: <span>Stanisława Zacharko - Łagowska</span></p> <p class="p_last linia2"><span><br /></span></p> <p class="text"><span>Marek Wawro</span>(1953) - He practices painting, drawing, and printmaking. He is a member of the Association of Polish Artists and the Association of Polish Pastel Painters, Scholar of the Ministry of Culture and National Heritage for 2000, 2005 and 2007.</p> <p class="text"><span>Krzysztof Kolarz</span> (1983) - Krzysztof Kolarz was born in Bochnia in 1983, but spent the early years of his childhood in Miechow. He graduated from the School of Arts in Nowy Wiśnicz. He studied at the Faculty of Painting at the Academy of Fine Arts in Warsaw, where in 2009 he graduated in Painting under Professor K. Wachowiak. He has received grants from the Ministry of Culture and National Heritage, three scholarships from the Malopolska Foundation " Sapere Auso ", and two from the John Paul II Foundation.</p> </div> 0 products
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Mateusz Sikora/MOVED
07.10.2015 - 25.10.2015
<div class="wystawa"> <h1 class="page-title" style="text-align: justify;"> </h1> <div class="wystawa"> <h1 class="page-title" style="text-align: justify;"><img src="http://101projekt.pl/img/cms/baner%20Mateuszo.jpg" alt="" width="2260" height="624" /></h1> <h1 class="h1_wystawy" style="text-align: justify;"><span class="h1_wystawy_span"> MOVED / </span> Mateusz Sikora</h1> <p class="p_last linia2 first" style="text-align: justify;">Artist: <span><a href="http://101projekt.pl/index.php?id_artist=96&controller=artist&id_lang=2" target="_blank">Mateusz Sikora</a><br /></span></p> <p class="p_last linia2" style="text-align: justify;">Venue: <span>Galeria -1</span></p> <p class="p_last linia2" style="text-align: justify;">Date: <span>7.10 - 25.10.2015</span></p> <p class="p_last linia2" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span>Mateusz Sikora</span> is a graduate of the Faculty of Sculpture in the Academy of Fine Arts in Melbourne, Australia. His works have been shown in individual exhibition in various cities, including Berlin, Stockholm, Melbourne, and several times in Warsaw. He has participated in several collective exhibitions in Australia, Germany, Belgium, the Netherlands, France, and Poland. Holder of the laureate of "Yesterday and Today" Gold Medal (ZAR Gallery, 2003), the VCA Encouragement Award (Melbourne, 1993) and the Friends of the VCA Encouragement Award (Melbourne, 1992), he works in Cracow and Warsaw. He is the son of the photographer Tomasz Sikora, grandson of the painter Joanna Korecka-Sikora and Stanisław Sikora, the sculptor.</p> <p class="text" style="text-align: justify;">„MOVED” is the next phase after „THAW”, simultaneously being part of a cycle that has the theme, “Man, the sensitive being, in movement”. „THAW” was shown as the beginning of life, of freedom and movement, whilst at the same time being the change that imposes this movement. Through falling and defeat, but also through rising up and success. “THAW” dealt with transformation from stillness and ossification through to movement and chaotic flowing. „MOVED” is an attempt to capture this very first moment, the birth of an impulse to movement. It is the head that becomes the benchmark: the head as the space of mind in which the body begins to be active. What is contemplated here is the influence of the state of mind on the quality, strength and expression of the movement. The mind, taking control, judges and checks. Receiving negative impulses from the outside, the mind is reflected in a grimace, in clenched teeth and subsequently stiffening of the whole body. However, when the surroundings are positive, the body settles in a natural, elastic state, searching for a new path. Theses moved, open, authentic and sensitive heads are most important here. They are capable of expanding the imagination further; the viewer can imagine and thus create his/her own version of the movement of the rest of the invisible body. Being moved in the space of mind is many times more intense than being moved physically. It is through the head that thought brings emotions to the body. Here the head sculptures are under the imaginary influence of the animated mind, which causes unrestricted, unfettered movement of the body. It is authentic in nature, regardless of what it is. The process of creating these sculptures began with first making three dimensional sketches in a compressed version of polystyrene, so called “foam”. The lightness of this material allows for a quick notation of the desired movement into a final form and size. The transfer of the foam prototypes into steel gave them weight. This an analogous to movement gaining heaviness under the influence of emotions. The final stage involved hand “scratching” the welded sculptures with large grit sandpaper. This eliminates the natural coolness that steel evokes and gives a sense of softness. All the stages of creating the sculptures of this “MOVED” series symbolize man’s mental and physical processes striving for harmony. Mateusz Sikora</p> </div> <p class="text"><br /><br /></p> <p class="p_last linia2"><br /><span><br /></span></p> <h1 class="page-title" style="margin: 30px 0;">Gallery</h1> <ul id="product_list" class="clear view-list" style="margin-left: 0;"> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a href="http://101projekt.pl/img/cms/12166613_10207590522751341_482663267_n_3.jpg"><img src="http://101projekt.pl/img/cms/12166613_10207590522751341_482663267_n_1.jpg" alt="" width="960" height="720" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="Poruszenie" href="http://101projekt.pl/img/cms/12166613_10207590522751341_482663267_n_4.jpg" data-lightbox="wystawa"><span style="margin: 25% 20%;">Zobacz szczegóły</span></a></div> </div> </li> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a href="http://101projekt.pl/img/cms/12167367_10207590525431408_1827997681_n_2.jpg"><img src="http://101projekt.pl/img/cms/12167367_10207590525431408_1827997681_n_1.jpg" alt="" width="960" height="720" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="Poruszenie" href="http://101projekt.pl/img/cms/12167367_10207590525431408_1827997681_n_3.jpg" data-lightbox="wystawa"><span style="margin: 25% 20%;">Zobacz szczegóły</span></a></div> </div> </li> </ul> </div> 0 products
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Greenland is not black and white/ Tomasz Kuran
13.07.2015 - 24.07.2015
<div class="wystawa"> <h1 class="page-title" style="text-align: justify;">ARCHIVE EXHIBITION</h1> <div class="wystawa"> <h1 class="page-title" style="text-align: justify;"><img src="http://101projekt.pl/img/cms/grenlandzki ksiezyc BANER_1.jpg" alt="" /></h1> <h1 class="h1_wystawy" style="text-align: justify;"><span class="h1_wystawy_span"> Greenland is not black and white / </span> Tomasz Kuran</h1> <p class="p_last linia2 first" style="text-align: justify;">Artist: <span><a title="Tomasz Kuran" href="http://101projekt.pl/index.php?id_artist=67&controller=artist&id_lang=1" target="_blank">Tomasz Kuran</a><br /></span></p> <p class="p_last linia2" style="text-align: justify;">Venue: <span>Galeria 101 Projekt, Nowy Świat 53</span></p> <p class="p_last linia2" style="text-align: justify;">Date: <span>13.07-24.07.2015</span></p> <p class="p_last linia2" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span>Tomasz Kuran</span> is a graduate of the Faculty of Conservation and Restoration of Works of Art at the Academy of Fine Arts. Diploma earned in the Cathedral of Conservation and Restoration of Painting and Polychrome Sculpture under Professor Joanna Szpor. He also studied painting under Professor Raymond Earth – an annex in painting to his main diploma. His works have been shown in an individual painting exhibition "Moments Emotions Feelings" at the National Gallery of Art in Plock, in an exhibition in the Belfry gallery in Warsaw, and in the exhibition "Emotions in Landscape" in Vienna.</p> <p class="text" style="text-align: justify;">Greenland always seemed to me an interesting but distant part of the earth. Like anyone who is curious about the world one day I decided to take the opportunity to go there and see something new – the so-called land of ice, with its colors, shapes and spaces that appealed to me above all as a painter. In June 2014 I was part of a crew that sailed there on the Polish yacht S / Y BARLOVENTO II. Everyone took the voyage in order to commune with nature.</p> <p class="text" style="text-align: justify;">Greenland surrounded me with its unimaginably-shaped mountains and hills the color of ice, with a sky constantly modified by the sun. The idea that it is a country of white, black and navy blue disappeared at first sight. Weird shapes, combined with the severity of the mountains, and the color of the sky and the sea drew from us constant admiration. There was no way to be bored when we sailed beneath mountains as big as the Palace of Culture or under hills sculpted by the sea into forms like watch cogs. There was inspiration wherever you looked, not only for painters, but also sculptors and graphic artists. Imagination was at work at every step and my hands themselves were compelled to capture these forms in their unmodified state. It was enough to create a rectangle with the thumb and forefinger of both hands, aim this ‘lens’ at the selected portion of space and image was there. A real camera, in addition to an artistic mind, proved to be of invaluable assistance in capturing these moments so that - after returning to Poland - I could recall the shapes of Greenland.</p> </div> <p class="text"><br /><br /></p> <p class="p_last linia2"><br /><span><br /></span></p> <h1 class="page-title" style="margin: 30px 0;">PHOTOS</h1> <ul id="product_list" class="clear view-list" style="margin-left: 0;"> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a href="#"><img src="http://101projekt.pl/img/cms/Kuran wernisaz/IMG_4096.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="Grenlandia nie jest czarno-biała fot. Weronika Sołtysiak" href="http://101projekt.pl/img/cms/Kuran wernisaz/IMG_4096.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">Zobacz szczegóły</span></a></div> </div> </li> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/Kuran wernisaz/IMG_4098.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="Grenlandia nie jest czarno-biała fot. Weronika Sołtysiak" href="http://101projekt.pl/img/cms/Kuran wernisaz/IMG_4098.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">Zobacz szczegóły</span></a></div> </div> </li> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/Kuran wernisaz/IMG_4102.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="Grenlandia nie jest czarno-biała fot. Weronika Sołtysiak" href="http://101projekt.pl/img/cms/Kuran wernisaz/IMG_4102.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">Zobacz szczegóły</span></a></div> </div> </li> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/Kuran wernisaz/IMG_4112.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="Grenlandia nie jest czarno-biała fot. Weronika Sołtysiak" href="http://101projekt.pl/img/cms/Kuran wernisaz/IMG_4112.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">Zobacz szczegóły</span></a></div> </div> </li> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/Kuran wernisaz/IMG_4113.JPG" alt="" width="" height="265" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="Grenlandia nie jest czarno-biała fot. Weronika Sołtysiak" href="http://101projekt.pl/img/cms/Kuran wernisaz/IMG_4113.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">Zobacz szczegóły</span></a></div> </div> </li> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/Kuran wernisaz/IMG_4124.JPG" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="Grenlandia nie jest czarno-biała fot. Weronika Sołtysiak" href="http://101projekt.pl/img/cms/Kuran wernisaz/IMG_4124.JPG" data-lightbox="wystawa"><span style="margin: 25% 20%;">Zobacz szczegóły</span></a></div> </div> </li> </ul> </div> 1 product
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Poetic realism / Exhibition of painting by Magdalena Shummer - F
22.06.2015 - 03.07.2015
<div class="wystawa"> <h1 class="page-title" style="text-align: justify;">ARCHIVE EXHIBITION</h1> <div class="wystawa"> <h1 class="page-title" style="text-align: justify;"><img src="http://101projekt.pl/img/cms/banernastrone.jpg" alt="" width="3509" height="1521" /></h1> <h1 class="h1_wystawy" style="text-align: justify;"><span class="h1_wystawy_span">poetic realism / </span> Exhibition of painting by Magdalena Shummer- Fangor</h1> <p class="p_last linia2 first" style="text-align: justify;">Artist: <span><a title="Magdalena Shummer-Fangor" href="http://101projekt.pl/index.php?id_artist=67&controller=artist&id_lang=1" target="_blank">Magdalena Shummer-Fangor</a><br /></span></p> <p class="p_last linia2" style="text-align: justify;">Venue: <span>Galeria 101 Projekt, Nowy Świat 53</span></p> <p class="p_last linia2" style="text-align: justify;">Date: <span>22.06.-03.07.2015</span></p> <p class="p_last linia2" style="text-align: justify;"><span><br /></span></p> <p class="text" style="text-align: justify;"><span>Magdalena Shummer-Fangor</span> was born in 1930 in Lubliniec. In the years 1957-1960 she studied at the Institute of Art History at the University of Warsaw. Since 1961, she lived outside Poland, initially in Vienna (1961-1962), then in Paris (1962-1964), West Berlin (1964-1965) and London (1965-1966). In 1966 she moved to the United States. In 1970, she established a permanent cooperation with the gallery Mabels 849 Madison Ave., NYC; There was showing her works until 1985. In the seventies exhibited in the United States (Fairleigh Dickinson University Gallery, Madison, NJ, 1978; Morris Gallery, Madison, NJ, 1978; Studio Gallery 96 Grand St., NYC, 1981); France (Galerie Naifs et Primitifs, Paris, 1990), Switzerland (Cora Atelier-Galerie La Vague, Hermance, 1990). In the years 1981-1996 worked with Mabels Gallery Folk Art, NYC; in 1995, the Adelante Gallery, Scottsdale, Arizona; in 1997, with Titos Gallery, Las Vegas, NM; in 1998 with Frank Miele Contemporary Folk Art Gallery, Madison Ave, NYC and Houshang Gallery, Santa Fe, NM. Magdalena Shummer- Fangor since 1999 has lived and worked in Poland.</p> <p class="text" style="text-align: justify;">The title of this exhibition of paintings by Magdalena Shummer-Fangor – Poetic Realism – derives from the artist's own description of her work. In her depictions of the natural world we can appreciate the eye of a careful observer. Flowers and plants are rendered with a botanist's attention to detail, and the animals that populate the paintings are at times presented with anatomical precision. A cow stands in a bed of summer flowers, staring placidly out at the viewer. Almost undetected amidst the colourful blooms, a hummingbird sips at nectar. The farm animal's solid bulk is contrasted humorously with the delicacy of the flowers, and its piebald hide is set off by petals of blue, yellow, orange and red. In other works, the beasts are represented in a style that acknowledges the artist's love of naïve painting. Above a grove of glossy green plants and ferns a large bat spreads its wings. From the Rousseau-like undergrowth a group of monkeys and lemurs stare wide-eyed and open-mouthed as if in awe of the creature hovering over them.</p> <p class="text" style="text-align: justify;">Working mostly with oil on board, Magdalena Shummer-Fangor creates images rich in form and colour. A large bowl of flowers of intricate and contrasting shapes is depicted in colours of neon-like brightness, the composition of the whole achieving a sense of balance and harmony. The artist draws on Biblical sources for some of her subjects, such as the representation of Jonah being swallowed by the whale in a deep green Mediterranean sea. She also taps into a more personal mythology: an eagle conversing with a fire-breathing crocodile in a rocky landscape with the skyline of New York almost floating on the horizon invites us to provide of our own interpretation. .</p> <div class="text" style="text-align: justify;"> </div> <div class="text" style="text-align: justify;"> </div> <div class="text" style="text-align: justify;"><br /><!-- Galeria zdjęć --></div> </div> </div> 1 product
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INNER SPACE/ Anita Andrzejewska Joanna Chudy Kasia Kalua Kryńska
27.05.2015 - 12.06.2015
<div class="wystawa"> <h1 class="page-title">ARCHIVE EXHIBITION</h1> <h1 class="h1_wystawy"><span class="h1_wystawy_span">INNER SPACE / </span>aNITA andrzejewska, Joanna chudy, kasia kalua kryńska</h1> <p class="wystawa"><img src="http://101projekt.pl/img/cms/inner space/baner na stronę.jpg" alt="" width="908" height="269" /></p> <p class="p_last linia2 first">Artists: <strong><a href="http://101projekt.pl/index.php?id_artist=106&controller=artist&id_lang=2" target="_blank">Anita Andrzejewska</a>, <a href="http://101projekt.pl/index.php?id_artist=107&controller=artist&id_lang=2" target="_blank">Joanna Chudy</a>, <a href="http://101projekt.pl/index.php?id_artist=70&controller=artist&id_lang=2" target="_blank">Kasia Kalua Kryńska</a></strong></p> <p class="p_last linia2">Venue: <span>Galeria 101 Projekt, Nowy Świat 53</span></p> <p class="p_last linia2">Date: <span>29.05.- 12.06.2015</span></p> <p class="text"><span><br /></span></p> <p class="wystawa"><span class="text"><strong>„Inner Space“</strong> is a presentation of works by selected Polish female photographers from the so-called 70s generation (born in 70s), who in an individual way determine and visualize the meaning of the title. The series of photographs full of poetry, magic, subtle allusions and surrealistic visions can also be treated as a collection of specific inner portraits which illustrate the balancing between reality and dreams, material and spiritual world, actual and imagined reality.</span></p> <p class="wystawa"><span class="text">Some of the photos display the condition of enslavement by one’s own, cultural or social constrains; others – on the contrary – the liberation from boundaries, the existence out of control or the state close to madness and alienation. They are also trails of kathartic journeys – the distant ones and the inner ones.</span></p> <p class="wystawa"><span class="text"> The photographs are all black-and-white, but individualized by applying special techniques long time opened focal-plane shutter, multiple exposure, or the 19th century technique – collodion wet plate process. All of artists worked with classical analogique photography, some of them used old cameras such as Hasselblad additionaly to underline the magic and alchemic atmosphere. </span></p> <p class="text"><span style="font-size: 10pt;">Magdalena Durda-Dmitruk</span></p> <p class="text"> </p> <p class="text"><span style="font-size: 10pt;"><strong><a href="http://101projekt.pl/index.php?id_artist=106&controller=artist&id_lang=2" target="_blank">Anita Andrzejewska</a> </strong></span></p> <p class="wystawa"><span class="text">Graduate of the Academy of Fine Arts, Faculty of Graphic Art and Design in Cracow (1994). She is a photographer, traveler and illustrator of books for children. For years she has been engaged in art-social projects connecting Europe and Asia. Among others, she conduced art workshops for children in Ahmedabad (India), she visited Iran a few times, where she collaborated in literature & photography projects in Teheran, Isfahan, Shiraz and Yazd. She was a teacher at the photography course for children and teenagers at the Academy of Photography, Krakow (2008). Since 2006 - teacher at the photography course, Institute of Technology, Krakow; since 2004 - leader of photography and illustration workshops for children in galleries and cultural institutions all over Poland; since 1997 - member of The Association of Polish Art Photographers; 1994 - diploma project with distinction in printmaking and photography; 1989-94 - M.A. studies at the Cracow Academy of Fine Arts, Faculty of Graphic Art and Design. She produces small photos in black-and-white, preferring analogue photography. She finds her inspirations in ordinary, surrounding reality (in Poland and during her travels abroad e.g. to India or Iran) and creates timeless, subtle and intimate compositions – interiors and spaces with trails of human beings.</span></p> <p class="wystawa"> </p> <p class="wystawa"><span class="text"><br /></span></p> <p class="text"><span style="font-size: 10pt;"><strong>Silesian Ulysses</strong></span></p> <p class="wystawa"><span class="text">„Silesian Ulysses“ is a photographic record of roaming the streets of contemporary Upper Silesia, mainly the slowly disappearing miners’ housing estates. As the author of the photos thinks, Silesia – with its wealth, variety and contrasts – holds images similar to those seen by James Joyce's hero wandering around Dublin. The way in which Ulysses was written has provided her with structure and inspiration to photograph Silesia. Her aim was to reduce the photographic images to ordinary everyday life, which goes on from morning till night and constitutes human existence in miniature. She moves away from the conventional depictions of Silesia and goes beyond the boundaries of documentary photography. She tells her Silesian story using simple, everyday images contrasting with the impressionist form of photography. </span></p> <p class="text"><span style="font-size: 10pt;"><a href="http://101projekt.pl/index.php?id_artist=107&controller=artist&id_lang=2" target="_blank"><strong>Joanna Chudy</strong></a><span class="text"><br /></span></span></p> <p class="wystawa"><span class="text">Graduate of the Academy of Fine Arts in Cracow (2002), the Photography Department at the National Film School in Lodz (2009) and the Academy of Fine Arts in Warsaw, where in 2013 Joanna received a doctor’s degree. Joanna is an author of 20 individual photographical exhibitions. Participant of 30 group exhibitions, both national and international, including exhibitions in Paris, Berlin, Warsaw and Sofia. She deals with a creative photography, represents black and white classical photography. ZPAF member since 2014. The finalist of ShowOff contest organized as a part of Cracow Photomonth in 2010, the winner of the Grand Prix at the 6th Warsaw Festival of Art Photography in 2010. The scholar of the Ministry of Culture and National Heritage in 2010 and of the Marshall of the Silesia Voivodship in 2011. </span></p> <p class="text"> </p> <p class="text"><span style="font-size: 10pt;"><strong><a href="http://101projekt.pl/index.php?id_artist=103&controller=artist&id_lang=1" target="_blank"> Beetween Two Moons</a></strong></span></p> <p class="wystawa"><span class="text">The series of portraits „Between Two Moons“ created in wet plate collodion process. This technique turns the photographer into alchemist and a poet who transforms contemporary photo into image placed beyond the time. Long time exposure allows to bold unseen normally features of the faces of portrayed people. In a result it is created an image where the eyes of portrayed person open the gate to new magical world. The portraits create a unique impression that captures the soul of the photographed persons.</span></p> <p class="wystawa"><span class="text"><strong></strong> Kasia Kalua Krynska works in wet plate collodion process which is one of the oldest photo techniques. It was introduce in the 1850s and by the end of decade it had almost entirely replaced the first practical photographic process, the daguerrotype. The end results of collodion process are quite unpredictable allowing for an element of surprise , which stands in opposition to the digital photography process. The collodion technique is characterized by a complicated chemical development and long exposure time. </span></p> <p class="text"><a href="http://101projekt.pl/index.php?id_artist=70&controller=artist&id_lang=2" target="_blank"><span style="font-size: 10pt;"><strong>Kasia Kalua Kryńska</strong></span></a></p> <p class="wystawa"><span class="text"><strong></strong>Graduated from the Faculty of Architecture at the Warsaw University of Technology (1999) and the European Academy of Photography (2005). Student of PhD studies on photography at Academy of Fine Arts in Warsaw. Architect, designer and photographer. The owner of architectural atelier Archika since 2001. Her photographs have been shown in numerous individual and collective exhibitions in Poland, Ireland, Portugal, Holland and Germany. She participated in an interdisciplinary project The Promised City with her photo-documentary series Crossing. She received an award in the international 5th Annual Black&White Spider Awards in Still Life category (2010). Her works from Between Two Moons created in wet plate collodion process was exhibited in The Art Of Photography Show in San Diego, California, FotoArtFestival, Poland (2011), PhotoIreland Festival (2012), Photokina (2012), Taylorfest, Ireland (2013). The winner of Wet Plate Competition Canada (2012). Her photographs have been featured in many publications, including SHOTS Magazine, SOURA Magazine, BLOW Photo Magazine, PRISM Photo Magazine, SEITIES and others. Enthusiast of analogue photography, works with medium and large format cameras.</span></p> <p class="text"> </p> <p class="p_last linia2"><span><br /></span></p> </div> 1 product
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Discovering Wonderland / Czesław Czapliński - Alicja Domańska
11.05.2015 - 25.05.2015
<div class="wystawa"> <h1 class="page-title">ARCHIVE EXHIBITION</h1> <h1 class="h1_wystawy"><span class="h1_wystawy_span">DISCOVERING WONDERLAND / </span>CZESŁAW CZAPLIŃSKI - ALICJA DOMAŃSKA</h1> <img src="http://101projekt.pl/img/cms/baner.czaplińskidomańska.jpg" alt="" width="908" height="269" /> <p class="p_last linia2 first">Artists: <strong><a href="http://101projekt.pl/index.php?id_artist=104&controller=artist&id_lang=2" target="_blank">Czesław Czapliński</a>, <a href="http://101projekt.pl/index.php?id_artist=103&controller=artist&id_lang=2" target="_blank">Alicja Domańska</a></strong></p> <p class="p_last linia2">Venue: <span>Galeria 101 Projekt, Nowy Świat 53</span></p> <p class="p_last linia2">Date: <span>11.05.- 25.05.2015</span></p> <p class="p_last linia2"><span><br /></span></p> <p class="text">"Discovering Wonderland" consists of work done by two artists, combining Czesław Czapliński's photography and Alicja Domańska's painting. The title indicates the artist's attempts in her work to cross the accepted boundaries, and even questioning the possibility of a clear distinction between the visible and the invisible, human and non-human, and especially between emotions and nature.</p> <p class="text"><em>The words of Leonardo da Vinci -"You do not paint features, you paint what is in your mind" - still echo in my memory, and they were the motto of my first New York exhibition "PORTRAITS" in May 1981.</em></p> <p class="text"><em> Combining multimedia has always interested me. Then I went into film. Painters, sculptors and graphic artists used my photos many times. But always after the fact, I wondered how the media connects to the whole, creating something new. </em></p> <p class="text"><em>I decided to turn from the beginning to the painter Alice Domanska. I made her a series of nudes that I printed on canvas and gave to her. For several months she thought about them, until she began to paint on them. Unusual effects transitioning right away between realism and abstraction, black and white with color, the delicate with the predatory … leaving much to the viewer's imagination.</em> </p> <p class="text">— Czesław Czapliński New York, February 2015</p> <p class="text"><em> For me it is a journey into the depths of myself, very personal, because at the same time I take on the role of a model treating my body as a tool for expressing emotions as well as being the creator of the paintings, the narrator of the artistic vision, balancing on the verge of ontological dualism. According to Aristotle, only bodies are by themselves. In each of the bodily substances (bodies) two factors can be distinguished – matter (which is the material from which the body is built, chemical elements in today's terms) and form (something, that determines that the given body is what it is, and not something else – something that distinguishes the body from "the soul" and defines the soul as everything that makes inanimate chemical elements a living, sentient and thinking being). It exists only through the body.</em></p> <p class="text">— Alicja Domańska Warsaw, March 2015</p> <p class="text"><strong><br /></strong></p> <p class="text"><strong><br /></strong></p> <p class="text"><a href="http://101projekt.pl/index.php?id_artist=104&controller=artist&id_lang=2" target="_blank"><strong>Czesław Czapliński </strong></a></p> <p class="text">artist, photographer, journalist, and documentary filmmaker, born in 1953 in Lodz (Poland). Since 1979, he has lived in New York and Warsaw. He is the author and co-author of 40 albums and books, among others: "Face to Face" (1991), "Art of Photography" (2004 ), "Michael Jackson" (2009), "Portraits With History" (2012). Apart from being a photographer, he has also been for many years a journalist, and he is the author of a couple hundred articles and reportages printed in America and Poland. He has had more than 100 photographic exhibitions, among others: in the National Art Gallery Zacheta in Warsaw (1989, 1991), Art Museum in Lodz (1992), National Museum in Warsaw (1995, 2002, 2007), The Royal Łazienki Museum in Warsaw (2010, 2011, 2012, 2013, 2014) and also in New York, Chicago, Nice, London, Moscow , Munich, Brussels and Lisbon. Throughout his 40-year career, he has photographed some of the most well-known celebrities of business, culture, politics, and sport. Among others: Muhammad Ali, Maurice Bejart, Leonard Bernstein, Bernardo Bertolucci, Cindy Crawford, Oscar de la Renta, Catherine Deneuve, Placido Domingo, Umberto Eco, Michael Jackson, Henry Kissinger, Calvin Klein, Jerzy Kosinski, Luciano Pavarotti, Paloma Picasso, Roman Polanski, Isabella Rossellini and Andy Warhol. Czesław Czapliński’s work has been published all over the world, among others: "The New York Times", "TIME", "Vanity Fair", "The Washington Post", "Newsweek ", "Polityka", "Twój Styl", "Viva ", "Rzeczpospolita". Czapliński’s work can be found in the Library of Congress collection in Washington, D.C., New York Public Library, National Museum in Warsaw and Breslau, Art Museum in Lodz, National Library in Warsaw and in many private collections all over the world. There are several films about Czapliński and his work: „Opening by Czeslaw Czaplinski in National Gallery Zacheta in Warsaw” (TVP, 1989), „ Photographer” (TVP, 2007), „Face to Face” (TVP 1993), „Black and White in Color” (TVP). Today, he makes documentary films: „Collector” (Copernicus Award - Gold 2012), „Life as a fairy tale”, „The optimist in spite of himself”, "FANGOR The First 90 Years" (2012), "Wizard of The Royal Lazienki in Warsaw" (Copernicus Award - Gold 2014).</p> <p class="text"><a href="http://101projekt.pl/index.php?id_artist=103&controller=artist&id_lang=2" target="_blank"><strong>Alicja Domańska </strong></a></p> <p class="text">Painter, designer of spaces, graduate of the Academy of Fine Arts in Gdansk, lives and works in Sopot and Warsaw. Has held exhibitions in Warsaw, Sopot, Gdansk, Cracow, Lodz, as well as in London, Berlin and Stockholm, Grodno, winner of the Sopot Muse in the Field of Culture and arts, works with theatre, fashion designers, musicians, and architects. Believes that art requires adequate exposure and background and that paintings are always an integral part of the entire project. Draws inspiration from reality, processes onto canvas situations, places, dreams, giving them a completely new dreamlike quality. Painting serves as a metaphor of transition, allowing penetration of unrecognized order and submission to the prevailing rules... with emotions playing a major role. The artist is not afraid to experiment, inviting authors from various fields of art to painting projects. These paintings are very sensual and expressive. Her paintings are exhibited in galleries and are in private and public interiors around the world.</p> <p> </p> <p class="text"><br /><br /></p> <p class="p_last linia2"> </p> </div> 0 products
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The rational solid/ Exhibition of painting by Marii Kiesner
13.04.2015 - 30.04.2015
<div class="wystawa"> <h1 class="page-title">ARCHIVE EXHIBITION</h1> <h1 class="h1_wystawy"><span class="h1_wystawy_span">THE RATIONAL SOLID / </span>EXHIBITION OF PAINTING BY MARIA KIESNER</h1> <img src="http://101projekt.pl/img/cms/Banery do wystaw/o wystawie.jpg" alt="" width="908" height="269" /> <p class="p_last linia2 first">Artisti: <span><a href="http://101projekt.pl/index.php?id_artist=100&controller=artist&id_lang=2" target="_blank">Maria Kiesner</a><br /></span></p> <p class="p_last linia2">Venue: <span>Galeria 101 Projekt, Nowy Świat 53</span></p> <p class="p_last linia2">Date: <span>03-13.04.2015</span></p> <p class="p_last linia2"><span><br /></span></p> <p class="text"> </p> <p class="text">In the latest paintings which make up ‘The Rational Solid‘ cycle, Maria Kiesner returns to her fascination with images of old postcards. This time she exploits issues related to the Italian modernist architecture of the 1930‘s, until recently deprecated because of its identification with the fascist regime of Mussolini, but now coming back into favor and increasingly popularized. For her inspiration, the artist used objects built in the interwar period by prominent Italian architects such as Angiolo Mazzoni (author of many public utility buildings such as railway stations in Italy) and the authors associated in the Gruppo 7 and MIAR, followers of the principles of functionalism and rationalism.</p> <p class="text">The exhibition is actually built around one theme: the minimalist buildings of the station in Siena (1934, arch. A. Mazzoni) complemented by views of others deserted seaside structures. The author is intrigued by the layout of simple solids – verticals, horizontals and slants. She selects buildings photographed in a strong foreshortening perspective. The artist presents them from several directions – from the front and from the side and from the back, trying to understand the structure of the building. She makes painting an act of reconstruction, studying their tectonics, scale, proportion. Against the background of a disturbing sky, she locates flat, gable or half round roofs, strange clock towers or horizontal forms, bending at different angles. Using the specific elements of the Italian construction - concrete open-work cages, nettings, balusters with porticos, arcades - she adds a new, more complex division of the sky.</p> <p class="text">In simple solids and structures exhibiting characteristics of not only the modernist tendency, but also the classical tradition, Kiesner finds a logical combination of functionalities, construction and form. In her paintings, exploring the relation of solid and sky or horizon, she looks for similar situations. She is interested in horror and pathos given by strong foreshortening perspective and monochromatic colors. Trying to analyze the nature and structure of the buildings she uses basic means, treating them as research tools – sparsely drawn and limited only to a two color palette, the browns and blues recalling the sepia tones of old postcards. The artist makes an apt selection of objects as inspiration, and reduces narrative to a minimum.</p> <p class="text">For 12 years, the subject of the work of Maria Kiesner were painting reflections on modern urban landscape. Whereas previously she picked up the threads of Polish modernist and PRL architecture, she now looks back to Italian Rationalism. In factories, railway stations and other public buildings, in simplified and functionalism forms she finds palladian lightness and classic dignity.</p> <p class="text">Dr. Magdalena Durda-Dmitruk</p> <p> </p> <p><a href="http://101projekt.pl/index.php?id_artist=100&controller=artist&id_lang=2"><span style="font-size: 24pt;"><strong>Maria</strong><strong> Kiesner </strong>(born 1976)</span></a><strong></strong></p> <p class="text">Between 1997 and 2002 she studied at the Faculty of Painting at the Academy of Fine Arts in Warsaw. She defended her diploma in 2002 under the supervision of Prof. J. Modzelewski and was honored with a J. Szajna award for searching for a new form of expression She gained an annex in poster art in Prof. M. Wasilewski’s atelier. Her theoretical work was written under the supervision of Dr. Agnieszka Morawińska. Between 2005 and 2007 she was a scholar of the Ministry of Culture and National Heritage. She paints architecture and cityscapes, presenting objects realistically, ascetically and without staffage. She is interested in factories, railway stations, schools, community centers and forgotten relics of socialist modernism and modernism. She defended his doctorate in 2009 under the title "City before the storm". She works as a lecturer at the Maria Grzegorzewska Institute of Education Artistic Academy of Special Education in Warsaw.</p> <p class="text"><br /><br /></p> <p class="p_last linia2"><br /><span><br /></span></p> </div> 3 products
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Wszystkie oczy na mnie/ Wystawa Agnieszki Sandomierz
02.03.2015 - 20.03.2015
<div class="wystawa"> <h1 class="page-title">ARCHIVE EXHIBITION</h1> <h1 class="h1_wystawy"><span class="h1_wystawy_span">ALL EYES ON ME / </span>EXHIBITION OF PAINTINGS BY AGNIESZKA SANDOMIERZ</h1> <img src="http://101projekt.pl/img/cms/WSZYSTKIE OCZY NA MNIE/908 269.jpg" alt="" width="908" height="269" /> <p class="p_last linia2 first">Artist: <span><a href="http://101projekt.pl/index.php?id_artist=98&controller=artist&id_lang=2">Agnieszka Sandomierz</a><br /></span></p> <p class="p_last linia2">Venue: <span>101 Projekt Gallery, Nowy Świat 53</span></p> <p class="p_last linia2">Date: <span>02.03.- 20.03.2015</span></p> <p class="p_last linia2"><span><br /></span></p> <p class="text">Against backgrounds that are plain, decorated or sometimes stained with colored spots, in raw natural colors on untreated canvas or paper, figures fill almost the entire frame - sitting on an armchair or squatting, perhaps limply collapsing, or levitating. Some are represented as only the upper part of the body, others to the waist – these are the synthetic and expressive psychological portraits of the artist, sometimes complemented by characters from her personal environment (children, husband, dogs), or by references from everyday life (furniture, toys, mysterious plants) or spindly, surrealist forms.</p> <p class="text">Covering the period from 2012 to the present, the recent paintings and drawings by Agnieszka Sandomierz make up the new exhibition and continue a meandering journey through her life and work. This time, in a kind of "notebook" she analyses her spiritual and emotional states.</p> <p class="text">The painted story of her daily life has taken different forms. With sensual and eroticised images, bordering on the verge of mental exhibitionism, she entered at the end of her studies the landscape of female artists of the younger generation, working in the pop-art style, displaying herself in new roles of wife and mother.</p> <p class="text">This new exhibition consists of works made with egg tempera on canvas and tempera on paper. Shown under the common title of All eyes on me, Sandomierz once again scrutinizes and analyzes herself. However, she seems to go beyond the simple observation of her own body or the registration of banal gestures and actions. This time she ruthlessly bares her "states of mind". As once she displayed familiarity with femininity, eroticism, loneliness, and motherhood, now she examines her own mental condition.</p> <p class="text">The figure of the artist is shown in a slanting attitude, or in a serpentine pose (Insomnia, 2014; Falling, 2012); another time it is as if she were floating in space without gravity (Self-portrait with Michalina, 2012), or for a moment might find herself next to herself. Sometimes the figure is cut off from her environment, sometimes it is found amidst the hustle and bustle of everyday life, or even hiding - like an oversized baby in yellow trainers - in a mysterious garden (All eyes on me, 2014). Canvases are mostly in cool blue tones. Colour is used to emphasize an additional frozen state, a sense of suspension, of melancholy, of "remaining in oblivion."</p> <p class="text">The main character of the works on paper is a psychedelic little girl with mature facial features, who is spitting out spindly elements that form part of the design of the environment. The portraits are drawn with only a few powerfully relevant lines, infantile costumes but also with gestures or moods. Sometimes the figure is reduced only to the head placed together with a fragment of an internal organ such as the heart, or sometimes it merges into the ornamental background.</p> <p class="text">Works on paper are dominated by red contrasted with black lines or stains and the natural creamy-white background of cardboard. The colors highlight the the rapacity of the drawings. Most of the scenes are located in a surreal, deeply worrying reality. They are painted with a confident line that looks as if it was created at a single stroke, a blunt approach that works very effectively. We can feel the presence of the artist carefully watching herself but there is also a provocation to delve deeper into the next stage of her work.</p> <p class="text">Magdalena Durda-Dmitruk</p> <p class="text"><a href="http://101projekt.pl/index.php?id_artist=98&controller=artist&id_lang=2"><strong>Agnieszka</strong></a><strong><a href="http://101projekt.pl/index.php?id_artist=98&controller=artist&id_lang=2"> Sandomierz</a> </strong><span>(born 1978)</span></p> <p class="text">She studied at the Warsaw Academy of Fine Arts, Department of Painting in 1998-2003. She received her diploma with honors in 2003 at the atelier of Professor Wiesław Szamborski, completing an appendix on wall painting under the supervision of Professor Edward Tarkowski. Between 2005-2012 she was an assistant at the Faculty of Painting in Academy of Fine Arts in Warsaw. In 2005 she received a scholarship from the Ministry of Culture and Art. Since completing her studies she has helped create a unique atmosphere in the studio at 11 Listopada Street 22 in the Prague District of Warsaw.</p> <p class="text"> </p> <p> </p> <p class="text"><br /><br /></p> <p class="p_last linia2"><br /><span><br /></span></p> <!-- Galeria zdjęć --> <h1 class="page-title" style="margin: 30px 0;">Photo gallery</h1> <ul id="product_list" class="clear view-list" style="margin-left: 0;"> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a href="#"><img src="http://101projekt.pl/img/cms/wernisaz sandomnierz/DSC_0699.jpg" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="All eyes on me - opening of the exhibition,phot. 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White Season/ Exhibition of paintings by Mariusz Mierzejewski
19.01.2015 - 20.02.2015
<div class="wystawa"> <h1 class="page-title">ARCHIVE EXHIBITION</h1> <h1 class="h1_wystawy"><span class="h1_wystawy_span">WHITE SEaSON / </span><em>EXHIBITION OF PAINTINGS BY MARIUSZ MIERZEJEWSKI</em></h1> <img src="http://101projekt.pl/img/cms/Banery/baner-mierzejewski.jpg" alt="" width="908" height="269" /> <p class="p_last linia2 first">Artist: <span><a title="Mariusz Mierzejewski" href="http://101projekt.pl/index.php?id_artist=89&controller=artist&id_lang=2" target="_blank">Mariusz Mierzejewski</a><br /></span></p> <p class="p_last linia2">Venue: <span> 101 Projekt Gallery, Nowy Świat 53</span></p> <p class="p_last linia2">Date: <span>19.01.-20.02.2015</span></p> <p class="p_last linia2"><span><br /></span></p> <p class="text">101 Project Gallery presents an exhibition of paintings by Mariusz Mierzejewski. Composed on canvases both large and small, the works are being exhibited under the common title of "White Season", a reference to the period of winter and the sense of reflection that the season engenders. Most of the paintings are in ascetic black and white tones. Against a white background scenes of everyday life have been hurriedly sketched. One captures a diagonal composition of cars; another represents a bird’s-eye view of the silhouettes of boys playing in the snow; yet another is of snowy, wooded hills; whilst the exhibition’s dominant composition is a portrait of a black raven. Some of the works draw attention to the technique of impasto, with the paint layered and textured on the canvas like a congealed crust. Other canvases have about them an aura of tension and a mysterious "silence". Such a mood is evident in the two-meter canvas entitled “Alps”, painted with a more extensive palette, depicting an expressive pink sky and purple-blue shadows cast by the snow-covered mountain slopes. “Alps” reflects the author's admiration of the mountain landscape and the sense of humility one feels in the presence of nature. It also highlights his desire to take a moment’s breath, and pause for reflection. Drawing inspiration from nature and his immediate environment, Mierzejewski preserves his feelings through alternating phases of human existence, including the time of silence brought on by the aura of winter. According to the artist, winter is a period of silence – a necessary state that allows him to immerse himself in painting.</p> <p class="text">Magdalena Durda-Dmitruk</p> <p> </p> <p><strong>Mariusz</strong><strong> Mierzejewski </strong>(born 1981, Warsaw)<strong></strong></p> <p class="text">In 2006 he graduated from the Department of Art at the Univesity of Maria Curie Skłodowska in Lublin (Jacek Wojciechowski, Jan Gryka atelier). In his work he uses painting, photography, graphic arts and film. Laureate with distinction at the 2nd “Animalis” Triennale of Art in Chorzów (2011), 3rd prize in the contest for creating a project for developing the environment in the area of the National Stadium in Warsaw (team work), 1st prize in the contest for creating an architectural concept for the modernization of the Park of J. Poliński in Warsaw (team work), and 2nd place in the contest for creating an architectural and town planning project for the extension of the Polish Theatre in Szczecin (team work). He lives and works in Warsaw.</p> <p class="text"><br /><br /></p> <p class="p_last linia2"><br /><span><br /></span></p> <!-- Galeria zdjęć --> <h1 class="page-title" style="margin: 30px 0;">PHOTO GALLERY</h1> <ul id="product_list" class="clear view-list" style="margin-left: 0;"> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a href="#"><img src=" http://101projekt.pl/img/cms/wernisaz Mierzejewski/DSC_0294.jpg" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="phot. 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Wioletta Jaskólska
06.12.2014 - 20.12.2014
<div class="wystawa"> <h1 class="page-title">ARCHIVE EXHIBITION</h1> <h1 class="h1_wystawy"><span class="h1_wystawy_span">THE CITY <em style="font-style: italic;"> EN GRISAILLE </em> / </span>EXHIBITION OF PAINTINGS BY WIOLETTA JASKÓLSKA</h1> <img src="http://101projekt.pl/img/cms/Banery do wystaw/BANER WYSTAWA.jpg" alt="" width="908" height="269" /> <p class="p_last linia2 first">Artist: <span><a title="Wioletta Jaskólska" href="http://101projekt.pl/index.php?id_artist=87&controller=artist&id_lang=1" target="_blank">Wioletta Jaskólska</a><br /></span></p> <p class="p_last linia2">Venue: <span>Galeria 101 Projekt, Nowy Świat 53</span></p> <p class="p_last linia2">Date: <span>06.12.-09.01.2015</span></p> <p class="p_last linia2"><span><br /></span></p> <p class="text">For the last several years, the main motive in Wioletta Jaskólska‘s paintings has been the cityscape. She 'portrays' foreign cities like Paris, Birmingham, Siena, Lisbon, and Salzburg, but also native cities such as Warsaw and Lidzbark. 'The city <em>en grisaille</em>' is an exhibition of works from the recent period of 2013-14. They are mainly landscapes from Warsaw and Lodz; views presented both in a broad frame, from a bird’s eye perspective, and also individual objects or single architectural details. The Warsaw cityscapes commemorate images that no longer exist - modernist, or functional architecture that was characteristic of the style of the People's Republic of Poland: wide streets with a stream of anonymous silhouettes, or empty squares. The artist paints Warsaw with great fondness, trying to recall the memories of childhood. She uses photographs and postcards, which help her recall past images. The palette is basically limited to two colors, which emphasizes the purity of functionalist architecture. By showing specific historical beauty of a bygone era, the artist provides a tribute to architectonic objects, whose negative origins have caused them to be underestimated for years. In the case of Lodz, Jaskólska is intrigued by aerial views of urban plans, the ‘geometry‘ of the city, the street grid forming the inner bloodstream. Both large and intimate paintings are confined to a monochromatic spectrum of bright white, silver gray and black. Created <em>en grisaille</em>, the works give the impression of having been painted hastily, sketchily, with the textures of the brushwork visible and apparent. Despite the minimalist form and a limited range of colors, the cityscapes of Jaskólska possess the dynamism and luminosity of color.</p> <p class="text">Magdalena Durda-Dmitruk</p> <p> </p> <p><strong>Wioletta</strong><strong> Jaskólska </strong>(ur. 1969 r., Lidzbark Warmiński)<strong></strong></p> <p class="text">She studied at the Faculty of Arts Pedagogical University in Olsztyn and the Faculty of Arts at the University of Maria Curie-Sklodowska University in Lublin. She received a diploma in graphics in 1995 in Professor M. Snoch's atelier. In 2003 she defended her doctorate, and in 2010 completed her habilitation in painting at the Academy of Fine Arts in Warsaw. From 1995 she worked at the Pedagogical Universityu in Olsztyn, in Professor Wojciech Sadley’s atelier. Currently she is a Professor at the Institute of Fine Arts at the University of Warmia and Mazury in Olsztyn, and teaches painting and drawing. She was the receipt of scholarship in Paris in 2001 (Fonds d'Aide scholarship Aux Lettres Polonaises Independantes scholarship), and in Rome in 2002 (Fondazione Giovanni Paolo II scholarship). She has trained in easel painting, painting on silk and drawing, and she is also involved in interior design. She has had 38 solo exhibitions and about 80 group exhibitions at home and abroad.</p> <p class="text"><br /><br /></p> <p class="p_last linia2"><br /><span><br /></span></p> <!-- Galeria zdjęć --> <h1 class="page-title" style="margin: 30px 0;">Photo gallery</h1> <ul id="product_list" class="clear view-list" style="margin-left: 0;"> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a href="#"><img src=" http://101projekt.pl/img/cms/wystawa jaskolskiej wybrane/IMG_5728.jpg" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="fot. 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Birds /Exhibition of artworks by Zbigniew Waszczeniuk
04.10.2014 - 18.10.2014
<div class="wystawa"> <h1 class="page-title">archive exhibition</h1> <h1 class="h1_wystawy"><span class="h1_wystawy_span">birds / </span>exhibition of artworks by Zbigniew Waszczeniuk</h1> <img src="http://101projekt.pl/img/cms/Banery do wystaw/ptaki waszczeniuk.jpg" alt="" width="908" height="269" /> <p class="p_last linia2 first">Artist: <span><a title="Zbigniew Waszczeniuk" href=" http://101projekt.pl/index.php?id_artist=68&controller=artist&id_lang=2 target=">Zbigniew Waszczeniuk</a><br /></span></p> <p class="p_last linia2">Veneu: <span>Galeria 101 Projekt, Nowy Świat 53</span></p> <p class="p_last linia2">Dates: <span>04.10.-25.10.2014</span></p> <p class="p_last linia2"><span><br /></span></p> <p class="text"><span> Zbigniew Wasczeniuk</span> graduated from the Academy of Fine Arts in Warsaw. In 1974 he received his diploma with honors in the Graphic Department under Professor Henryk Tomaszewski. His work has been exhibited in Basel, Paris and Stockholm among others, and can also be found in private collections in the USA, Canada, Spain or France.</p> <p class="text">Waszczeniuk is a versatile artist, working in drawing, painting, graphics and with spatial forms. The exhibition “Birds” presents one of the artistic paths he has followed consistently for over 20 years. The extensive cycle consists of dozens of works created with ink, tempera, acrylic, dry pastel, oil, and even PVC panels (with which the author creates three-dimensional compositions, interacting with chiaroscuro). They all show the inspiration of the artist - birds.</p> <p class="text">Although the birds seen through the eyes of Waszczeniuk seem to be swift and dynamic creatures, the artist stresses that the process of their formation is usually long, and preceded by much reflection. Sometimes they are presented in a very minimalistic way, their form defined by a flowing, graphic line. At other times, they are creatures depicted with extreme expressiveness, and their forms are limited only by the frame. According to the artist, the most interesting things about birds are their movement and the sense of transience that they evoke.</p> <p class="p_last linia2"><span><br /></span></p> <!-- Galeria zdjęć --> <h1 class="page-title" style="margin: 30px 0;">Photo gallery</h1> <ul id="product_list" class="clear view-list" style="margin-left: 0;"> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a href="#"><img src="http://101projekt.pl/img/cms/waszczeniuk wernisaz/IMG_4505.jpg" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="BIRDS - opening of the exhibition, photography by Katarzyna Klimak" href="http://101projekt.pl/img/cms/waszczeniuk wernisaz/IMG_4505.jpg" data-lightbox="wystawa"><span style="margin: 25% 20%;">See more</span></a></div> </div> </li> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a href="#"><img src="http://101projekt.pl/img/cms/waszczeniuk wernisaz/IMG_4511.jpg" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="BIRDS - opening of the exhibition, photography by Katarzyna Klimak" href="http://101projekt.pl/img/cms/waszczeniuk wernisaz/IMG_4511.jpg" data-lightbox="wystawa"><span style="margin: 25% 20%;">See more</span></a></div> </div> </li> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a href="#"><img src="http://101projekt.pl/img/cms/waszczeniuk wernisaz/IMG_4502.jpg" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="BIRDS - opening of the exhibition, photography by Katarzyna Klimak" href="http://101projekt.pl/img/cms/waszczeniuk wernisaz/IMG_4502.jpg" data-lightbox="wystawa"><span style="margin: 25% 20%;">See more</span></a></div> </div> </li> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a href="#"><img src="http://101projekt.pl/img/cms/waszczeniuk wernisaz/IMG_3797.jpg" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="BIRDS - opening of the exhibition, photography by Katarzyna Klimak" href="http://101projekt.pl/img/cms/waszczeniuk wernisaz/IMG_3797.jpg" data-lightbox="wystawa"><span style="margin: 25% 20%;">See more</span></a></div> </div> </li> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a href="#"><img src="http://101projekt.pl/img/cms/waszczeniuk wernisaz/IMG_3853.jpg" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="BIRDS - opening of the exhibition, photography by Katarzyna Klimak" href="http://101projekt.pl/img/cms/waszczeniuk wernisaz/IMG_3853.jpg" data-lightbox="wystawa"><span style="margin: 25% 20%;">See more</span></a></div> </div> </li> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a href="#"><img src="http://101projekt.pl/img/cms/waszczeniuk wernisaz/IMG_3804.jpg" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="BIRDS - opening of the exhibition, photography by Katarzyna Klimak" href="http://101projekt.pl/img/cms/waszczeniuk wernisaz/IMG_3804.jpg" data-lightbox="wystawa"><span style="margin: 25% 20%;">See more</span></a></div> </div> </li> <!-- Koniec galerii zdjęć --></ul> </div> 5 products
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Incidental /Exhibition of paintings by Magdalena Kazimierska
30.08.2014 - 13.09.2014
<div class="wystawa"> <h1 class="page-title">archive exhibition</h1> <h1 class="h1_wystawy"><span class="h1_wystawy_span">incidental / </span>exhibition of paintings by magdalena kazimierska</h1> <h1 class="h1_wystawy"><br /><br /></h1> <img src="http://101projekt.pl/img/cms/Banery%20do%20wystaw/Incydentalnie-Kazimierska.jpg" alt="" width="908" height="269" /> <p class="p_last linia2 first">Artists: <span><a title="Magdalena Kazimierska" href="http://101projekt.pl/index.php?id_artist=67&controller=artist&id_lang=2" target="_blank">Magdalena Kazimierska</a><br /></span></p> <p class="p_last linia2">Venue: <span>Galeria 101 Projekt, Nowy Świat 53</span></p> <p class="p_last linia2">Dates: <span>30.08.-13.09.2014</span></p> <p class="p_last linia2"><span><br /></span></p> <p class="text"><span>Magdalena Kazimierska</span>, is a graduate of the Warsaw Academy of Fine Art, where she received her diploma under Professor Jan Tarasin in the Faculty of Painting. Then she continued her studies at the Department of Production Design. She has exhibited her works in many galleries in Poland, including Zacheta Gallery (Warsaw), Open Atelier (Cracow), and Senatorska Gallery (Warsaw). Her work has also been shown abroad, as part of group exhibitions The Place in Glasgow in 2007 and Inspiring Humanity in Edinburgh in 2007.</p> <p class="text">Until recently in the artist's oeuvre focused exclusively on representations of flowers embedded in some simple graphic space, inspired by the paintings of Kazimir Malevich. Two years ago Kazimierska started to work on a second series of paintings – „Charismatic Men” – portraits depicting her colleagues from the world of art, science or business.</p> <p class="text"><span>The Incidental</span> exhibition presents the artist’s latest works, created between the search for beauty in flowers and the search for charisma in man who has lived a fulfilled life. In these studies of the male we can see themes of melancholy and loneliness emerging in the artist’s work.</p> <p class="text"><span>Alongside the portraits</span>, Kazimierska also worked on landscapes. By transferring the scenery from a photograph to large format painting, the artist has been forced to search for a new language of expression. By combining a created space with abstraction, Kazimierska draws us into a game of two dimensions with the illusion of three-dimensionality, and thereby creates a space for interpretation by our imagination.</p> <p class="text">Although the exhibition is called Incidental, the works on show are in no sense random creations. Portraits full of darkness and mystery are balanced by the open space and calm of landscapes. These two seemingly different expressions complement each other, creating a completely new quality. According to the artist, while she is painting she is looking for universal themes. Also, she seeks to express in her works harmony, hope and beauty.</p> <!-- Galeria zdjęć --> <h1 class="page-title" style="margin: 30px 0;">Photo gallery</h1> <ul id="product_list" class="clear view-list" style="margin-left: 0;"> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a href="#"><img src="http://101projekt.pl/img/cms/Wernisaz Kazimierska/fot. Katarzyna Kimak.jpg" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="Incidental - Exhibition opening, fot. Katarzyna Klimak" href="http://101projekt.pl/img/cms/Wernisaz Kazimierska/fot. 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Dialogue of Generations /Exhibition of paintings and sculptures
26.07.2014 - 09.08.2014
<div class="wystawa"> <h1 class="page-title">archive exhibition</h1> <h1 class="h1_wystawy"><span class="h1_wystawy_span">dialogue of generations/ </span>exhibition of paintings and sculptures by wit boguslawski and krzysztof ostrzeszewicz</h1> <h1 class="h1_wystawy"><br /><br /></h1> <img src="http://101projekt.pl/img/cms/Banery%20do%20wystaw/Dialog_Pokolen_baner.jpg" alt="" width="908" height="269" /> <p class="p_last linia2 first">Artists: <span>Wit Bogusławski, <a title="Krzysztof Ostrzeszewicz" href="http://101projekt.pl/index.php?id_artist=73&controller=artist&id_lang=2" target="_blank">Krzysztof Ostrzeszewicz</a><br /></span></p> <p class="p_last linia2">Venue: <span>Galeria 101 Projekt, Nowy Świat 53</span></p> <p class="p_last linia2">Dates: <span>26.07.-9.08.2014</span></p> <p class="p_last linia2"><span><br /></span></p> <p class="text">On Friday July 25th in Warsaw Gallery 101 Project will hold the opening of an exhibition entitled <span>‘Dialogue of Generations’</span>, showing the work of Wit Bogusławski and Krzysztof Ostrzeszewicz.</p> <p class="text">Although both artists have worked in many different artistic forms - including drawing, painting, photography - it is with sculpture that the present exhibition is concerned. As the title suggests, a ‘dialogue’ leads to a reflection on the work of artists of different generations, for whom sculpture remains the dominant medium of expression. The human figure and face are of interest to both artists. The younger of them – Krzysztof Ostrzeszewicz - combines in his work a fascination with ancient tradition and with Cubism; while for Wit Bogusławski the emphasis is on texture and matter - both natural, such as stone and clay, and artificial, such as bronze or steel.</p> <p class="text">In addition to the exhibition of sculptures by both artists, visitors will be able to see oil paintings by Wit Bogusławski, such as ‘Faces I’ or ‘Whispering’, that serve to complement his sculptural works by revealing the artist's interest in creating spatial forms on the canvas.</p> <p class="text"><span>Wit Boguslawski</span> was born in 1960 and started his education in 1982 attending the Faculty of Sculpture at the Academy of Fine Arts in Istanbul. After four years he came back to Poland and continued his studies in Warsaw and afterwards at the Faculty of Painting, Graphics and Sculpture in the studio of Professor Leon Podsiadły in Wrocław Academy of Fine Arts.</p> <p class="text">Bogusławski is a member of ZPAP, and the associations ‘Fabryka Sztuki’, ‘Składnica Sztuki’ and ‘Grupa Hoovera’. His main area of interests include oil painting and sculpture, but he also creates drawings, photographs, ceramics and interior designs.</p> <p class="text">The artist has shown his works in Great Britain, Belgium, Turkey and Finland. In Poland, it has been seen in Warsaw Zachęta (1990), DAP ZPAP Gallery (2012), and also in an individual exhibition in Gallery 8+ (2014).</p> <p class="text"><span>Krzysztof Ostrzeszewicz</span> was born in 1985. When he was twenty years old, he began his studies in the Faculty of Sculpture at the Academy of Fine Arts in Warsaw. His thesis ‘Pieta’ was awarded honours and shown at the exhibition ‘Coming Out – Najlepsze dyplomy ASP’.</p> <p class="text">Besides sculptures, the artist is also involved in drawing, painting, photography, illustration and designing book covers.</p> <p class="text">In 2010, the Theatre Academy in Warsaw honored the sculptor by commissioning him to design and build a tombstone for Zbigniew Zapasiewicz. The result dedicated to the actor can be seen today at Warsaw Military Powązki cemetery. Other works of the artist were presented, among others, at the exhibition ZPAP – ‘Young trick - in the mind’ (2012), graduate of Fine Arts exhibition ‘The Youngest’ (2012), and the second Festival of Arts ‘Young at Art’ (2013).</p> <!-- Zdjęcia prac --> <h1 class="page-title" style="margin: 30px 0;">Galeria zdjęć</h1> <ul id="product_list" class="clear view-list" style="margin-left: 0;"> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a href="#"><img src="http://101projekt.pl/img/cms/Wystawa Dialog Pokolen/2_fot_Katarzyna_Klimak.jpg" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="Dialogue of Generations - Exhibition opening, fot. 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Cosmodios /Exhibition of paintings by Zbigniew M. Dowgiallo
14.06.2014 - 06.07.2014
<div class="wystawa"> <h1 class="page-title">archive exhibition</h1> <h1 class="h1_wystawy"><span class="h1_wystawy_span">cosmodios / </span>exhibition of paintings by zbigniew M. Dowgiallo</h1> <img src="http://101projekt.pl/img/cms/Banery%20do%20wystaw/Dowgiallo_wystawa_2.jpg" alt="" width="854" height="253" /> <p class="p_last linia2 first">Artist: <span><a href="http://101projekt.pl/index.php?id_artist=81&controller=artist&id_lang=2">Zbigniew M. Dowgiallo</a><br /></span></p> <p class="p_last linia2">Venue: <span>Galeria 101 Projekt, Nowy Świat 53</span></p> <p class="p_last linia2">Dates: <span>14.06.-6.07.2014</span></p> <p class="p_last linia2"><span><br /><br /></span></p> <p class="text odstep first"><span>The latest exhibition</span> at 101 projekt Gallery is of paintings by Zbigniew M. Dowgiałło - a graduate of the Warsaw Academy of Fine Arts, and one of the most prominent artists of his generation. Zbigniew M. Dowgiałło is a "total artist", not only a painter, but also a film director, a scriptwriter, a set designer, a composer, a producer and a creator of 2D and 3D animation.</p> <p class="text"><span>He debuted as a painter</span>, before his studies, in 1979. In the 1980s he was the precursor and the leading representative of the New Expressionism. He exhibited his works with Wojciech Tracewski.</p> <p class="text"><span>Zbigniew Dowgiałło’s paintings</span> were presented in the most important exhibition of that time: in Norblin Factory ("Co słychać" exhibition) and in the National Museum in Warsaw ("Realizm radykalny- Abstrakcja Konkretna" exhibition). Since 1987 he has co-operated with Anna Gruszczyńska, creating visions of the art of the future - baroque and cosmic paintings and architectural designs of the cosmic era.</p> <p class="text"><em>"Every artist has to develop - to strive where nobody has gone before - to the stars. Lack of development is stagnation, a retreat, becouse the whole world is racing ahead. Space is transcendence and the boundlesnesss of freedom represents an unattainable beauty" </em>- the artist states.</p> <p class="text"><span>The title of exhibition</span> and one of the artist’s paintings - <a title="Zbigniew M. Dowgiałło, Cosmodios" href="http://101projekt.pl/index.php?id_product=217&controller=product&id_lang=2">Cosmodios </a>- perfectly encapsulates the meaning of the universe in the artist’s creation. The main ideas in Zbigniew Dowgiałło’s paintings are freedom, beauty, space, revelation. Each idea can be found in the artist’s works, executed in traditional oils.</p> <!-- Zdjęcia prac --> <h1 class="page-title" style="margin: 30px 0;">Photo Gallery</h1> <ul id="product_list" class="clear view-list" style="margin-left: 0;"> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a href="#"><img src="http://101projekt.pl/img/cms/Wystawa Dowgiallo/Zbigniew_Dowgiallo.jpg" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="Exhibition opening, fot. 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Anna Kutiepova" href="http://101projekt.pl/img/cms/Wystawa Dowgiallo/Zbigniew_Dowgiallo_wystawa_1.jpg" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a><img src="http://101projekt.pl/img/cms/Wystawa Dowgiallo/Zbigniew_Dowgiallo_wystawa_5.jpg" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="Exhibition opening, fot. Anna Kutiepova" href="http://101projekt.pl/img/cms/Wystawa Dowgiallo/Zbigniew_Dowgiallo_wystawa_5.jpg" data-lightbox="wystawa"><span style="margin: 25% 20%;">See details</span></a></div> </div> </li> </ul> </div> 0 products
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Grzegorz Gwiazda /Sculptures
25.01.2014 - 09.02.2014
<div class="wystawa"> <h1 class="page-title">Archive Exhibition</h1> <h1 class="h1_wystawy"><span class="h1_wystawy_span">Grzegorz Gwiazda / </span> SCULPTURES</h1> <img src="http://101projekt.pl/img/cms/Banery%20do%20wystaw/Gwiazda_wystawa_2.jpg" alt="" width="908" height="269" /> <p class="p_last linia2 first">Artist: <span>Grzegorz Gwiazda</span></p> <p class="p_last linia2">Venue: <span>Galeria 101 Projekt, Nowy Świat 53</span></p> <p class="p_last linia2">Dates: <span>25.01.-9.02.2014</span></p> <p class="p_last kreska linia2"> </p> <p class="text odstep first"><span>From 25.01 to 09.02.2014</span> 101projekt Gallery exhibited the work of young artist Grzegorz Gwiazda.</p> <p class="text"><span><a name="Grzegorz_Gwiazda"></a>Grzegorz Gwiazda</span> was born in 1984 in Lidzbark Warmiński. He studied at the Academy of Art in Poznań and in Warsaw, and on a scholarship at the Accademia di Belle Arte di Brera in Milan, Italy. In 2009 he graduated with honors from the Academy of Art in Warsaw, having studied in the faculty of sculpture under Professor <a name="Adam_Myjak"></a>Adam Myjak.</p> <p class="text"><span>In recent years</span> Grzegorz Gwiazda has participated in a series of events and activities, with individual exhibitions in various Polish cities: Warmia Bishops Castle (Lidzbark Warmiński 2008) „Promocyjna” Gallery, Warsaw (2011) „Fibak” Gallery (2013) „Znaleziona” Gallery, Poznań and „Wspólna” Gallery, Bydgoszcz.</p> <p class="text"><span>His work</span> has also been exhibited in collective exhibitions both in Poland and abroad: „Coming Out: The Best Graduates of ASP”, Warsaw (2009), „Exhibition of Professors and Graduates in the Faculty of <a name="sculpture"></a>Sculpture ASP”, Warsaw (2012), Madrid (2010, 2011) and Barcelona (2011). His sculptures can be found in the permanent collection of Museum Europeu d'Art Modern in Barcelona.</p> <p class="text"><span>The exhibition</span> was a unique opportunity to take a different perspective on modern sculpture, as a contemporary storage medium in the classical form.</p> <p class="text"><span>Among the artist’s works</span> exhibited at the 101projekt Gallery were <em>Anointed</em> (Pomazaniec), <em>Bike</em> (Rowerek), <em>Alchemist</em> (Alchemik), <em>Bench</em> (Ławeczka). In his sculptures the artist used various materials such as paper, resin, bronze, ceramics and wood.</p> <!-- Zdjęcia z otwarcia wystawy --> <h1 class="page-title" style="margin: 30px 0;">photo gallery</h1> <ul id="product_list" class="clear view-list" style="margin-left: 0;"> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; widht: 265px;"><a href="#"><img src="http://101projekt.pl/img/cms/Wystawa Gwiazda/1 fot. Maciej Kuron.jpg" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="fot. Maciej Kuroń" href="http://101projekt.pl/img/cms/Wystawa Gwiazda/1 fot. 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An exhibition of photographs /Kasia Kryńska, Anna Nowicka, Anna
30.11.2013 - 14.12.2013
<div class="wystawa"> <h1 class="page-title">Archive Exhibition</h1> <h1 class="h1_wystawy"><span class="h1_wystawy_span">Exhibition of photographs /</span>kasia kaLUa kryńska, anna nowicka, anna tomczyńska</h1> <img src="http://101projekt.pl/img/cms/Banery%20do%20wystaw/Krynska_Nowica_Tomczyk_2.jpg" alt="" width="908" height="269" /> <p class="p_last linia2 first">Artists: <span>Kasia Kalua Kryńska, Anna Nowicka, Anna Tomczyńska</span></p> <p class="p_last linia2">Venue: <span>101 Projekt Gallery, Nowy Świat 53, Warsaw</span></p> <p class="p_last linia2">Dates: <span>30.11.2013</span></p> <p class="p_last kreska linia2"> </p> <p class="text odstep first"><span>The exhibition</span> of photography by Kasia Kryńska, Anna Nowicka and Anna Tomczyńska was the inaugural exhibition organized in Gallery 101projekt and opened on 30th November 2013. The three artists presented their works of black-and white and colour <a name="photographs"></a>photographs, mainly portraits and landscapes.</p> <p class="text"><span>Kasia Kaula Kryńska</span>: graduated from the Department of Architecture at the Warsaw Institute of Technology and European Academy of Photography. Since 2010 she has been a PhD Student in Studio of Photography at the Warsaw Academy of Fine Arts. Architect, designer and photographer. Fan of the analog photography, a laureate of photographic competition 5th Annual Black and White Spider Awards. Her photographs have been shown in collective and individual exhibitions in Poland and abroad: Ireland, Portugal, the Netherlands, Germany and USA, and have appeared in several magazines, such as<em> Wysokie Obcasy</em>, <em>Zwierciadło</em>, <em>Zabytki</em>, <em>Weranda</em>, <em>Blow Photo Magazine</em>, <em>Soura Magazuben SHOTS Magazine</em>.</p> <p class="text"><span>Anna Nowicka</span>: graduated from the Department of Graphics in Warsaw at the Academy of Fine Arts and Higher School of Film and Theatre in Lodz. She is a PhD Student at the Academy of Fine Art, and is a traveller, photographer, and lecturer. Her photographs have been shown in exhibitions: „Monpeilleur Dance”, „Frankfurt Buchenmese”, „Versus”, „Niebo i ziemia” and at several photography festivals.</p> <p class="text"><span>Anna Tomczyńska</span>: graduated from the Department of Graphics at the Warsaw Academy of Fine Arts and did her post-graduate studies in Set Design. She is a PHD Student in Department of Graphics in Warsaw Academy of Fine Arts. Author of set design and theatre costumes in Poland and abroad (for example Dostoyevski's <em>Boboka</em>, Bulhakov's <em>The Master and Margarita</em>, Kolada's <em>Goose</em>). She has shown her works at exhibitions in Poland and abroad - in 2004 in Shanghai (At Estlink Gallery), 2009 „Bezdomna” Gallery CSW, Warsaw, Warsaw Festival of Photography.</p> <!-- Zdjęcia prac --> <h1 class="page-title" style="margin: 30px 0;">Photo gallery</h1> <ul id="product_list" class="clear view-list" style="margin-left: 0;"> <li class=" ajax_block_product item clearfix" style="margin-right: 56px;"> <div class="center_block"> <div class="box-img" style="display: block; wight: 265px;"><a href="#"><img src="http://101projekt.pl/img/cms/Wystawa Krynska Tomczyk Nowicka/KK-1407.jpg" alt="" width="265" height="" /></a></div> <div class="hover_dir" style="width: 94%; height: 84%;"><a title="Private view, fot. 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